Lon Seidman & Lon.TV Blog

ATSC 3.0 Update: NAB News and My Updated Predictions!

admin — Sun, 26 Apr 2026 13:13:38 +0000

The lack of ATSC 3.0 / NextGen TV news at this year’s NAB was surprising. Given the critical decision currently before the FCC, you’d expect broadcasters to be pulling out all the stops to prove they’re ready to ditch the old over the air TV standard for a new one.

In my latest video, I take a look at some of the most interesting news of the show and update my current predictions about where the FCC lands on this mess.

One of the more significant developments from the floor was an announcement by a company called Castanet regarding 5G broadcasting. Their technology allows a 5G signal to be embedded within an ATSC 3.0 signal, essentially tunneling mobile-compatible data through traditional broadcast frequencies. While very few mobile phones currently support this, the proximity of certain TV frequencies to cellular bands suggests a future where a smartphone could function as a portable receiver for broadcast data.

This is gaining traction with the Low Power TV Broadcasters Association, whose members are exploring 5G as a potentially more viable and cost-effective alternative to the complex ATSC 3.0 transition. In Boston, a low-power station has already begun experimental 5G broadcasts, demonstrating that the barriers to entry for this technology may be lower than previously thought.

In contrast, the progress on consumer hardware for ATSC 3.0 remains slow. Pearl TV, a consortium of major broadcasters, showcased prototypes of low-cost converter boxes intended to retail for under $60. These devices are designed to decrypt the new signals for older televisions, yet they remain limited in functionality compared to current $30 ATSC 1.0 tuners that offer recording capabilities. The requirement for digital rights management (DRM) and encryption is a primary driver of these costs and technical limitations. By pushing specific hardware solutions, broadcasters appear to be boxing out the independent hardware market that has sustained the industry for decades.

The absence of clear guidance from the FCC during the show was also apparent. Despite the presence of high-level officials, including Media Bureau Chief Evan Morris and Commissioners Olivia Trusty and Anna Gomez, there was little specific information offered regarding the transition. Remarks remained general, focusing on balancing regulation with free-market competition or discussing broad First Amendment issues. This suggests a cautious approach as the commission weighs the public interest against the interests of large broadcasters.

Looking ahead to the upcoming FCC rulings, I anticipate several developments. The commission will likely end the mandate requiring stations to simulcast their signals in both the old 1.0 and new 3.0 standards. While this sounds significant, the low adoption rate of NextGen TV means most broadcasters will continue to support the older standard to avoid losing their entire over-the-air audience and cable carriage.

Furthermore, I expect the FCC to become more permissive regarding new and existing technologies. This could include allowing broadcasters to use more efficient encoding, such as MPEG-4 or HEVC, on current ATSC 1.0 channels. I think that might allow 5G broadcasts too to see what standard, or combination of standards, works best for the public interest.

Regarding encryption, the FCC may choose to remain silent, essentially letting the market determine the fate of DRM. If encrypted broadcasts continue to hinder consumer adoption and keep tuner prices high, the technology may struggle to survive on its own merits. This lack of adoption poses a long-term risk to the industry. Already, petitions are being filed to reallocate broadcast spectrum for 6G wireless internet. If television viewership continues to decline and the new standard fails to take root, the pressure to claw back these frequencies for other uses will only intensify.

The industry finds itself at a crossroads between the mandates broadcasters now seek and the free-market experiment they originally proposed back in 2016. As the FCC moves toward a more permissive environment for experimental technologies like 5G and better 1.0 encoding, the path forward for traditional broadcasting remains uncertain. The future of the airwaves may ultimately be shaped not by the major networks, but by the smaller, low-power stations currently testing the limits of what a broadcast signal can be.

(Sorta) Affordable Mini PCs Aren’t Dead Yet: GMKTec K17 Review

admin — Thu, 23 Apr 2026 23:01:29 +0000

The mini PC market has faced various supply constraints recently, making it difficult to find hardware that balances cost and performance. But there are still some decent value propositions out there, one of them being the GMKTec K17, a unit priced at approximately $550 (compensated affiliate link).

See it in action in my latest Mini PC review!

The K17 is powered by an Intel Core Ultra 5 226V processor from the Lunar Lake family. In my testing, the chip proved to be power-efficient, drawing only about five watts at idle and reaching about 48 watts under load. One significant trade-off for this efficiency is the memory configuration; the system includes 16GB of LPDDR5X-8533 RAM that is soldered to the board, meaning it cannot be upgraded.

Storage, however, is more flexible. The internal chassis features two NVMe 2280 PCIe 4.0 slots. My review unit came with a 1TB drive pre-installed, leaving the second slot open for additional storage or a secondary operating system. When I opened the case to inspect the internals, I noticed that the Wi-Fi antennas are attached to the bottom plate. This requires careful handling during disassembly, as the cables can be easily disconnected.

The port selection is varied, though the labeling requires close attention. On the front, one USB-A port supports 10 Gbps while another is limited to 5 Gbps. There is also a full-service USB 4 port capable of 40 Gbps, which supports Thunderbolt devices, power input, and video output. The rear of the device houses a USB 2.0 port, three 5 Gbps USB-A ports, two HDMI ports, and a 2.5 gigabit Ethernet jack. I confirmed the Ethernet and Wi-Fi 6E performance met the expected speeds for those standards during my network tests.

In practical day-to-day use, the K17 handled standard tasks without hesitation. Web pages loaded quickly, and 4K video playback on platforms like YouTube remained stable without dropped frames.

For video editing work, I tested DaVinci Resolve with a 4K project. While the system handled basic cuts and transitions well, more complex effects and color grading led to significant slowdowns. Without an external GPU, this machine is better suited for light editing rather than professional-grade production.

Gaming performance was stable for an integrated GPU. In Cyberpunk 2077 at 1080p with low settings, the frame rate hovered between 40 and 50 frames per second. For those willing to drop the resolution to 720p, achieving 60 frames per second is likely. I also tested PlayStation 2 emulation, which ran at full speed with some room for graphical enhancements. Benchmark results from 3DMark TimeSpy benchmark gave the K17 a score of 3,458, placing its graphical capabilities in the same range as older dedicated cards like the Nvidia GTX 1060.

One of the most distinct characteristics of the K17 is its thermal management and acoustic profile. During a 3DMark stress test, the system maintained a temperature of 59 degrees Celsius with a 98.9% stability score, indicating very little thermal throttling. More notable, however, was the noise level. Even under a full load, the fan remained nearly silent, producing only a faint whir that was difficult to hear in a standard room environment.

While the device comes with a Windows 11 Pro license, I also tested its compatibility with Linux by booting the latest version of Ubuntu. The hardware was recognized immediately, including the Wi-Fi, Bluetooth, and audio components. The interface felt particularly responsive under Linux, offering a viable alternative for users who prefer that environment.

Given its low power draw and quiet operation, the K17 functions as a capable general-purpose machine that manages to perform reliably within the constraints of its compact form factor and current market conditions.

I Built a Better YouTube Subscription Tab & An Apple TV App!

admin — Sun, 19 Apr 2026 11:07:09 +0000

A few days ago, I shared a look at the self-hosted applications I use to manage my digital life, including an RSS reader for tracking YouTube creators. While that system worked, the interface lacked the specific functionality I needed to categorize content effectively. The standard YouTube subscription tab has become increasingly difficult to navigate due to the inclusion of Shorts and a lack of consistent organization. I wanted a way to group creators by topic—such as amateur radio, retro tech, or gaming—and have them appear in a streamlined, chronological feed. So I built my own browser!

See it here in my latest video!

I spent about an hour collaborating with the Claude Code to draft the code for a custom RSS reader. I am not positioning myself as a professional developer, but rather as someone using these tools to solve specific personal workflow issues. By providing initial instructions and refining the output through a series of prompts, I was able to build a functional application that organizes videos into specific buckets and subcategories.

The application utilizes YouTube’s RSS feeds rather than the platform’s API. This decision simplifies implementation, as every channel and even specific playlists have an associated RSS feed. This allows for more granular control; for example, if a creator produces various types of content, I can subscribe only to the playlist that interests me. To prevent hitting delivery limits from YouTube, the code includes a staggered refresh cycle. While the default is to check feeds every 60 minutes, the interval can be adjusted on a per-channel basis for news-heavy content that requires more frequent updates.

The current interface allows for easy management of the 129 channels I have imported so far. I included an OPML import feature, which makes it possible to migrate existing subscriptions from other readers. Within the app, I can move channels between categories, create new labels, and click directly through to YouTube to watch videos. Since I use a premium account, the absence of an integrated player to avoid ads is not an issue for my viewing experience.

One significant limitation of my previous setup was the difficulty of accessing these feeds on a television. I tasked the AI with helping me build a client for Apple TV that connects to the database server, which I plan to host in a Docker container on my local network.

This process involved learning the basics of Apple’s Xcode environment to side-load the Apple TV app. I was really pleased to see the Apple TV app could in turn call up the YouTube app and have the video start playing immediately.

The development of this project was funded in part by credits provided by the AI service, totaling approximately $20 in usage costs. My goal now is to move this code into the open-source community. I do not have the personal bandwidth to manage a software project or maintain the code long-term, so I am looking for interested parties to take over the project and post it to GitHub. If someone is willing to maintain it as an open-source tool, I believe it could serve as a useful alternative for those who find the current state of video subscription feeds unsatisfactory.

The server-side logic is designed to run in a container, which opens the door for other developers to create clients for Android or various web platforms. At the moment this serves as a personal tool that aligns my video consumption with the specific categories I prefer for browsing what I want to watch. I intend to continue refining the system for my own use while waiting to see if a broader community project develops around the initial codebase.

Multiple Studies Show DRM Encourages Rather than Restricts Piracy!

admin — Thu, 16 Apr 2026 12:40:52 +0000

I recently observed the National Association of Broadcasters criticizing Major League Baseball and Netflix for placing sports content behind paywalls. This critique is a notable contradiction when considering the broadcast industry’s current efforts to encrypt public airwaves. While broadcasters claim to be the center of community connection by delivering free games to millions, their recent actions suggest a shift toward a business model more closely resembling the streaming platforms they criticize – including locking down over the air content with DRM.

In my latest video, we take a look at whether or not DRM actually works in stopping piracy. Spoiler alert: it doesn’t – in fact there’s strong evidence to suggest it actually increases piracy.

In my home state of Connecticut, for instance, broadcast TV fees for cable subscribers have risen from $8 in 2018 to over $48 per month today. This cost exceeds a standard Netflix subscription and reflects the price consumers are paying for access to local stations via cable. While an antenna remains a traditional method for receiving these signals at no cost, the industry is moving toward a new standard known as NextGen TV. This transition involves digital rights management, or DRM, which requires consumers to purchase specific high-end televisions or expensive external (and barely functional) tuning boxes. This shift also restricts the use of gateway devices that currently allow viewers to watch over-the-air television on various screens throughout their homes.

