Tag: Plex

My latest sponsored Plex post takes a look at Nostalgia TV, an independent application that provides an alternative user interface for Plex media servers. While not an official Plex product, the app utilizes the Plex API to connect to a user’s existing libraries and present content through a 1990s-style cable television interface. This allows users to view their own media files as a series of linear, “live” broadcast channels.

Check it out in the video here!

The application is currently available only for Android and runs on both mobile devices and television-based hardware. You can find it on the Google Play store here.

Setting it up is relatively straightforward compared to other similar tools; it does not require additional server-side installations like Docker. Once the app is pointed toward a Plex server and specific libraries are selected, it automatically generates a variety of themed channels. On the free tier, users have access to about five or six channels that match content based on library metadata, such as children’s programming or specific movie genres.

A pro version is available for a one-time fee of $20, which unlocks deeper customization and additional features. This includes the ability to add or remove channels, change the visual theme—ranging from a “Rad Lad” 80s monitor style to a more polished “Premium” look—and enable commercial breaks. These commercials are pulled from a user’s own designated Plex library and serve to pad the timing of shows so they stick to 15-minute scheduling increments.

While the core functionality of tuning between channels is notably fast, the application is in its early stages and is a bit buggy especially when it comes to customization.

Configuration via a remote control can be cumbersome, though the app includes a local web remote feature that allows for easier channel editing through a web browser. Within this web interface, users can adjust content flow using methods like random shuffling, sequential blocks, or “cyclic” ordering to maintain episode chronology. Unfortunately it’s not currently possible to build an hour-by-hour schedule – the app fills in the channel guide automatically.

Beyond the interface itself, the app integrates with the standard Plex ecosystem by reporting playback status back to the server dashboard, supporting both direct play and transcoding when necessary.

This project serves as a practical example of the extensibility now possible through the Plex API. By leveraging the server’s existing handling of video playback and library management, independent developers are able to focus entirely on creating niche user experiences.

Next month’s video will show case some things that I “vibe coded” using AI tools and connecting them to the Plex API. Stay tuned!

Disclosure: this is a paid sponsorship from Plex. However they did not review or approve this video or post prior to publication.

I’ve been using Plex for well over a decade now, long before any sponsorships entered the picture, and it remains the backbone of how I manage and watch my media at home and on the road. As a point of disclosure, this video and the transcript it’s based on are part of a paid sponsorship with Plex, but they did not review or approve the content beforehand.

My current Plex server runs on Unraid, which has proven to be a flexible choice that makes installing the Docker version of Plex super easy. Right now, the server itself is a small Beelink ME Mini NAS/PC paired with a USB-connected multi-bay SATA enclosure. It’s not a particularly elegant setup in terms of cabling, but it’s been reliable.

One of the reasons I’ve stuck with Unraid is how easy it is to migrate from one machine to another. Moving from an earlier NAS box with thermal issues to the current setup was simply a matter of transferring the Unraid external boot drive and disk array. The system came back online without any any configuration drama, which makes incremental upgrades far less painful.

The processor in this server is a low-power Intel N150, and in practice it has been more than sufficient. It handles multiple Plex transcodes at once and still leaves enough headroom for other Docker containers I run alongside it. That experience has reinforced my view that you don’t need particularly powerful hardware for a small, well-tuned home server so long as your processor supports hardware transcoding. The Intel N100 and N150 chips are available in many affordable mini PCs and entry-level NAS devices.

I also maintain a second Plex server offsite at a family member’s house, running on a Synology NAS. That system serves double duty as a test bed and as an offsite backup destination, giving me control over where my data lives. To connect everything together securely, I rely on Tailscale. It allows me to access my servers remotely without exposing them directly to the internet, and I can limit access to specific people and devices. That balance between convenience and security has worked well for my use case.

Most of my serious viewing happens at home, particularly higher-bitrate Blu-ray rips that I watch in my home theater. That setup centers around an older LG OLED television paired with an Nvidia Shield from the 2019 generation. Despite its age, the TV still delivers excellent image quality, and the Shield handles Dolby Vision playback from both streaming services and locally ripped discs.