I find the current trajectory of the broadcast industry mirrors the mistakes made by the music industry two decades ago. During the early 2000s, record labels were on the ropes with a huge decline in revenue as consumers desired digital music that simply wasn’t available. Eventually the labels were strong-armed into selling music online but insisted on DRM to restrict how and where consumers could play purchased music. This lack of interoperability led many consumers to favor piracy for its convenience. It was only after the industry moved toward DRM-free audio that its financial health improved. Today, the music industry sees record revenues because it no longer restricts the devices or platforms consumers use to listen to their products.

Research supports the idea that restrictive encryption often backfires. A 2003 study conducted by HP in partnership with MIT concluded that DRM features were not effective at combating piracy. The researchers noted that content must eventually be converted into an unprotected form, such as sound waves or light, to be consumed—a vulnerability often called the analog hole which is easily exploited. Furthermore, data from the University of Toronto in 2013 showed that removing DRM led to a 10% increase in music sales and a 30% increase for back-catalog items. A 2010 study from Seoul National University similarly found that the inconveniences of DRM reduced legal demand and increased piracy.

The broadcast industry’s current approach to DRM lacks ubiquity. At present, the encryption used for NextGen TV only functions on Android-based devices, leaving users of Roku, Apple TVs, PCs, iPhones, iPads and Xbox devices unable to decode the content. This is a significant departure from successful platforms like Netflix or Spotify, which ensure their encrypted content works across nearly every available device. By narrowing the range of compatible hardware, broadcasters risk alienating their remaining audience.

The Federal Communications Commission is currently weighing the implementation of these encryption standards. I believe it is important for the public to communicate the potential inconveniences of this technology to their congressional representatives. While the industry highlights the technical benefits of the new standard, the restrictive nature of the accompanying encryption is often omitted from the conversation.

The historical data from the music industry suggests that when legal access becomes more difficult than the alternative, the industry itself suffers the most. The outcome of the current deliberations at the FCC will determine whether broadcast television remains a broadly accessible public resource or becomes a more restricted and hardware-dependent medium.

New MiSTer Cores! 3DO and Apple IIgs FPGA Betas Show Promise

admin — Tue, 14 Apr 2026 12:29:30 +0000

I have been revisiting the MiSTer project recently to look at two new cores currently in development for the platform. This hardware, which costs approximately $160, uses FPGA chips to replicate the original logic of vintage computers and game consoles from the mid-1990s and earlier.

In my latest MiSTer update, I look at two new cores – one for the 3DO and the other for the Apple IIgs, both of which are receiving significant updates from the development community.

See them in action in my latest review!

The 3DO core, developed by Srg320, is nearing completion and is currently available for testing on single RAM MiSTer devices. In 1994, the 3DO occupied a specific niche in the market, offering graphical fidelity that rivaled and in some cases exceeded high-end PCs at a much lower price point. The console had support from Electronic Arts and a few other well known publishers who all made next-gen ports of their 16-bit titles along with new games. I bought my Panasonic 3DO console in 1994 when the price reduced from $799 to $399.

The system seller for the 3DO was the amazing port of Road Rash that came with arcade quality 3D graphics, a great soundtrack featuring Soundgarden and other popular artists, and some killer full motion video cut scenes. Testing Road Rash on the new core showed performance that appears consistent with the original hardware, though perhaps slightly less fluid than a stock console.

I also spent time with Wing Commander 3, a game notable for its transition between full-motion video segments starring Mark Hamill and Tom Wilson and 3D space fighter combat. The video playback is stable, though the output seems slightly dark, suggesting a need for gamma adjustments. I observed minor graphical artifacts, such as unexpected patterns in the starfields.

Compatibility on the 3DO core is not yet universal; titles like Zhadnost load slowly, and the Need for Speed currently fails due to an NVRAM error. Other titles ran but with some glitches like a green vertical line visible in Total Eclipse. However, for a beta core, the majority of the library I tested is functional.

Next I turned to the Apple IIgs core, which is being developed by “Allen SWX.” The IIgs implementation emulates a ROM 1 machine with 8MB of RAM. This setup allows for the use of hard drive and floppy disk images including the newer “Woz” format. I was able to boot into GS/OS System 6 and access personal files from my own hard drive images dating back to the early 1990s. The core reproduces the authentic, albeit slow, operating speed of the original hardware. While the games run as expected, the audio output currently sounds somewhat muffled compared to the original machine.

These developments represent a steady expansion of the MiSTer library into systems that were previously considered outliers. While neither core is finished, the progress indicates that the technical hurdles for these specific architectures are being addressed.

The AT4k Launcher for Google TV and Android TV Brings an Ad Free Experience – No Rooting Required!

admin — Sun, 12 Apr 2026 11:52:37 +0000

I recently spent some time testing a new interface for Android TV and Google TV called AT4K. It brings the visual style of the Apple TV interface to much lower cost devices like the Onn streamer I tested it on. The primary draw of this specific launcher is that it functions without advertisements and can be configured to run as the default launcher without having to root your device, similar to the Projectivy launcher I looked at last year.

Check out AT4k in my latest review!

The layout features a header row that behaves similarly to the standard Android launcher, pulling content cards from associated apps. For instance, when I scrolled to the Apple TV app icon, the header displayed specific shows and movies from that service. If an app does not provide its own cards, the system pulls from other apps like Plex. The header can be removed if you just want the standard app layout.

Below this header, the rest of the applications are arranged in a grid. Managing these icons is straightforward; holding down a selection button triggers a “jiggle” mode that allows for moving apps or grouping them into folders. I created a dedicated folder for games, and the process was functional and mirrored the organizational style found on Apple TV devices.

Navigating the settings reveals two distinct areas: one for the standard Android system settings and another for AT4K’s internal configurations. The launcher supports both light and dark modes, though I found the light mode to be quite legible. There are premium features available for a one-time fee of five dollars, such as the ability to use custom images or videos as backgrounds and the option to expand the app grid from five to seven icons per row. During my time with the app, I encountered some difficulty interacting with the custom image menu, which is something to monitor in future updates.

One of the more practical aspects of AT4K is its ability to become the default launcher without requiring the user to root or hack the device hardware. It utilizes Android’s accessibility options to override the standard launcher. By enabling the AT4K service in the accessibility menu, the launcher can intercept the home button press and manage the boot sequence. To test this, I enabled the “override current launcher” and “start on boot” settings before power-cycling my device.

After the reboot, the original Google TV interface appeared momentarily before AT4K automatically took over. I launched several resource-heavy applications, such as HD HomeRun and Apple TV, and in each instance, pressing the home button returned me back to the AT4K interface rather than the factory default.

The app manager within the settings also provides a quick way to hide specific applications from the launcher or access deep system settings like “force stop” or “uninstall.”

I found the setup process to be accessible for most users, as it does not require adjusting complex security settings. For those who prefer the aesthetic of the Apple ecosystem but want to maintain the flexibility of an Android-based device, this launcher offers a functional middle ground. I plan to keep this as my primary interface for the time being, as it provides a streamlined experience that remains stable under regular use.

Six Self Hosted Apps I Use on my Home Server ! Synology, Unraid, Linux Etc.

admin — Thu, 09 Apr 2026 00:03:22 +0000

The pursuit of digital efficiency often leads to a familiar crossroads where a user must choose between a recurring subscription fee or the sacrifice of data privacy. For some time, I have been looking for ways to streamline my professional and personal workflows without relying on external servers or third-party data mining. The current landscape of open-source software has made it increasingly feasible to host powerful applications on a small home server, such as a Synology or Unraid NAS or a Linux machine and installing the applications via Docker containers.

In my latest video, I take a look at six self hosted Docker applications running on my Synology NAS!

To manage these applications securely, I use a private VPN called Tailscale. This allows me to access my home-hosted tools from any location without opening ports on my firewall. It creates a seamless connection between my mobile devices and my server, ensuring that my data remains isolated from the public internet while remaining accessible to me. This setup provides the foundation for several utilities that have replaced more traditional, paid software services.

One of the basic utilities I maintain is Uptime Kuma, a monitoring tool that tracks the status and performance of my various services. It provides real-time data on ping rates and uptime, sending a notification to my phone via an app called Pushover if a service fails. This eliminates the need for a paid monitoring service and provides immediate feedback on the health of my local network.

Information management is another area where self-hosting has proven effective. I use two different RSS readers, FreshRSS and TT-RSS, to curate content from YouTube and various technology websites. Rather than relying on platform algorithms, these tools allow me to organize feeds into specific topics like retro gaming or modern tech. TT-RSS, in particular, is useful for aggregating large volumes of data—sometimes dozens of articles at once—which I then process through other automation tools.

For personal tasks, I have moved toward simpler, self-hosted alternatives to mainstream apps. Actual is a straightforward personal finance tool that functions as a manual checkbook and budgeting application. I don’t have it connected to my banks, but that options is available through . For note-taking, I have transitioned from the more complex Obsidian to a tool called Blinko. It offers a clean interface that works through the browser on screens of any size, allowing me to capture quick thoughts and organize them with tags later. It also includes an API and an AI component for querying my own notes.

The most substantial part of my current workflow is built on N8N, an open-source automation platform. I use it to handle repetitive tasks that previously took hours of manual effort. For example, my weekly email newsletter (sign up here) is now generated by a workflow that pulls data from my blog and YouTube RSS feeds, formats the text, and utilizes AI to suggest subject lines. I also use N8N to monitor specific FCC dockets for our continuing efforts to stop broadcast TV encryption. When a new filing appears on the FCC website, the system automatically downloads the PDF, sends it to an AI model for summarization, and emails me the highlights.

I have also automated my social media presence using these local tools. Instead of paying for a distribution service, I built a queue system that posts updates to platforms like X, Blue Sky, Threads, Mastodon, Facebook and LinkedIn at regular intervals. This system was developed with the assistance of Claude, which can connect directly to the server to help write and troubleshoot code. This transition to self-hosting has replaced several hundred dollars in annual subscription fees with a stable, private infrastructure.

As I continue to integrate these tools, the focus remains on finding applications that offer high utility without unnecessary complexity. The transition to a self-hosted environment requires an initial investment in learning how to manage Docker containers, but the resulting control over data and workflow efficiency provides a clear alternative to the standard subscription model. I am regularly looking for new applications to add to this local ecosystem as the technology evolves.

Check out more self hosting videos here!

Music Labels Lose a Big Piracy Case at the Supreme Court

admin — Tue, 07 Apr 2026 01:35:10 +0000

A twelve year legal battle about piracy between the music industry and internet service providers has finally come to an end by the US Supreme Court. The court overturned a $1 billion verdict against Cox Communications, a decision that has significant implications for how we understand copyright liability and the responsibilities of those who provide our internet access.

See more in my latest video!

The history of this conflict dates back to the early 2000s when the music and film industries struggled to adapt to the rise of digital file sharing. Initially the music industry started suing their own customers, hitting them with federal lawsuits. One instance involved a 12-year-old girl having to cough up $2,000 for a settlement and another where a woman was held liable for hundreds of thousands of dollars for sharing 24 songs.

At the time, piracy was often driven by a lack of convenient, legal digital options. Physical media sales were declining, and digital purchases were often restricted by digital rights management, or DRM, which limited how and where consumers could listen to their music.

When the strategy of suing individual users failed to curb piracy or improve the industry’s public image, the focus shifted toward where the money is: internet service providers. Organizations representing the record and motion picture industries established the Copyright Alert System, partnering with major ISPs to issue warnings to users who were sharing copyright material.

Cox Communications did not participate in this program and that put a target on their back. A lawsuit was filed in 2014 against the ISP with music label BMG arguing that Cox should be held liable for the infringement occurring on its network. BMG claimed that because Cox did not adequately respond to infringement notices, it lost the “safe harbor” protections usually granted to service providers under the Digital Millennium Copyright Act.

A federal jury originally sided with BMG, awarding a billion-dollar verdict against Cox. However, the Supreme Court’s recent reversal of this decision centered on a specific interpretation of federal copyright law. Justice Clarence Thomas, who authored the decision, noted that while Cox may not have met the requirements for DMCA safe harbor protection, other aspects of federal law do provide for an adequate defense. The ruling clarifies that a service provider is only liable if it intended for its service to be used for infringement or if it marketed itself specifically for that purpose. Because Cox provides a general-use internet service and did not induce its users to pirate material, the court found they could not be held responsible for the specific copyrights violated by their subscribers.

This development changes the landscape for other ISPs as well. They now have a defense beyond the safe harbor provisions, meaning they may not feel the same pressure to react to every automated infringement notice they receive. I suspect this will lead to a decrease in the haphazard distribution of warnings to account holders. While direct lawsuits against individuals may still occur, particularly in cases involving large volumes of distribution, the era of trying to hold the entire infrastructure of the internet accountable for individual user behavior seems to be shifting.

It should be noted that the music industry eventually found success not through litigation, but by listening to consumer demand. When they removed DRM from digital music purchases and embraced affordable streaming services, revenues skyrocketed. It is a reminder that market accessibility often addresses the root causes of piracy more effectively than legal threats.

As other industries, such as broadcasting, consider implementing new restrictions on content, the industry changes that have taken place since this case was filed suggests that focusing on what the customer wants is a more sustainable path than pursuing multi-billion dollar judgments against service providers. This ruling brings a level of technical and legal sanity back to the conversation regarding how we use and access the internet.

What a sub $500 Mini PC looks like these days: GEEKOM A5 Pro Review

admin — Sun, 05 Apr 2026 00:02:42 +0000

Finding a mini PC for under $500 has become increasingly difficult in the current market, but I recently spent some time with the Geekom A5 Pro (compensated affiliate link) to see how it balances cost and performance. While the machine bears a physical resemblance to the more powerful A8 model, this version utilizes a Ryzen 7 5300U processor and targets users with more modest computing requirements.

Check it out in my latest video review!

The unit Geekom sent me for review can be found on Amazon (compensated affiliate link). It features a Ryzen 7530U, which is an older six-core, 12-thread chip running at a 15-watt TDP.

Inside, the hardware is accessible but reveals some of the compromises made to reach this price point. It uses DDR4 RAM rather than faster DDR5, and while there is an expansion slot for a second SSD, it is limited to the SATA interface rather than NVMe. The RAM can be upgraded to 64GB. I also noticed during disassembly that the Wi-Fi antenna design is somewhat delicate; the cable is easily detached when opening the case and requires some patience to reconnect to the motherboard.

The external build quality remains high, featuring a metal case and a variety of ports. The front panel includes two 10Gbps USB-A ports—one of which supports device charging while the PC is powered down—alongside a headphone jack. The side houses a full-size SD card reader, while the back provides two HDMI ports and two USB-C ports. While it lacks USB 4, the USB-C ports do support video output, allowing a four-display 4K setup. There is also a 2.5gigabit per second ethernet port that performed as advertised in my testing.

In daily operation, the A5 Pro is efficient and quiet. It idles at around 7 watts and peaks at 46 watts under heavy load. The system fan is rarely audible during standard desktop tasks. It includes a licensed copy of Windows 11 Pro, and the machine handled web browsing and general office applications smoothly. However, the age of the processor becomes apparent when pushing the integrated graphics. During 4K YouTube playback at 60 frames per second, I observed frequent dropped frames, a limitation not typically seen on more modern AMD chips.

Creative tasks and gaming yielded mixed results. Simple video editing in DaVinci Resolve is feasible for basic projects, but adding complex effects or transitions leads to significant rendering delays and stuttering during playback. Gaming performance is similarly constrained; modern AAA titles like Cyberpunk 2077 struggled to reach 15 frames per second at 1080p on low settings. But, the machine is well-suited for emulation of older consoles or playing legacy PC titles, where it maintained consistent frame rates.

Thermal management is tuned for silence rather than maximum output. The system failed a 3DMark stress test with a score of 95.7%, suggesting about a 4-5% performance drop during sustained heavy workloads. For most users, this five percent dip in performance will likely go unnoticed, especially given the quiet nature of the fan.

The machine performed very well under Linux. Testing with the latest version of Ubuntu showed that all hardware components were recognized immediately, and the interface felt more responsive than Windows, likely due to the lack of operating system bloat.

While the A5 Pro could serve as a capable low-power home server, its AMD architecture makes it less ideal for hardware transcoding in applications like Plex compared to Intel-based alternatives.

Ultimately, this device reflects the current state of the hardware market. A few years ago, this budget would have secured more contemporary components, but today it buys a reliable, if slightly older, set of specifications. It remains a functional option for light office work or a dedicated Linux station, provided the user understands the graphical limitations inherent in the hardware.

Hamgeek FPGA MiSTer Clone Review

admin — Thu, 02 Apr 2026 11:00:31 +0000

I ordered another cheap MiSTer FPGA clone off a site called Hamgeek the other day. Hamgeek mostly sells amateur radio gear and a few other curious gadgets. Like other MiSTer devices we’ve looked at recently, it uses an FPGA chip to accurately replicate retro computing, gaming and arcade systems from the 90s on back.

Check it out in my latest MiSTer video!

The Hamgeek unit cost about $160 and arrived fully assembled with a 32 GB SD card preloaded, which let me skip the initial flashing and get straight to testing. The Hamgeek MiSTer is effectively a “clone of a clone,” utilizing the same hardware design of the QMTech device we looked at a few weeks ago.

Like other MiSTers I’ve tested you will need to download and run the Update_all script to get all of the supported cores and features to work. You can see the full setup process in the MiSTer Pi video I did last year.

Compatibility on the Hamgeek feels just as good as the other MiSTer clones we’ve looked at over the last year. I tested a range of demanding and lower-end cores. The Amiga core looked crisp and executed complex demo scene disk images flawlessly. The Saturn core ran Daytona USA without visible issues, and the Sega 32X handled After Burner perfectly. I also ran Street Fighter Alpha 3 on a CRT for extended periods, played the Neo Geo’s King of Fighters 2003, and tried Wave Race on the Nintendo 64 core. On the low end, NES and Atari 2600 content ran as expected. Overall compatibility and stability across the cores I exercised matched what I’ve come to expect from consumer Mister builds.

I also ran a memory test that exercises the 128 MB memory module. It sustained 167 MHz for about ten minutes without errors, which suggests the hardware has some performance headroom beyond what most cores require.

Video output options are flexible: HDMI for modern displays, a VGA port that can deliver RGB component for late-model CRTs, and analog/optical audio outputs via a combined 3.5mm jack. The unit does not provide RCA composite or S-Video natively, so if your television only accepts composite you’ll need an adapter or consider waiting for the Superstation One MiSTer clone that will include more analog video output options built in.

Like other Mister builds, this one includes a port for SNAC adapters that allow for direct electrical connections to certain controller types and accessories. I verified light-gun functionality on a CRT using the NES core and a Zapper.

The box has a limited number of USB ports — enough for an external hard drive and a couple of controllers, but you’ll likely want a hub — and it does not include built-in Wi‑Fi. You can add Wi‑Fi and Bluetooth with a USB dongle. MiSTers generally do not require an active Internet connection but you will need to go online for core updates.

There’s an internal cooling fan that runs continuously; it’s audible but not loud. The metal case version of the Hamgeek MiSTer I opted for is more robust than the plastic one that’s available for the same price.

If you want a ready-to-use MiSTer without assembling parts, units like this make that option accessible at a lower price than earlier preassembled builds. It’s great to see the MiSTer ecosystem getting more accessible!

See more of my MiSTer content here!

ATSC 3 Update: Dueling Surveys & Contact Your Congressperson!

admin — Tue, 31 Mar 2026 11:00:00 +0000

In my latest ATSC 3.0 update video, I take a look a dueling consumer surveys from the Consumer Technology Association (CTA) opposing TV tuner mandates and another from broadcasters suggesting consumers will be more than happy to buy expensive hardware when the rug is pulled out from under us.

Pearl TV, an organization representing broadcasters, recently published a survey indicating that most viewers would be willing to purchase a low-cost converter box, estimated at around $60, rather than lose access to free television. When looking at current market behavior on platforms like Amazon, consumers are choosing tuners priced as low as $30 that include recording capabilities—a feature the proposed $60 DRM-compatible basic boxes would lack according to Pearl.

Pearl’s survey results released so far lack the “cross-tabs” that would reveal all of the questions asked and answered. Only a small amount of data appears in the Pearl TV slide deck, yet the methodology slide reveals the median time to complete the survey was 16 minutes. Clearly they are holding a lot of data back.

On the other side of the issue, the Consumer Technology Association (CTA), which represents electronics manufacturers, argues against government mandates that would force the inclusion of expensive ATSC 3.0 tuners in every television. Their research suggests that while antenna usage has seen a slight uptick to about 15% of households, awareness of the NextGen TV brand remains low. Only 5% of respondents claimed to be familiar with the term, and the vast majority had never seen the official logo. This matches my own observations in retail environments, where the technology is rarely a primary concern for consumers compared to the availability of streaming applications on a particular device.

As the National Association of Broadcasters (NAB) prepares for its annual trade show, the lobbying effort has intensified. Recently, 91 members of the House of Representatives signed a letter pressuring the FCC to move forward with the transition. This indicates that congressional offices are hearing primarily from broadcast interests. My review of the signers shows a bipartisan group of representatives from across the country, many of whom may not be fully briefed on the technical limitations and costs these encryption standards impose on their constituents.

My suggestion? It’s time to reach out to your member of Congress. My suggestion would be to forward along what you’ve already filed with the FCC. Short of that you can use some sample language that I put together here. If you’re looking for a one stop shop for finding and contacting your representatives, Democracy.io has a helpful utility for doing so.

The FCC remains cautious. Currently, Commissioner Olivia Trusty is the only official scheduled to appear; she is set to deliver a brief 10-minute presentation on ATSC 3.0 at the Las Vegas Convention Center.