With proper audio passthrough enabled, lossless Dolby Atmos tracks make it from the server to the sound system untouched, which is exactly what I want for that kind of content. I also enable refresh-rate switching so films play back at their native 24 frames per second, avoiding unnecessary judder.

Over time, I’ve built up a sizable library, and lately I’ve found myself revisiting older television series. Plex’s ability to shuffle episodes has become a surprisingly useful feature, especially for shows I know well and don’t feel the need to watch in order. It turns familiar series into something closer to background comfort viewing, without much thought required.

Live TV is another part of my setup, using an HDHomeRun tuner integrated into Plex. I can mix over-the-air channels with streaming channels in a single guide, and when I’m traveling, I can even watch my local channels remotely. Plex doesn’t currently support ATSC 3.0 broadcasts due to encryption and audio codec limitations, so recordings are limited to ATSC 1.0. I also handle actual recording through the HDHomeRun app, with Plex pointed at the directory where those recordings are stored so both systems can access them.

One of the more recent additions to my workflow is Plex’s watch list feature. When I hear about a show or movie that sounds interesting, I add it to the list from my phone. Later, when I sit down to watch something, Plex shows me not just the title but where it’s available, whether that’s on my own server, a friend’s server, or a streaming service. It’s a practical way to reduce the time spent deciding what to watch, especially when free time is limited. The same interface also surfaces trailers and upcoming episode release dates, which acts as a lightweight reminder system.

Music is handled through Plex as well. I’ve been slowly ripping decades’ worth of CDs into lossless files, which now live alongside my video library. Most listening happens through the Plexamp app on my phone, both at home and remotely. For travel, I’ll download albums or playlists directly to the device. While wireless headphones limit some of the benefits of lossless audio, using wired headphones makes a noticeable difference, especially on long flights.

Speaking of travel, the download feature has also been useful for loading TV episodes onto a tablet before trips using the Plex mobile client, letting me watch without relying on in-flight connectivity.

Looking back, Plex has stayed in my workflow because it’s made managing and accessing my media more straightforward. It brings together local files, live TV, and streaming discovery in a way that reduces friction rather than adding to it. For me, that efficiency is the real value, and it’s why the system I set up years ago continues to evolve rather than being replaced.

I’ve done a lot with Plex over the years, but never have I run it on my Steam Deck. Since the device is effectively a handheld Linux PC, it’s possible to run the full Linux Plex desktop application on it and access media the same way you would on a computer.

In my latest monthly sponsored Plex video, I step through installing and running both the Plex and Plex HTPC clients and demonstrated them running on the Steam Deck.

The process starts in the Steam Deck’s desktop mode rather than its usual gaming interface. From there, I went into the Discover app store, searched for Plex, and chose the desktop version instead of the HTPC edition initially.

The desktop app supports media downloads for offline viewing, which the HTPC version doesn’t, so it made more sense for someone planning to take content on the go. After installing it, I found the app under the multimedia section, signed into my Plex account, and confirmed everything worked.

To integrate Plex into the handheld’s regular Steam interface, I opened the Steam client in desktop mode and added Plex as a non-Steam game using the little plus icon at the bottom of the library interface. Once added, I rebooted back into gaming mode, and Plex appeared in the library under the non-Steam tab. I wasn’t able to make the icon show up properly, though I’m sure there’s a method tucked away in the settings somewhere. Even without the icon, the app launches like any other game.

Running the desktop version inside gaming mode takes a little control adjustment. The trackpads can work as a mouse, and Steam’s controller templates can remap the controls however you want. I set mine to a simple mouse-only profile, though the touchscreen works too. Navigating Plex this way feels natural enough, and the download option appears just as it does on other desktop platforms for Plex Pass users. My Steam Deck is one of the originals that doesn’t have an HDR display, and with only a 720p resolution, it makes sense to choose smaller download sizes when storage is at a premium.