With consumer adoption stuck in neutral, thanks to a complicated DRM encryption scheme, broadcasters are now going to rest their hopes on political pressure to try and force their private regulatory regime on the American people. That’s why it’s important for all of us to educate our representatives on what is really going on.

Vibe Coding New Plex Apps ! (sponsored post)

admin — Sun, 29 Mar 2026 12:51:22 +0000

For this month’s sponsored Plex video, I examined the process of integrating the Plex API with AI coding assistants like Claude and Google Gemini. The primary objective was to determine whether natural language prompts could generate functional applications to control and analyze data on my local Plex media server.

See it in action in my video!

The development setup was relatively straightforward. I accessed the Plex Media Server API documentation and downloaded the OpenAPI specification, which resulted in a single JSON file. After placing this file in a dedicated local directory, I instructed Claude’s coding application to reference it for API structure.

I tested this approach with Claude Code, ChatGPT’s Codex, and Gemini’s command-line interface on a Mac. All three tools successfully read the JSON file, interpreted the API requirements, and edited the application files directly on my local machine. Since these applications were designed to run locally, standard authentication was bypassed in favor of a Plex token. This token can be retrieved by viewing the XML data of any media item within the Plex web interface and extracting the character string from the resulting URL. You can see how to do that in the video.

The initial test was a swipe-based media selection tool. I requested an interface that presented random movie recommendations, where swiping right would immediately trigger playback on an Android TV client. Claude generated the core functionality on the first attempt, requiring only minor debugging to ensure the player execution command operated correctly. By default, the coding tools tended to write the web applications in NodeJS. However, to utilize an existing web server on a Synology NAS, I instructed the AI to rewrite a subsequent project in PHP.

This PHP project resulted in a jukebox-style application designed for multiple users on a local network to add songs to a Plexamp que. By scanning a QR code, users access a client screen on their mobile devices where they can search my server’s music library and submit song requests. As the administrator, I monitor the queue from an admin interface and have the ability to reorder the requested tracks, shifting specific songs up or down the playback list before they route through Plexamp.

Subsequent experiments focused on data retrieval and display. I directed the AI to build a statistics dashboard that analyzed my viewing habits over the past year. By programming the app to filter out content consumed by my children, it generated a localized report on my specific media consumption patterns and active viewing days.

A final application served as a digital “Now Playing” marquee. It queries the server to display the current media’s thumbnail and a progress bar, while simultaneously pulling a list of similar titles from the library. Clicking any of the recommended titles halts the current video and initiates playback of the new selection.

My initial experiments suggest the barrier to entry for developing customized Plex experiences has lowered significantly. Where interacting with a platform’s API once demanded fluency in specific programming languages, I found that natural language processing models now act as a functional bridge between raw documentation and executable code.

Moving forward, the integration of Model Context Protocol (MCP) to instruct the AI on Plex’s API instructions will likely make things more efficient especially for those on constrained token limits with their AI provider. I’ve found Gemini Pro’s command line interface to be pretty generous in its token allocations.

See more of my Plex content here!

US Effectively Bans All New Router Products

admin — Thu, 26 Mar 2026 11:50:15 +0000

The U.S. government has effectively implemented a ban on most new routers entering the domestic market, a move driven by a national security determination regarding risks posed by networking equipment produced overseas. While the order is broad, it is important to note that existing models already approved by the FCC—such as those currently found on retail shelves—are not prohibited from being sold or imported. The restriction specifically targets new products that have not yet received FCC certification.

I dive into the order and what it might mean in my latest video.

This action follows long-standing concerns from both the Biden and Trump administrations regarding vulnerabilities in consumer networking hardware.

Specifically, federal authorities pointed to prior sophisticated cyberattacks, such as those the Vault, Flax, and Salt Typhoon attacks, which utilized botnets of small office and home office (SOHO) routers to conceal the origin of attacks against U.S. critical infrastructure. In many cases, these attacks exploited “end-of-life” routers that no longer received security firmware updates from their manufacturers.

To gain authorization for new products, manufacturers must now apply for a conditional approval from the DoW/DOD or DHS. This process requires an extensive disclosure of the company’s supply chain, including a detailed bill of materials, the country of origin for all components and software, and an identification of any single points of failure in the manufacturing process.

Beyond security audits, the government is requiring a commitment to domestic production. Applicants must submit a time-bound plan to establish manufacturing and assembly operations within the United States. This includes detailing planned capital expenditures and providing progress reports on onshoring efforts. Currently, the list of compliant router manufacturers remains empty, as drone makers are the only technology to have successfully navigated a similar regulatory process thus far.

The definition of a “router” under this regulation is tied to NIST standards, focusing on devices marketed for residential use and customer installation. This creates a technical distinction for hardware such as small-form-factor computers; while these devices can be configured to function as routers using open-source software like pfSense, they are not currently subject to the ban because their primary marketed purpose is as a general-use computer.

Industry reactions have been varied according to a report in PC Magazine. TP-Link, which had previously been a specific focus of government scrutiny, expressed confidence in its supply chain and stated it welcomed an evaluation that applies to the entire industry. U.S.-based Netgear commended the action, suggesting that the regulations could lead to a more secure digital future. Both companies will likely benefit from the action – TP-Link gets to survive and Netgear has the capacity to comply with the domestic onshoring when many of their competitors may not.

I will be monitoring the FCC’s exception list to see which manufacturers are the first to successfully onshore their operations and return new hardware to the pipeline. In the meantime, the focus remains on whether these requirements will effectively eliminate orphaned firmware and provide the level of transparency the government is seeking.

Did Microsoft Admit Windows 11 is Too Bloated?

admin — Tue, 24 Mar 2026 11:15:45 +0000

Microsoft is beginning to acknowledge the growing concerns regarding bloatware and performance issues within Windows 11. Windows head Pavan Davaluri recently published a blog post committing to a new standard of Windows quality. In my latest analysis piece, I dive into what Microsoft thinks the problem is and I offer some of my own experiences.

Check it out here!

While Davaluri’s official roadmap highlights specific improvements like increased taskbar customization and a more dependable File Explorer, many of the everyday frustrations experienced by power users and system reviewers remain unaddressed.

The current onboarding process for a new Windows 11 PC takes over an hour, largely due to a gauntlet of updates and forced configuration screens. Even after the initial setup, users frequently encounter a secondary wave of background updates that can lead to audible fan noise and noticeable performance degradation on a brand-new machine.

Beyond the updates, the operating system’s interface is increasingly defined by a series of prompts designed to funnel users into subscription services and cloud storage. These “upsell” screens often prioritize the “Next” or “Accept” buttons, while the options to decline or keep files stored locally are presented in smaller, less prominent text.

OneDrive integration remains a primary point of friction. Even when a user expresses a preference to store files only on their local device, the system defaults to cloud syncing and backup, requiring a manual and repetitive process to disable individual folders. This persistent nudging extends to the Start menu and taskbar, which are frequently populated with icons for features like Copilot, Recall, and the Edge browser immediately following an update. The Start menu itself has become more cluttered, making it increasingly difficult to find what you’re looking for amidst a sea of promotional icons and unhelpful recommendations.

Even basic utility applications are not immune to this expansion of features. Notepad, a tool that remained virtually unchanged for decades, now includes tabbed windows, cloud synchronization requirements tied to a Microsoft account, and integrated co-pilot AI writing assistance. These additions, while intended to modernize the app, introduce new complexities and annoyances for something that doesn’t need any features. Similarly, background processes like the Xbox overlay continue to run by default, regardless of whether the user intends to use the computer for gaming.

While Microsoft’s new commitment to quality is a positive step, the current state of the operating system has led some to rely on third-party debloating utilities to reclaim system performance. There is also a growing awareness of the increasing user-friendliness of Linux distributions, which may be placing additional pressure on Microsoft to streamline its experience. As the company moves forward with its debloating efforts, the true measure of success will be whether it can reduce the constant stream of distractions and return to a more focused, efficient production environment.

I’m curious to see if these promised updates will actually thin out the layers of advertisements and background services, or if the primary goal remains centered on revenue extraction through service nudges.

Gadget Tech Haul #14 – A Mixed Bag

admin — Sun, 22 Mar 2026 11:34:14 +0000

In my latest gadget haul, I am looking at five items that vary significantly in utility and performance. But there are a few good ones in the mix that you can find here on Amazon (compensated affiliate link).

Check the haul out here!

I began with a four-way HDMI multiviewer from Orai (compensated affiliate link) a brand known for various video routing connectors. This device allows for four HDMI sources to be connected and displayed on a single screen simultaneously. The front panel features buttons for switching between sources and modes, including a four-way split that is particularly useful for monitoring multiple broadcasts at once. It supports 1080p at 60Hz and is HDCP compliant, meaning it can handle protected content from streaming services like Netflix. While some of the other display modes distort the aspect ratio of the video, the multiviewer functions reliably as an affordable solution for 4-up multi-source monitoring.

The monitor I used to test this device is a 24 inch 240Hz IPS display from Dell at a crazy low price (compensated affiliate link). For a budget-friendly screen, it performs well with a 0.5ms response time in its extreme mode and support for AMD FreeSync. In testing with both modern PC benchmarks and older gaming hardware, I found very little motion blur or screen tearing. The color accuracy is rated at 99% sRGB, which is respectable for this price point. The primary compromise is the peak brightness, which reaches only about 300 nits, and the included stand, which lacks height adjustment and only offers tilt. However, it does feature a VESA mount for those who prefer a more flexible setup.

Transitioning to mobile accessories, I tested the abxylute M4 Snap-On Mobile Gaming Controller controller (compensated affiliate link), which proved to be a disappointment. Although it uses MagSafe to attach to a phone, the design is top-heavy and the controls are physically cramped. The D-pad and buttons lack a premium feel, and the analog sticks do not include a click function. It also only works with the phone in landscape mode unless the controller is physically detached.

Another item that fell short of expectations was a SanDisk USB-C phone drive (compensated affiliate link). While SanDisk has a long history of reliable storage, this specific drive struggled with write speeds. Although it approached its advertised read speeds at around 140 megabytes per second, the write speeds hovered at 35 megabytes per second. During large file transfers, the drive appeared to write in chunks, often pausing as the cache caught up. It functions adequately for small file transfers or phone backups via the SanDisk app, but it is not a recommended choice for high-volume data tasks.

The final item is the EufyCam S4 (compensated affiliate link), a dual-lens security camera that includes a wide-angle 4K lens and a 2K pan-tilt-zoom (PTZ) camera. A notable aspect of the Eufy system is that it does not require a subscription for AI detection features, such as recognizing humans, vehicles, or pets. The camera effectively tracked movement during my testing, including prioritizing the action when a car was pulling in and I was walking my dog. It comes with a 5.5-watt solar panel and a removable battery, which remained at full charge during a week of outdoor use. The solar panel can be detached for better sun placement, with Eufy providing a weather proof USB-C extension cord for that purpose. While it supports RTSP for integration with personal NAS and NVR devices, using this feature significantly increases power consumption, likely requiring a dedicated USB power source rather than relying solely on the solar panel and battery.

I will continue to keep an eye out for hardware that fulfills its promises as I prepare for the next round of testing.

Beelink ME Pro NAS Review

admin — Thu, 19 Mar 2026 17:23:09 +0000

Beelink recently sent me their ME Pro device, a personal server that essentially functions as a mini PC with expanded storage capabilities. It looks pretty cool too.

Check it out in my latest video review!

The unit I evaluated is the entry-level model featuring an Intel N95 processor. An alternative version with an Intel N150 processor is also available, offering slight improvements in power efficiency and an increase in soldered RAM from 12 gigabytes to 16 gigabytes. Both models operate with a 25-watt thermal design power and are fully capable of managing standard personal server tasks. You can find them on Amazon here (compensated affiliate link).

The internal layout allows for measurable storage expansion. The bottom of the device accommodates up to three NVMe drives, supporting a total of 12 terabytes of solid-state storage. A separate rear panel provides access to bays for two 3.5-inch desktop hard drives. This storage setup is not designed for hot-swapping; all drives and panels must be secured with screws. Beelink includes an Allen wrench for this purpose, though I found its small size makes it somewhat difficult to use effectively. The device is designed for internal maintenance access, allowing the entire motherboard to be removed for cleaning by loosening four screws.

For networking and peripheral connectivity, the ME Pro includes a 10-gigabit-per-second USB-A port on the front and a similarly rated USB-C port on the rear, alongside an HDMI output. The device supports dual 4K display output at 60 frames per second.

Network connections are handled by a 5-gigabit-per-second Ethernet port using a Realtek controller and a secondary 2.5-gigabit port utilizing an Intel controller. When I tested the 5-gigabit connection, it yielded disk writes between 400 and 500 megabytes per second to the solid-state drives, which aligns with expected network overhead limits.

Operating as a media server via Unraid, the hardware demonstrated clear capability with common server loads. When running Plex, the N95 processor managed hardware transcoding of a 4K HDR video file to 720p with low CPU and bandwidth utilization. It also successfully handled HEVC codec transcoding. During these tasks, with two mechanical desktop drives spinning, power consumption measured approximately 33 watts, peaking near 70 watts under maximum load.

Thermal performance remained stable, with the NVMe drives showing only a minor six to seven-degree Celsius temperature increase under sustained load. Both the fans and the drives operate at a low volume. It’s a very quiet device even with running spinning drives.

There are a few hardware design choices that warrant observation. The system relies on a 100-watt wall-wart power supply, which is susceptible to accidental disconnection from standard outlets. Additionally, while the unit was shipped with a version of Windows, the necessary drivers were not pre-installed, preventing the operating system from functioning correctly out of the box. This positions the device more as a platform for user-supplied NAS operating systems, such as Unraid or Linux distributions, rather than a turnkey Windows machine.

Furthermore, for a device categorized as a “Pro” model utilizing an OS like Unraid—where one drive is typically dedicated to parity—expanding the SATA drive capacity from two bays to four would provide a more practical parity-to-storage ratio. The current configuration requires careful planning for anyone looking to maximize their redundant storage capacity on this compact platform.

Disclosure: The ME Pro NAS was provided free of charge. However, they did not review or approve this content prior to publication.

ATSC 3.0 Update: More DRM Nonsense Filed with the FCC

admin — Tue, 17 Mar 2026 04:04:37 +0000

The broadcast industry’s ongoing effort to encrypt the public airwaves is currently awaiting a decision from the Federal Communications Commission. In a recent ex-parte letter to the FCC, broadcasters cited the US Trade Representative’s 2025 Review of Notorious Markets for Counterfeiting and Piracy report to support their push for the ATSC 3.0 encryption standard. The report focuses heavily on live sports and the revenue lost to global piracy – but none of it indicates broadcast TV signals are being stolen.

See more in my latest ATSC 3.0 update video!

The report’s introduction references the NFL’s broadcasting agreements with networks like CBS, Fox, and NBC, which run through 2033. These contracts were signed without any provisions or assurances requiring future signal encryption, suggesting the league does not view over-the-air broadcasting as a primary piracy vulnerability.

The report provides three specific instances of piracy, including the FIFA World Cup, a mention of European soccer games being pirated and the 2017 Mayweather-McGregor fight. While the FIFA World Cup game was broadcast on television stations here in the USA, it is likely that it was pirated off of encrypted sources along with the other European soccer matches. And the Mayweather-McGregor fight was an encrypted Pay Per View event.

The government’s report cites data from Irdeto, a European company specializing in signal encryption for satellite and streaming providers. A review of their technical literature shows that modern piracy relies on methods like stealing session tokens, purchasing compromised account credentials on the dark web, or utilizing a technique known as CDN leeching.

These methods bypass the physical complexities of installing antennas to intercept local signals, demonstrating that for pirates encrypted content is easy to pirate than the unencrypted broadcast signals.

Furthermore, Irdeto’s guidance emphasizes the necessity of multi-DRM systems to ensure a frictionless viewing experience across different platforms. Currently, ATSC 3.0 DRM only supports Widevine, a Google technology. This single-DRM approach limits compatibility, leaving devices like Apple TV, Roku, Xbox, and standard computers unable to decode the encrypted broadcasts.

The push for encryption appears closely tied to the economics of broadcast retransmission fees. In Connecticut, for example, cable subscribers currently pay around $48.30 a month strictly for local channel access. Encrypting the over-the-air signals forces consumers to either maintain these cable subscriptions or purchase new, proprietary decoding hardware. Ahead of the upcoming NAB show, industry executives have discussed a proposed $60 tuner box. However, this device is expected to function solely as a tuner without DVR or gateway capabilities and cost three times as much as current tuning devices that do include DVR functions.

Broadcasters also point to the A3SA encoding rules, which currently permit time-shifting and recording. But these allowances apply only to content that is actively simulcast with the older ATSC 1.0 standard. Once the simulcast requirement expires, broadcasters provide are not committing to restricting or disabling recording capabilities entirely, shifting control of public airwave usage to a private entity.

The FCC is presently collecting public feedback on a separate but related sports broadcasting docket (26-45), which examines the impact of broadcasting practices on consumers and local market obligations. The comment period for this specific docket remains open for roughly another week, offering another venue for the public to submit their observations regarding how signal encryption may affect access to local sports broadcasts.

MiSTer Multisystem 2 Review: A “Consolized” Retro FPGA Device

admin — Sat, 14 Mar 2026 23:44:42 +0000

The MiSTer project has evolved from a complex DIY endeavor into a professional-grade cottage industry, and the MiSTer MultiSystem 2 represents the latest shift toward consolized, single-board hardware.

Check it out in my latest MiSTer Review!

Developed in the UK through a collaboration between RMC’s Neil and electronics manufacturer Heber Limited, this device consolidates the traditional stack of MiSTer FPGA boards into a single unified motherboard. The 3D-printed enclosure, which carries a design aesthetic reminiscent of late 80s electronics, houses a system that remains 100% compatible with the broader open-source ecosystem while offering expanded connectivity and thermal stability.

Operating on the same DE10 Nano framework as other MiSTer devices, the system uses FPGA technology to replicate the logic paths of vintage hardware at the chip level rather than through software emulation. This approach allows for high accuracy across a range of platforms, early arcade systems and 8-bit computers like the Commodore 64 to more demanding cores like the Sega Saturn and Nintendo 64.

My testing indicates the hardware is thermally balanced, maintaining stability even during intensive tasks such as running the Street Fighter Alpha 3 arcade core and in running RAM tests at speeds of 150 MHz on its 128 MB module.

One of the defining characteristics of the Multisystem 2 is its emphasis on user-accessible expansion. A unique cartridge slot on the top of the unit supports different modules, such as SNAC adapters for zero-lag original controller input, composite video output for older televisions, and even MIDI projects like adding a Raspberry Pi powered Roland MT32 synthesizer for DOS games.

The motherboard features various headers, GPIO pins, and internal space for an NVME drive, allowing for significant storage and hardware modifications without external clutter.

Connectivity is notably robust, with four front-facing USB ports, dual rear USB ports, Ethernet, and diverse video output options. While modern displays connect via HDMI, the analog version of the Multisystem is designed with a strong focus on CRT users. It includes a SCART-compatible video output and a VGA connector that supports RGB component cables. Because the hardware is integrated onto a single PCB, the analog video output exhibits reduced electrical noise compared to multi-board configurations, resulting in a cleaner image on traditional tube televisions.

The device lacks built-in Wi-Fi or Bluetooth, requiring USB adapters, and utilizes a full-size SD card for its primary OS and core storage. Power is delivered via a 5V barrel connector, though the system can draw up to 4 amps depending on the peripherals attached.

I paid about $386 for mine (including shipping and tariffs)—which is priced higher than entry-level alternatives like the QMTech we looked a few months ago. But the MultiSystem to is positioning itself as a comprehensive enthusiast platform. It bridges the gap between the technical flexibility of the original FPGA development boards and the convenience of a dedicated home console.

Check out my full playlist of MiSTer related videos here!

I Bought a Macbook Neo – Here’s My Review!

admin — Fri, 13 Mar 2026 13:10:07 +0000

I recently purchased the entry-level MacBook Neo for $599 (compensated affiliate link) to evaluate its capabilities. Positioned as Apple’s low-end laptop alternative to the Mac Mini, it can also be found for $499 through the Apple Education Store for students and school staff.

Check it out in my latest review!

The model I tested features the Apple A18 Pro processor, the same chip utilized in last year’s iPhone 16. It includes 8 gigabytes of memory and 256 gigabytes of solid-state storage. While the base storage and memory are fixed, a $699 variant offers 512 gigabytes of storage and a fingerprint reader.

The physical construction consists of a metal chassis with rounded edges, weighing 2.7 pounds. The 13-inch display operates at a 2408 by 506 resolution with a brightness of 500 nits and a 60-hertz refresh rate. Text and images render clearly on the display and it looks very close to my MacBook Air in overall quality.

The device includes a 1080p webcam equipped with OS-level filters like background replacement, blurring, etc. But I noted an operational detail regarding this webcam: there is no physical indicator light to show when the camera is active, relying entirely on an on-screen software notification. While Apple’s MAc OS is quite secure, not having a hardware light for the webcam makes me a little nervous.

Apple made distinct choices regarding input and port options to meet this price point. The keyboard feels nice and may have a little more travel than the MacBook Air, but it lacks backlighting. The trackpad uses a physical click mechanism rather than the solid-state haptics found on more expensive models.

Connectivity is handled by a headphone jack and two USB-C ports. One of the USB-C ports is limited to USB 2.0 speeds, while the other supports 10 gigabits per second data transfer, video output, and charging. Neither port supports Thunderbolt. Stereo speakers are present, though the audio can distort slightly if hands are resting on the chassis.

In practical testing, the A18 processor handles routine computing efficiently. Navigating websites in the Brave browser is responsive, yielding a score of 44.7 on the Browserbench Speedometer benchmark – one of the highest I’ve tested. High-resolution media, including 4K video at 60 frames per second, plays back without dropped frames.