Playback was smooth in my testing. A 4K Blu-ray rip of Jurassic Park—a Dolby Vision disc—played back without issue over my LAN, tone-mapped appropriately, and looked fine on the Deck’s display. Local network streaming especially felt quick and responsive. As a client device, the hardware seems more than up to the task. I wouldn’t run a Plex server on it, though; the AMD processor in the Deck doesn’t support hardware transcoding, and the whole idea of carrying a server around isn’t practical anyway. But if you wanted to do it there’s no restriction on it.

For those who prefer a TV-style layout, the Plex HTPC app installs from the same app store and works as expected. It responds quickly, though like the desktop app it requires a bit of controller mapping for navigation. The tradeoff is that it doesn’t support offline downloads. Depending on how you like to use Plex, either app may be the better fit.

What surprised me most is how naturally the Steam Deck functions as a portable media player once everything is set up. Since many people already travel with the device to play games, adding Plex creates another use case without much effort. And with all the power packed into the hardware, it behaves very much like a small PC that happens to have a built-in screen.

If you’d like more Plex topics explored in future posts or videos, feel free to suggest them. I’m always collecting ideas as I work through this series.

Disclosure: This video was sponsored by Plex, however they did not review or approve it prior to uploading.

When I was straightening up the other day, I stumbled across my very first Plex server. I have since upgraded my Plex server two more times, and it got me to thinking: when should you upgrade your Plex server? In my latest monthly sponsored Plex video, I step through what servers I’ve used and why I upgraded them.

My first server was a Sony Vaio laptop that I had originally reviewed back in 2013, and at some point it ended up becoming my main media server. It was running Windows 7 with Windows Media Center, and I used it alongside my HDHomeRun tuners back before they had their own software. And of course I ran my Plex server on it too. Surprisingly, after years on a shelf, the laptop powered right back on.

The laptop worked fine for a while because it had an Intel processor with QuickSync support, which Plex has long taken advantage of for hardware transcoding. It was an efficient and cost-effective way to run a server at the time. But as my library grew to include more HEVC content, the limitations of that generation of Intel hardware became clear. Without hardware support for HEVC encoding, the laptop had to fall back on software transcoding, which bogged down quickly when more than one person tried to stream.

In 2017, I retired the laptop and moved over to a WD My Cloud PR2100. That device also ran with an Intel chip, this time from the Braswell family of processors. It expanded the range of formats I could work with, including hardware decoding of HEVC, though it couldn’t encode HEVC or handle HDR tone mapping. As more of my library shifted toward HDR content, the inability to perform tone mapping in hardware became a significant bottleneck.

Earlier this year, I moved to a Beelink NAS with an Intel N150 processor, part of the Twin Lake/Alder Lake-N generation. That change brought me modern hardware transcoding features, including tone mapping, which made a big difference. While some older formats dropped off in support, the trade-off has been worth it because the server is now better equipped to handle contemporary video.

Over time, the way I’ve hosted Plex has also evolved. The original laptop server ran Windows, the WD device had its own Plex server app, and now I run Plex in Docker on Unraid. Docker has proven to be the easiest to back up and migrate. Shutting down the container and copying over the metadata folder is all it takes to preserve everything. Moving to new hardware is as simple as pointing Docker at the same files and starting it up again.

For those looking to set up a Plex server today, inexpensive Intel-based mini PCs are worth considering. I’ve had good luck with small GMKtec systems that cost under $150 (compensated affiliate link). They handle Linux, run multiple Docker containers without issue, and can perform hardware transcoding and tone mapping. If you have an older Intel server, adding a GPU can also extend its usefulness. Plex officially supports Nvidia cards, and I’ve seen encouraging reports about Intel Arc GPUs as well.

Looking back at this progression, each upgrade was less about overall system performance and more about keeping up with changes in video formats and transcoding demands. The servers I left behind were still functional, but they couldn’t keep up with the evolving needs of my library.

Disclosure: This video was a paid sponsorship from Plex, however they did not review or approve this content before it was uploaded. All opinions are my own.