Like other Macs, the Neo comes with excellent native applications like iMovie for video editing, Garageband for music, and a very functional office suite with Pages, Numbers, and Keynote. All ran flawlessly and felt just as responsive as my more expensive Macs.

When utilizing Apple’s Pixelmator Pro (a Photoshop alternative), the system handled background removal tools and basic edits without noticeable lag. More demanding applications, such as Final Cut Pro, managed 4K 60fps video editing and real-time visual effects effectively, though the 8-gigabyte memory constraint means performance could decrease with larger, heavily layered project files.

Gaming and emulation present usable frame rates within reason. The native Apple silicon version of No Man’s Sky maintained frame rates in the high 50s at a 1408 by 881 resolution. The PCSX2 emulator ran PlayStation 2 titles at full speed without lag. I

The device scored 3,458 on the 3D Mark Wildlife Extreme benchmark which puts it well below the M4 and M5 processors found on the Macbook Air and Mac Mini. Due to its fanless design, a stress test revealed the Neo will be hit with a 13 percent performance reduction over extended periods of heavy load due to thermal and power level throttling. But battery life reached between 10 and 12 hours for basic computing work.

The MacBook Neo demonstrates that a mobile processor can capably drive a full desktop operating system. The Neo provides a highly functional point of entry into the macOS ecosystem. There’s no doubt that this will drive competing PC manufacturers to up their game at the lower end of the market!

Off Grid Comms with Meshcore!

admin — Thu, 12 Mar 2026 03:32:26 +0000

I love playing with digital radio communications. The ability to send data over long distances without any infrastructure or service providers in the middle is such a liberating concept. I’ve done a lot with amateur radio on the channel over the last few years, but lately I’ve been playing with cheap low powered LoRA based devices that don’t require a license.

In my latest video, I take a look at Meshcore, a technology that allows volunteers to build out robust off-grid networks.

Meshcore is similar to Meshtastic, but in my opinion is better suited for long distance communications. My Meshtastic experience in Connecticut has frequently been limited by the lack of nearby users and unreliable message delivery. While I have successfully made contacts from airplanes, ground-level communication has remained a challenge.

The transition to Meshcore revealed a more active community and improved performance within my region. Unlike Meshtastic, which utilizes a managed flood network where every node acts as a repeater, Meshcore requires users to assign specific roles to their devices. A device can be configured as a companion, which serves as a personal radio interface for a phone, or as a dedicated repeater. By separating these roles, the network can route messages through established paths rather than retransmitting every signal from every device. This deterministic approach reduces network congestion and allows for longer-distance communication through strategically placed repeater stations.

During my testing, I successfully sent text packets to Enfield and Vernon, Connecticut—locations over 50 miles away that would take more than an hour to reach by car. These transmissions occurred without the use of the internet or requiring a radio license, as the devices operate on the license-free 900 MHz spectrum.

Setting up these devices is a relatively accessible process. Hardware like the Heltec V3 can be purchased super cheap, while fully assembled units like the ThinkNode M5 cost around $54 (compensated affiliate links). Most Meshtastic devices can be re-flashed with Meshcore firmware.

The Meshcore project website provides a web-based flasher to install the firmware, allowing users to choose between companion, repeater, or room server modes. The room server function is particularly notable, acting as a simplified bulletin board system that stores messages for users to read when they later connect their radios.

The current landscape of the network in Connecticut shows a growing infrastructure of repeater stations, with expansion moving toward neighboring states. While it’s strictly for text messaging—no voice or video—there is something really neat about building a communication network that runs entirely on solar power and off-grid hardware.

For those who have found Meshtastic quiet or unreliable, this alternative protocol offers a different architectural approach using the same hardware. I will be watching to see how the interconnection of these regional nodes continues to develop.

Werewolf VFLEX Review: Power Almost Anything over USB-C!

admin — Sun, 08 Mar 2026 14:23:20 +0000

Every once and awhile I come across an incredibly useful gadget that becomes an essential part of my “nerd toolbox.” The latest device I’m throwing in there is the Werewolf VFLEX – a universal power adapter for just about anything that connects to a USB-C power supply.

Check it out in my latest video!

The base unit is priced at $8 and the adapter cables are $4 A starter kit containing three base units and multiple adapter cables retails for $48. They can be purchased directly from Werewolf’s website here (compensated affiliate link).

Users first need to attach the base unit to a computer or mobile device to program in the required voltage. Configuration is handled through an Android or iOS app, along with a browser-based interface on PCs.

To test the VFLEX, I powered a vintage Atari 2600 using a USB-C battery. The Atari requires 9 volts of direct current and a center-positive polarity. After dialing in the 9-volt requirement via the web interface, the VFLEX base unit stored the setting and successfully supplied the correct voltage, indicated by a green light on the device. The Atari fired up like it was connected to its 40+ year old power supply yet was powered by the battery.

If the unit fails to receive the requested voltage from the source, it displays a red light and cuts power to the connected device. It is necessary to correctly identify both the voltage and polarity before connecting any hardware, as the VFLEX cannot prevent electrical damage if configured improperly.

The capabilities of the USB-C power source dictate what the VFLEX can output. For instance, an Anker 30-watt adapter I examined supports Programmable Power Supply (PPS), a standard that permits granular voltage adjustments. With PPS, a user can specify voltages between 3.3 and 11 volts at 3 amps, or between 3.3 and 16 volts at 2 amps. In contrast, an older 100-watt Kensington power supply lacking PPS could only output fixed increments of 5, 9, 15, or 20 volts. The quality of the USB-C cables is also a variable; relying on established brands for both cables and power adapters minimizes risks associated with non-compliant USB standard implementations.

For a more complex load, I connected a Sega Tower of Power—comprising a Sega CD, a 32X, and a Genesis console—to a single Anker Prime 160 power adapter (compensated affiliate link) using three VFLEX units. The Sega CD requires a 9-volt supply, while the 32X and the second-generation Genesis require 10 volts. Because the Anker Prime adapter supports PPS, I was able to program two VFLEX units to output 10 volts and one to output 9 volts simultaneously. Monitoring the real-time power data from the Prime adapter showed the system drawing roughly 10-12 watts in operation, well within the Anker’s 160-watt capacity. Consolidating multiple enormous Sega “wall wart” into a single adapter proved functional, provided the operator strictly adheres to the voltage and polarity specifications of the hardware.

If you’re like me and have a bunch of stuff to power, the VFLEX can be a major convenience. While the starter kit supplies enough adapters for routine applications, the system requires the operator to accurately verify the voltage before connecting any hardware to avoid damaging the electronics. When configured correctly, the device bridges modern USB-C power delivery with both legacy and contemporary hardware.

Disclosure: Werewolf provided the VFLEX free of charge, however they did not review or approve this content prior to publication. All opinions are my own.

My Toyota Sienna Van is Now a Lemon Due to an Unaddressed Recall..

admin — Thu, 05 Mar 2026 14:15:54 +0000

Back in December, I shared information regarding a recall affecting my 2025 Toyota Sienna. As of today, March 5 2026, the vehicle has been sitting at the dealership without a resolution. The van has been out of service for almost 90 days, having been at the dealer since December 12th. I’m about to take Toyota to Lemon Law Court here in Connecticut.

See more in my latest video!

The recall addresses an issue where the second-row seats rails have a risk of losing their structural integrity and pose a risk of injury due to defective welds. The manufacturer’s notice explicitly stated no one should sit in these seats until a remedy is performed. While the manufacturer instructed dealers to pull the vehicles from lots on October 7th, 2025, my notice did not arrive until 66 days later. To date, no remedy or timeline for a fix has been communicated.

This situation impacts approximately 50,000 Sienna vans. Faced with a vehicle that cannot be safely used as intended, I researched the lemon law in my home state of Connecticut.

Connecticut requires that a vehicle be a new vehicle under two years old, have less than 24,000 miles, and exhibit a condition that substantially impairs its use, safety, or value. Given that I purchased a seven-passenger van and two of the middle seats cannot be used, the impairment is clear. Furthermore, Connecticut law provides eligibility if a vehicle has been out of service for repair for a cumulative total of 30 days or more.

I have filed a lemon law complaint with the state, and it has been accepted for a hearing. At the hearing, I will make my arguments for either a replacement or a refund. For other owners dealing with this extended recall, researching state-specific lemon laws is a practical step. Resources like Justia provide a 50-state survey of lemon laws across the United States, detailing varying procedures.

While the process in Connecticut is designed so consumers can file without an attorney, legal counsel may be consulted if the hearing process is intimidating. Following my hearing, I will share my presentation and arguments so other owners have something they can use in their own hearings. Stay tuned!

California Law to Require Age Verification on All Operating Systems (Including Linux)

admin — Tue, 03 Mar 2026 13:59:41 +0000

Recently, a new California law signed by Governor Gavin Newsom caught my attention due to its potential impact on the open-source community, specifically Linux users. The legislation mandates that operating systems for PCs and other general computing devices like tablets and phones must implement a form of age verification during the initial account setup process.

I take a look at the implications of this law in my latest video.

While California is not the only state pursuing such measures—Texas recently faced legal hurdles over a similar law—this development raises questions about how open-source organizations, rather than traditional corporate entities, will comply.

The text of the California bill, which was signed on October 13, 2025, and takes effect on January 1, 2027, calls for an interface that requires the account holder to provide their birth date or age. This information generates a signal regarding the user’s age bracket—categorized as under 13, 13 to 16, 16 to 18, or over 18—to be read and enforced by applications within a covered app store.

The legislation defines an operating system provider broadly enough to include independent developers creating Linux distributions. Furthermore, a covered application store is defined as a publicly available online service, which could encompass command-line package managers used daily by Linux administrators.

From a practical standpoint, the current requirement relies entirely on self-reporting. Users are asked to volunteer their age, meaning anyone could input inaccurate information to bypass restrictions. Despite this, the penalties for non-compliance are clearly defined. Operating system makers face civil penalties ranging from $2,500 for negligent violations to $7,500 for intentional violations per “affected child.” If a developer has internal data showing a user’s actual age differs from the self-reported signal, they are legally obligated to act on that information or face action from the California Attorney General.

The implications for Linux distributions are notable. Commercial entities with a business nexus in California, such as the organizations behind Ubuntu and Fedora, will likely implement the necessary prompts to comply.

However, smaller projects face a different reality. Many distributions are maintained by volunteer groups without the financial resources or organizational structures to shield them from liability. Midnight BSD has already modified its software license to exclude California residents, but this legal maneuver may not satisfy California regulators if the software remains accessible for download within the state’s borders.

This legislative push is not confined to the West Coast. My home state of Connecticut is currently evaluating controls for minors on the internet, and Colorado is exploring operating system-level age verification. Texas attempted to regulate app stores before a federal court blocked the law, citing First Amendment concerns regarding its broad application. The absence of a unified federal privacy law has resulted in a fragmented regulatory landscape across different regions.

Historically, some internet users have responded to localized regulations by migrating to decentralized platforms. When Discord faced scrutiny over its age verification methods that included video selfies and government IDs, users began exploring open-source alternatives like Revolt and Matrix. These self-hosted and federated platforms demonstrate how technical communities can circumvent centralized data collection and restrictive legal mandates.

As the 2027 deadline approaches, it is likely that many Linux distributions will simply integrate a birth date or age prompt into their installation screens to mitigate legal risks. The technical challenge of passing that age signal consistently to various package managers and standalone applications remains a logistical hurdle. The coming months will test how far state authorities are willing to go in enforcing these mandates on the broader open-source software ecosystem.

DOS Games in a Browser? DOS.ZONE Review

admin — Sun, 01 Mar 2026 12:48:01 +0000

For my annual Christmas retro video, I explored the Exodos project, a method for downloading and playing a vast library of classic DOS games. While functional, it requires significant disk space, BitTorrent downloads and some complexity. It also lacks native compatibility with MacOS and Linux. Following a recommendation from my friend Adam of TechOdyssey, I recently tested an alternative approach called DOS.zone.

Check it out in my latest video!

DOS.zone is a web-based emulation platform designed to run legacy DOS and Windows 95 games directly within a browser. During my testing on an M2 MacBook Air using the Brave browser, games like Doom booted quickly and ran at standard speeds without requiring any software installation or command-line management. The platform currently hosts approximately 2,000 titles, which is a smaller library compared to the Exodos project, but it focuses on immediate accessibility.

The service operates primarily as a free service, downloading and executing the game files locally in the browser rather than streaming them from a server. The DOS games run in DosBox or DosBox-X which has been ported to Javascript (more on that later).

Game progress can be saved to the browser’s local storage, provided the user clicks the designated save icon before exiting. Because local browser data can be cleared or lost, DOS.zone offers an optional subscription for a few dollars a month that enables cloud synchronization for save files. The save files can be synced across devices too.

The emulation includes various adjustable settings to tailor the experience. Users can modify the DOSBox performance by toggling the auto-adjust feature and manually setting CPU cycles, which I found necessary to stabilize the frame rate in titles like Wing Commander. Other options include mouse capture, on-screen control scaling, and an image smoothing toggle for those who prefer altered graphics over the original pixelated rendering. Notably, the platform currently lacks native game controller support, relying instead on keyboard controls or external software mapping.

Technically, DOS.zone distinguishes itself from other in-browser solutions by supporting Windows 95 environments and 3dfx hardware acceleration. Loading a game like Road Rash prompts a brief Windows 95 boot sequence before launching the application. While this specific browser port lacks the original full-screen video and music, it runs consistently at 60 frames per second. The 3dfx support extends to titles like the original Grand Theft Auto and various hardware demos, rendering hardware-accelerated graphics entirely within the browser window.

The platform also integrates a multiplayer hub where users can join active network sessions for games like Quake or Half-Life Deathmatch. In my experience, some visual assets load dynamically during the initial session, which can cause minor stuttering, but the performance stabilizes once the caching is complete.

Because the underlying technology utilizes the open-source JS-DOS API, the emulation extends to mobile devices. Testing Need for Speed on a smartphone demonstrated that the platform automatically maps necessary game controls to the touchscreen, enabling mobile gameplay without requiring a dedicated app installation.

For users seeking a broader library, the Internet Archive remains a viable alternative with over 8,800 browser-playable DOS titles. However, DOS.zone provides a more specialized technical implementation with its inclusion of 3dfx, Windows 95 support, and built-in multiplayer routing, offering a highly accessible route to revisiting legacy software without the need to manually configure local emulators.

See more retro here!

I own a piece of Star Trek’s Ten Forward!

admin — Fri, 27 Feb 2026 13:25:45 +0000

I recently acquired a physical piece of the set from the television series Star Trek: The Next Generation (TNG)! The item is a small square of fabric from a backdrop utilized for the TNG Ten Forward set, serving as the curtain positioned behind the windows. The fabric incorporates Mylar reflective material, which production crews illuminated to simulate the appearance of stars.

I obtained this item directly from Doug Drexler, a former production staff member on the series. Drexler sold off portions of his personal collection to raise funds for an upcoming documentary detailing his life and work. The documentary project was recently financed through a successful Kickstarter campaign.

If you’re a fan of sci-fi shows there’s a good chance you’ve seen Drexler’s work. His credits include Star Trek TNG, Deep Space Nine, Voyager, and Enterprise. His recent work includes the amazing Picard Season 3, the Orville and more. His Facebook page has some awesome behind the scenes photos and videos of his work.

I’m looking forward to the documentary!

GMKTec K13 Mini PC Review

admin — Thu, 26 Feb 2026 16:49:11 +0000

GMKTec keeps cranking out new Mini PCs despite the price pressure of RAM shortages. In my latest Mini PC review, I check out their new K13 powered by an Intel “Meteor Lake” Core Ultra 7 256V.

Check it out in my latest video!

It is equipped with 16 gigabytes of DDR5-8533 memory. This memory is soldered to the mainboard and cannot be upgraded, which may be a limiting factor depending on specific requirements.

Pricing currently sits at approximately $669 on GMKTec’s website (compensated affiliate link), with a 512-gigabyte solid-state drive, while the one-terabyte version retails for $720. Typically a PC like this would be much less expensive, but market constraints on memory prices are driving these budget PCs into higher price categories. I’d suggest checking out Amazon’s prices too and look out for sales and promotions (compensated affiliate link).

Storage is expandable by removing a single screw on the bottom panel, which features a bright green design contrasting with the black upper chassis. This reveals an additional NVMe slot, offering the possibility of adding another drive or utilizing an Oculink adapter, though the device lacks a dedicated native Oculink port.

Connectivity options include two front-facing USB 3.2 ports capable of 10-gigabit-per-second data transfers and a standard audio jack. The rear panel houses a 5-gigabit Ethernet port, which reached expected speeds during network testing and is double the speed of the 2.5 gigabit ports typically found on Mini PCs.

Wireless connectivity is handled by a Wi-Fi 6E RZ616 chipset, providing consistent throughput and not demonstrating some of the Wi-Fi constraints I sometimes see on mini PCs.

Additional rear ports include a USB 2.0 connection, an HDMI output supporting 4K resolution at 60 hertz, and two USB4 40 gigabit ports with Thunderbolt compatibility. The system draws a maximum of 70 to 75 watts under load, allowing it to be powered via a 100-watt USB-C connection to one of those USB 4.0 ports or with the included power supply that attaches to a separate power connector.

Out of the box, the hardware is set to a balanced power profile in the BIOS, and adjusting this to its high-performance setting is necessary to utilize the processor’s full capabilities. The system runs Windows 11 Pro, but it notably included a pre-installed Chinese-language voice assistant called Cherry AI. This addition diverges from the manufacturer’s typical practice of providing clean operating system installations, though no malware was detected during security scans.

In practical use, web browsing and office applications function predictably, yielding a score of 32.5 on the Speedometer benchmark. Basic 4K video editing in DaVinci Resolve operates smoothly for standard cuts, though applying visual effects increases render times due to the reliance on integrated graphics.

For gaming I was impressed with the Intel chip’s on board ARC graphics. Testing Cyberpunk 2077 at 1080p on the lowest settings resulted in frame rates between 45 and 50 per second in complex environments, occasionally reaching 60 in less demanding areas. I saw similar performance with No Man’s Sky at similar settings. Emulation of PlayStation 2 software ran at full speed at the PS2’s standard definition native resolution with some room to improve graphical fidelity inside the emulator.

The system scored 4,375 on the 3DMark Time Spy benchmark and completed the associated stress test with a 99.6% pass rate. During this testing period, CPU temperatures reached 60 degrees Celsius; the exterior casing became warm, but fan noise remained minimal.

The K13 also demonstrated compatibility with Ubuntu Linux, with standard network, audio and video drivers functioning correctly. The unit ships with a VESA mounting plate for attachment to external displays, offering flexible deployment options for those seeking to minimize their hardware footprint.

All in the K13, is a bit pricey due to memory constrainsts, but it is a solid performer. If we lived in different times this would definitely be a PC to be excited about.

Disclosure: GMKTec provided the Mini PC to the channel free of charge. No other compensation was received and they did not review or approve this content or the video prior to publication.

ATSC 3.0 TV Encryption Update: The Final Arguments are In..

admin — Tue, 24 Feb 2026 15:03:41 +0000

The final arguments regarding the encryption of over-the-air television have been filed with the FCC, and now it’s in the Commission’s hands. In my latest ATSC 3.0 analysis video, we take a look at how broadcasters responded to encryption concerns.

After reviewing hundreds of pages of documents, it appears the industry’s rebuttal to consumer concerns relies heavily on dismissing documented technical failures as mere anecdotes while asserting that encryption is necessary for the future of broadcast media.

The National Association of Broadcasters (NAB) has characterized reports of DRM failure—such as devices refusing to tune channels—as “early deployment friction” that does not justify stalling a national transition. They argue that individual complaints do not reflect systemic flaws. Yet, this stance contradicts the experience of users who have found that encryption often breaks the basic functionality of a television.

For instance, the A3SA, the body managing the encryption keys, argues that software-based devices require internet-based updates for bug fixes. This requirement introduces a significant dependency on internet connectivity for a medium that is marketed as being free and accessible over the air.

I recently demonstrated this vulnerability when an ADTH set-top box, which marketing materials claimed did not require an internet connection, failed to tune encrypted channels during a snowstorm. This inability to access weather information during an emergency challenges the industry’s assurance that content protection does not impede public safety messaging.

Beyond technical reliability, the industry posits that DRM is essential to combat piracy and secure content for sports broadcasting. The A3SA cited a media report claiming billions in losses due to piracy, yet the article in question focused on cable and streaming theft rather than the unauthorized capture of over-the-air signals.

Historically, DRM has been less about stopping piracy—which remains rampant despite encryption—and more about siloing users into specific hardware and software platforms. By making free over-the-air reception more difficult, broadcasters may be incentivizing consumers to stick with paid cable or streaming packages. Furthermore, claims that major sports leagues will withhold content without encryption are not supported by the current landscape, where broadcast contracts are being renewed for extended periods without such mandates being public.

There is also a significant question regarding the neutrality of the A3SA, which acts as the sole gatekeeper for approving tuning devices. While the organization claims to be neutral, it is comprised of major broadcast entities. This structure effectively allows the industry to pick winners and losers in the hardware market.

Manufacturers of popular gateway devices, such as Silicon Dust’s HDHomeRun, have been unable to secure certification under the current regime. The A3SA’s standards remain opaque and protected by non-disclosure agreements, preventing independent verification by even the FCC and effectively locking out devices that distribute signals across a home network to non-Android devices.

Ironically, while the industry argues that DRM protects consumers from the security risks of illicit streaming, the approved hardware itself presents security concerns. The ADTH box mentioned earlier was found to be running an Android security patch level from 2021, leaving it vulnerable to years of known exploits.