Plex has been moving forward on the roadmap they laid out for their personal media server, and one of the more notable changes is already live—the new mobile app. Alongside that, they’ve been working on a redesigned TV app that’s still in beta. A major part of this update involves how Plex handles music and photos. The original plan was to move both into their own standalone apps—Plexamp for music and a separate Photos app. While that rollout did happen, it generated a lot of pushback from users who preferred having everything in one place – especially on the TV.

Plex responded to that feedback with a new preview version of their TV app, currently available only on Roku. This version brings music and photo libraries back into the mainline app experience. You can see it in action in my latest monthly sponsored Plex video.

Plex says that other platforms will follow, although there’s no timeline yet. Even as those features return to the main app, the standalone Plexamp and Photos apps will continue to be supported.

The apps all share a new architecture that should make cross-platform updates easier going forward. I spent some time testing the preview version on Roku to see how these reintegrated features are coming together.

Music playback is functional and similar to the current Plex TV experience. After selecting a music library, it’s possible to browse by artist, view popular tracks, and start playback. There’s a waveform visual, lyrics support, and playback is handled with attention to audio quality—lossless files will pass through if the device supports them, and the server will transcode when necessary.

Photo support is also back and works in a similar way to what users are accustomed to on the current Plex TV app. Photos and videos can be mixed in albums, and the experience includes recommendations and folder-based album navigation. There’s also a working slideshow feature via playlists. The only missing piece I noticed was the ability to manually reorder photos within a playlist, which doesn’t seem to be working yet.

The current preview app runs separately from the standard Roku Plex app, so there’s no risk of losing access to existing setups. Instructions for installing the Roku preview are posted in the Plex forums, and the team is encouraging feedback there.

So music and photos are back on Roku, and more platforms will follow. If you’re a Plex user who relies on those features, this preview is worth checking out—and if you have feedback, now is a good time to share it!

For my latest monthly sponsored Plex video, I took on a fun project that turned my Plex library into a fully programmed, always-on TV channel. Using an open-source tool called ErsatzTV, I set out to recreate the experience of traditional broadcast television—with scheduled shows, filler ads, and a sense of timing you just don’t get from on-demand shuffling.

I step through how to get it up and running in my latest video.

The idea behind ErsatzTV is pretty straightforward: it links into your Plex server and plays back episodes from your media library on a set schedule. It even keeps track of what episode aired last, so it will step through a season of a show each day or week. It can also shuffle episodes each time. If you tune in halfway through, that’s where you start watching—just like the old days.

To make it work with Plex, you do need a Plex Pass since it ties into the live TV and DVR features.

I installed ErsatzTV on a Windows machine for demonstration purposes, but it’s cross-platform, and you can run it on Linux, macOS, or via Docker. After downloading and extracting the app, I launched the server and configured it through the web interface. The first tweak was enabling hardware acceleration for better performance, which in my case meant selecting the VAAPI option for Intel graphics.

From there, I connected ErsatzTV to my Plex server and synced my TV show library. My mix included old episodes of David Letterman and Johnny Carson, Star Trek: The Next Generation, some 80s cartoons, and a healthy dose of Bluey for the kids. I also added a folder of vintage commercials and PSAs as filler content to help round out the schedule to clean half-hour or hour blocks.

ErsatzTV doesn’t let you slot individual files—everything has to be bundled into collections. So I grouped the ads into a “filler” collection and set up presets for midroll and fallback padding. This way, the system could drop in the right number of ads to stretch shorter content to the next block precisely.

Then came the fun part: building out the channel. I created a schedule starting at 6 a.m. with “Star Blazers and “He-man”, Bluey from 9 to 1, some afternoon Star Trek, and nighttime talk shows beginning at 10 p.m. with Johnny Carson. I used a mix of fixed and dynamic scheduling depending on the content length. ErsatzTV handled the logic to round everything off nicely with filler content when needed.

Once the channel was ready, I registered ErsatzTV as a tuner device inside Plex using its HDHomeRun emulation feature. That let me pull the guide data from ErsatzTV’s built-in XMLTV feed, and just like that, my custom channel showed up alongside my antenna broadcasts. Everything worked as expected: metadata, descriptions, proper timing—it all lined up. If I tuned in late, I caught shows mid-episode, and the transition between shows and filler felt natural.

There’s definitely something satisfying about turning Plex into a virtual broadcast network. It’s more work than hitting “shuffle,” but the end result feels more alive. There’s structure, nostalgia, and the bonus of always having something ready to play, exactly when and where I want it. Now that the framework is in place, I can add more shows, create additional channels, or even bring back “Tuesday Night Movies.” The only real limit is how much media I can cram onto my server.

See more of my Plex videos here.

Disclosure: This was a sponsored video from Plex, however they did not review or approve this before it was uploaded.

This month’s sponsored Plex video is all about subtitles—again. In prior videos, I’ve covered how to automatically download them through a Plex Pass feature and also how to manage subtitle files manually. But even with the right files in place, sometimes they just sync up properly with the video. This time, I took a look at three different ways to fix subtitle syncing issues.

First, there’s a simple manual offset option. If your subtitles are off by a few seconds, you can go into the playback settings on your Plex client and shift them forward or backward in 50 millisecond increments. It’s available on most platforms. Once there, you can fine-tune the delay until things match up—or hit reset if you went too far and start over.

The second method is a newer feature for Plex Pass users: automatic subtitle sync. This one’s more sophisticated, designed to handle issues like subtitle drift, where the timing gradually goes out of sync due to differences in video encoding (like 24p vs. 60p). It works by generating a voice print from the movie’s audio and trying to match it to the subtitle file. The server needs to be running version 1.41.0 or higher, on a 64-bit platform. It doesn’t work on some server versions, including the Nvidia Shield Plex Server (although the Shield client will work) and FreeBSD, but most modern 64-bit Windows or Linux setups are fine.

Setting it up requires enabling a few options. In the server settings under “Settings > Library,” you’ll need to turn on “Generate voice activity data.” Then, within each library (under “Manage Library > Edit > Advanced”), you enable voice activity detection individually. Once that’s done, Plex will start analyzing your media files and generating those voice prints. You can manually trigger this analysis per file, and it happens fairly quickly.

When everything’s in place, a new option to autosync subtitles appears in the playback settings. If the subtitle file’s timing is off in a consistent way, this feature can bring it back in line with the spoken audio. It doesn’t work for every situation, but when it does, it’s a nice hands-off solution.

Finally, if nothing else works, there’s always the DIY route. I used an open-source tool called Vibe to generate subtitles from scratch using the Whisper speech-to-text engine. It’s a local app, so everything runs on your computer without uploading anything to the cloud. You just drop in your media file, select SRT format, and it builds a transcript that you can tweak and then import into Plex. Because it’s based on the actual audio in your file, the results tend to line up much better than trying to force in a third-party SRT from somewhere else.

Between these three approaches—manual offsets, auto-sync, and Vibe—you should have a solid foundation for dealing with subtitle syncing issues in Plex. If you’ve got ideas for future Plex topics, I’d love to hear them.

Disclosure: This was a sponsored post from Plex, however they did not review or approve this content or my video before it was uploaded.

Plex officially released its new mobile app, implementing the UI changes from the beta version that I previewed last November. Along with this release, Plex made some significant changes to personal media users running servers on the free tier.

In my latest monthly sponsored Plex video, we take a look at all that’s going on with Plex.

I found the new app is mostly the same as the beta we looked at previously. One important addition is improved support for TV tuners for live TV. Users can now easily switch between their antenna channels and Plex’s free streaming channels directly within the app. Users can set recordings for over the air channels too but can’t yet schedule them like they could on the previous version of the app.

Another big change is moving music and photos out of the main app. Plexamp now handles personal music libraries, and Plex Photos manages photo libraries. Both are standalone, free apps. Plexamp has additional features for Plex Pass users.

With this new app comes changes to how free tier users stream or share media outside the home along with the first price increase for Plex Pass in nearly a decade. Starting April 29, the cost of a lifetime Plex Pass will go up to $249, yearly to $69.99 and monthly to $6.99. Users can get a Plex Pass at the old price before April 29 using my affiliate link.

For users on the free tier, a new “Remote Watch Pass” is required remote streaming or sharing with others outside their home network. This pass costs $2 per month or $20 annually. If the server owner has a Plex Pass, free tier users can continue accessing that server for free. Additionally a Plex Pass user won’t incur fees accessing a server that is one the free tier. Plex did eliminate the mobile unlock fee previously required for Android and iOS users to stream remotely without limitations.

I have definitely heard from users who are having trouble with the new app or don’t like the changes. But this is the direction Plex is taking in order to keep the product sustainable into the future. I have been a Plex user long before they were a sponsor on the channel and still happy with it. But there are alternatives for those who disagree with the direction they’re taking.

Disclosure: The video attached to this post was a paid sponsorship from Plex. However they did not review or approve it before it was uploaded. All opinions are my own.

I spent some time experimenting with a new feature in Plex’s hardware transcoder that allows for HEVC transcoding of media. This means that high quality 1080p streams can be sent remotely at the same bit rate (or less) as a 720p h.264 stream. You can see it in action in my latest monthly sponsored Plex video.

The goal was to see how well this feature performs in terms of efficiency and quality and how easy it is to set up on a Plex server. My test system was a low-cost GMKTec G3 Plus mini PC running Linux, equipped with an Intel N150 processor.

Setting up the feature was straightforward. In the Plex web interface, under the server settings, I enabled the experimental HEVC video encoding option. It was also necessary to ensure that hardware acceleration was turned on. Additionally, Plex provides an option for HEVC optimization, which pre-encodes videos for better playback on low-powered servers.

To test performance, I loaded a 4K HDR Blu-ray movie onto the Plex server and played it back on my laptop. Initially, the video was streamed in full 4K resolution, but I then switched to a lower bitrate of 720p at 2 Mbps to force a transcode. The server responded quickly, and the video quality remained impressive. Due to copyright restrictions, I couldn’t share a direct visual comparison, but the results were noticeably better than the standard H.264 encoding.

Checking the Plex dashboard, I confirmed that both decoding and encoding were being handled in hardware, with the output using HEVC. The CPU usage remained relatively low, hovering between 25% and 36%, which was similar to what I had observed with H.264 encoding. This suggests that enabling HEVC does not significantly increase the processing load, at least on a modern Intel processor like the one in my test setup. With this level of efficiency, I estimate that the system could handle three or four simultaneous transcodes without much issue.

For those considering enabling this feature, you’ll need at least a 7th-generation Intel Core i3, i5, or i7 processor. Lower-end hardware needs to have Jasper Lake or a newer architecture to be fully supported. Even if a system supports hardware transcoding, that doesn’t necessarily mean it will support HEVC encoding, as some older Intel chips lack the necessary features.

Playback device compatibility also plays a role in whether a client can receive an HEVC stream. On Apple and Android devices, including Apple TV and Android TV-based systems, the automatic quality adjustment features defaults to H.264. To ensure HEVC transcoding is used, the resolution and bitrate must be manually selected. Additionally, HEVC playback requires a Chromium-based browser on Windows, macOS or Linux, or Safari on macOS. Other browsers like Firefox and Opera won’t work. Similarly, the Xbox One S doesn’t support HEVC playback but will automatically revert to H.264 when necessary.

The improved efficiency and quality of HEVC make it a useful addition to Plex’s transcoding capabilities. It’s worth experimenting with if you have the right hardware.

Disclosure: This was a paid sponsorship by Plex, however they did not review or approve this content before it was uploaded.

Plex recently rolled out a hardware tone mapping to the Windows version of the Plex media server. You can see it in action in my latest monthly sponsored Plex video.

Previously exclusive to Linux, this feature now allows Windows users with supported Intel processors to transcode HDR video to SDR with hardware acceleration, making it more accessible for out-of-home streaming on devices like phones and tablets. While the update brings much-needed capability to Windows, there are notable differences in how the feature is configured compared to its Linux counterpart.

To enable hardware tone mapping on Windows, users need at least a Tiger Lake processor or newer. This requirement contrasts with Linux, which supports older hardware, including Kaby Lake processors from 2016. The configuration process in Windows involves navigating to the hardware transcoder menu, where HDR tone mapping can be switched on if it isn’t already. Users can manually adjust settings for saturation, contrast, and brightness to optimize the output for different devices. These adjustments apply server-wide, affecting all transcoding sessions. While this manual configuration allows for flexibility, it also requires more effort from the user.

Linux simplifies the process with pre-baked algorithms for tone mapping. These presets eliminate the need for manual adjustments, allowing users to select an option that best suits their viewing devices. The detailed information about these algorithms is available in the support documentation provided by Plex.

In testing the Windows tone mapping feature, I used an HDR film and converted it to 720p HD. The hardware transcoder effectively handled the process, with CPU usage averaging around 27% and minimal memory impact. The output, however, was brighter than expected, contrary to Plex’s guidance about darker results.

For those with systems that include an NVIDIA GPU alongside an Intel or AMD processor, Windows users gain access to the same tone mapping algorithms as Linux, bypassing the need for manual configuration. Additionally, software-based tone mapping is an option, though it’s more resource-intensive and less efficient than hardware solutions.

For users focused on streaming full bit-rate media within the home, the tone mapping features are less critical. The Windows version of the Plex server reliably delivers video to devices like the NVIDIA Shield without the need for transcoding. However, for those who frequently transcode video for out-of-home use, the introduction of hardware tone mapping to Windows is a welcome addition. While it requires some manual effort, it now offers a somewhat viable alternative to Linux for handling HDR-to-SDR conversions.

Ultimately, this update broadens the options available to Plex users on Windows. While Linux remains the more streamlined and resource-efficient choice for extensive hardware transcoding, Windows users now get a more efficient solution HDR video transcoding.

Disclosure: This video was a paid sponsorship by Plex, however they did not review or approve this content before it was uploaded and all opinions are my own.

Plex recently unveiled a preview of its new mobile user interface, a redesign that aims to enhance navigation and improve user experience. While still in beta, the new interface feels familiar and new at the same time. I took it out for a spin in my latest video.

The first thing I noticed was a quick-access watchlist button at the top of the screen and a redesigned user section offer streamlined control over profiles, subscriptions, and settings.

In the lower section users can now click the “library” button to get access to their Plex server or one that was shared from a friend. A significant shift lies in how users navigate their libraries – users can now select them from a drop down menu or by tapping the library button a second time. This is in place of the previous “hamburger menu” which required the user to “pin” different libraries to get quick access. Browsing and filtering options inside the library remain consistent with the prior interface.

The landing pages for movies and tv shows have also been redesigned. Users can now enjoy enhanced visuals, such as detailed logos and imagery, creating a cleaner and more immersive browsing experience. Actor pages and related content maintain familiar structures but will evolve further as the beta progresses.

Plex’s emphasis on its free live TV and on-demand movie offerings is evident in the addition of dedicated tabs for these features. These sections separate free content from personal libraries, improving organization. For users of the Plex DVR, antenna-based channels will return in future updates, ensuring no loss of functionality.

Notably absent from the new interface are photo and music management features. This shift is deliberate, as Plex transitions these functions to standalone apps: Plexamp for music and Plex Photos for images. These changes aim to streamline the core app while offering specialized platforms for other media types.

For those interested in the philosophy behind the redesign or wanting to try the beta, Plex has shared detailed resources on its blog and forums. These platforms also serve as hubs for feedback, enabling users to shape the future of the app.

As the beta evolves, it will be interesting to see how these updates are received and refined. Whether you’re a long-time Plex user or new to the platform, the changes mark a step toward a more intuitive and visually appealing experience.

This post was sponsored by Plex, however they did not review or approve what was posted before it was uploaded.