It seems unlikely the FCC will mandate a hard transition to ATSC 3.0 in the near term given the abysmal consumer adoption rates. The current ecosystem is too fragmented, and the cost and complexity of encryption have slowed adoption to a crawl.

And ultimately for consumers, they’re really not getting as much as they did during the prior transition. Back in the early 2000s TV viewers went from analog standard definition signals to digital high definition ones – a huge jump in visual fidelity. While ATSC 3.0’s HEVC video encoding is certainly noticeable for enthusiasts, I doubt most mainstream consumers will notice much of change.

I believe a probable outcome is a “frozen conflict” where the FCC ends the simulcast mandate, allowing stations to voluntarily switch to 3.0 if they choose, while potentially authorizing more efficient video codecs like MPEG-4 for the existing ATSC 1.0 standard.

This would allow the legacy standard to improve and remain viable, effectively leaving ATSC 3.0 to succeed or fail on its own merits without a government mandate forcing consumers to upgrade. We may end up with a better-looking version of the television service we already have, while the next-generation standard struggles to find its footing.

The Nostalgia TV for Plex App Turns Your Plex Meida into a Retro Cable TV Experience! (sponsored post)

admin — Sun, 22 Feb 2026 02:05:09 +0000

My latest sponsored Plex post takes a look at Nostalgia TV, an independent application that provides an alternative user interface for Plex media servers. While not an official Plex product, the app utilizes the Plex API to connect to a user’s existing libraries and present content through a 1990s-style cable television interface. This allows users to view their own media files as a series of linear, “live” broadcast channels.

Check it out in the video here!

The application is currently available only for Android and runs on both mobile devices and television-based hardware. You can find it on the Google Play store here.

Setting it up is relatively straightforward compared to other similar tools; it does not require additional server-side installations like Docker. Once the app is pointed toward a Plex server and specific libraries are selected, it automatically generates a variety of themed channels. On the free tier, users have access to about five or six channels that match content based on library metadata, such as children’s programming or specific movie genres.

A pro version is available for a one-time fee of $20, which unlocks deeper customization and additional features. This includes the ability to add or remove channels, change the visual theme—ranging from a “Rad Lad” 80s monitor style to a more polished “Premium” look—and enable commercial breaks. These commercials are pulled from a user’s own designated Plex library and serve to pad the timing of shows so they stick to 15-minute scheduling increments.

While the core functionality of tuning between channels is notably fast, the application is in its early stages and is a bit buggy especially when it comes to customization.

Configuration via a remote control can be cumbersome, though the app includes a local web remote feature that allows for easier channel editing through a web browser. Within this web interface, users can adjust content flow using methods like random shuffling, sequential blocks, or “cyclic” ordering to maintain episode chronology. Unfortunately it’s not currently possible to build an hour-by-hour schedule – the app fills in the channel guide automatically.

Beyond the interface itself, the app integrates with the standard Plex ecosystem by reporting playback status back to the server dashboard, supporting both direct play and transcoding when necessary.

This project serves as a practical example of the extensibility now possible through the Plex API. By leveraging the server’s existing handling of video playback and library management, independent developers are able to focus entirely on creating niche user experiences.

Next month’s video will show case some things that I “vibe coded” using AI tools and connecting them to the Plex API. Stay tuned!

Disclosure: this is a paid sponsorship from Plex. However they did not review or approve this video or post prior to publication.

Geekom X16 Pro Laptop Review

admin — Sat, 21 Feb 2026 14:47:29 +0000

Geekom, a company traditionally focused on desktop mini PCs, recently expanded its hardware portfolio to include laptops. My latest video review takes a look at their 16-inch model, the Geekom X16 Pro, to see how their engineering translates to a portable form factor.

Check out the video here!

The model I evaluated is now available on Amazon (compensated affiliate link) and I suspect pricing is going to fluctuate wildly due to memory supply constraints. The hardware configuration includes an Intel Core Ultra 9 185H processor, 32 gigabytes of soldered 7500 MHz DDR5 RAM, and a user-upgradable two-terabyte NVMe solid-state drive. Geekom also offers a 14-inch variant (compensated affiliate link) with an OLED screen and an Intel Core Ultra 5 125H processor at a slightly lower cost.

The visual output on my review unit is handled by a 16-inch IPS LCD panel with a 2560 by 1600 resolution and a 16:10 aspect ratio. The refresh rate reaches 120 Hz, and the display produces 400 nits of brightness while covering 100% of the sRGB color gamut.

The chassis is constructed entirely of metal and weighs 2.8 pounds, or 1.27 kilograms. The weight distribution allows the lid to be opened with one hand, which typically indicates thoughtful structural engineering. Inside, a generous 74.92 watt-hour battery provides approximately 12 to 13 hours of standard usage with conservative brightness settings.

Input devices presented a mixed experience during testing. The backlit keyboard features a full number pad, though the key travel feels a bit spongy. The trackpad design falls short of standard expectations for this price tier. A physical barrier separates the left and right click zones, rendering the center unclickable unless utilizing Windows’ tap-to-click software feature. The physical click mechanism also ceases to register past the vertical midpoint of the pad.

The laptop includes a 2-megapixel, 1080p webcam at 30 frames per second with a physical privacy shutter, which is sufficient for standard video conferencing but lags in quality vs. other more established brands in visual quality. Security features include a fingerprint reader integrated into the power button, though facial recognition is absent.

Connectivity options are varied, featuring a USB Type-C port for charging and 10 Gbps data transfer, a full-size HDMI 2.0 port, and a USB 4.0 port capable of 40 Gbps data, display output, and power delivery. The right side houses a micro SD card slot, two 10 Gbps USB-A ports, and a headphone jack. Wireless connectivity relies on a Wi-Fi 6E radio, which achieved 800 megabits per second downstream and over one gigabit upstream on my multi-gig network. Audio is delivered via downward-firing stereo speakers that reach adequate volume levels due to chassis acoustics, though they lack low-end frequency response.

In terms of performance, the X16 Pro ships with Windows 11 Pro and the Geekom PC Manager software, which facilitates quick power mode adjustments and data cloning from previous Windows 10 machines. General web browsing and 4K 60fps video playback operated smoothly, yielding a Speedometer benchmark score of 29.4. For creative tasks, basic 4K 60fps video editing in DaVinci Resolve was responsive, but the integrated GPU struggled with advanced visual effects. Gaming performance on titles like Cyberpunk 2077 at 1080p on low settings hovered around 40 to 45 frames per second. The system scored 4,128 on the 3DMark Time Spy benchmark, placing its graphical capabilities roughly in line with older entry-level discrete GPUs from around 5 years ago.

Thermal management proved effective, passing the 3DMark stress test at 99.2% with a final CPU temperature of 57 degrees Celsius. This cooling capacity comes with an acoustic tradeoff, as the internal fan generates noticeable noise under load, rivaling levels typically found in gaming laptops.

For those interested in alternative operating systems, testing with the latest version of Ubuntu demonstrated comprehensive hardware compatibility, recognizing components like Wi-Fi, Bluetooth, and audio without issue.

The Geekom X16 Pro balances a capable processing package and substantial battery capacity within a very lightweight metal chassis. This is probably one of the lightest 16″ laptops I’ve looked at. While the core specifications offer dependable performance across general computing and light creative tasks, potential buyers will need to weigh these benefits against the limitations of the trackpad and the acoustic profile of the cooling system under sustained loads.

Disclosure: Geekom sent the laptop to the channel free of charge, however no other compensation was received and they did not review or approve this content prior to publication.

DSpico Review : An affordable flash cartridge for Nintendo DS handhelds

admin — Fri, 20 Feb 2026 03:16:31 +0000

Twenty years after the release of the Nintendo DS, managing the system’s physical media presents an ongoing logistical challenge for users. In my latest retro video, I take a look at the DSPico, an open-source flash cartridge designed to boot digital copies of DS games directly on original hardware. These sell for around $20 on Aliexpress (compensated affiliate link)

Check out the review here!

The device retails for approximately $20, with shipping bringing the total cost to around $30. It is built around a Raspberry Pi RP2040 microcontroller and features a USB-C port alongside an SD card slot. The pre-assembled model I examined shipped with an 8-gigabyte SD card. The hardware requires a FAT32 format, and while some users have reported software lockups when using larger 64-gigabyte and 128-gigabyte cards, developers are currently addressing these bugs through firmware updates on GitHub. Updating the firmware requires connecting the cartridge to a computer via USB-C and transferring the necessary files to the card.

The cartridge has full access to the SD card, so you can store ROM files in an organizational structure of your choice. The DSPico reads and writes save files to the SD card and saves function just like they do on a regular cartridge. But it does not support save states like some Gameboy cartridges do.

The DSpico is compatible with the original DS, the DS Lite, the DSi, and the 3DS line. It only runs standard DS software, meaning it cannot be used to load 3DS-specific titles. On compatible hardware like the DSi and the 3DS, the DSPico also supports DSiware titles that were originally distributed strictly over the Internet – currently the only flash cart to do so.

Beyond preservation of out of print games, the DSPico serves as a loader for homebrew projects. I tested a few community projects, including a 3D role-playing game currently in development called WolveSlayer and a port of Lemmings. Both games played without issues. LemmingsDS goes beyond just a ROM file and utilizes a process where secondary assets are pulled directly from the SD card after the initial ROM loads.

As the secondary market for physical DS cartridges continues to experience price inflation, the DS Pico presents a functional method for accessing older software libraries without requiring the original media. Because the entire project is open-source, individuals have the choice to assemble the hardware themselves using the public repository or purchase pre-manufactured units from existing suppliers. The active development surrounding the device suggests that this two-decade-old handheld platform will remain accessible for the foreseeable future.

Disclosure: The DSPico was provided free of charge by the Aliexpress seller linked above. No other compensation was received and they did not review or approve this content prior to publication.

Your ISP Is Spying On You..

admin — Thu, 19 Feb 2026 19:38:38 +0000

Recently, I reviewed a 2021 Federal Trade Commission report detailing the data collection practices of six internet service providers. The report examined AT&T, Verizon, T-Mobile, Google Fiber, Comcast Xfinity, and Charter Spectrum Communications. It found that standard consumer privacy measures, such as web browser tracking protections, are ineffective against ISPs because many utilize a “supercookie” to persistently track network activity.

In my latest video, I dive into this topic and look at what you can do to stop this data collection.

Because households share a single internet connection, this tracking encompasses all users on the network, including children. ISPs gather information by observing the websites a household visits, the frequency and duration of those visits, and the amount of data transferred. Providers can send a user’s IP address to an ad affiliate, who then passes it to a data broker to build an informational profile. This data extends beyond basic demographics, categorizing users by religious affiliation, ethnicity, and political leanings.

The sale of this information presents distinct privacy risks. Beyond targeted advertising, the FTC report indicates that scammers can purchase access to these profiles. Additionally, a 2019 Motherboard report revealed that bounty hunters were able to buy customer location data originating from AT&T, T-Mobile, and Sprint phones. Despite these practices, consumer engagement with ISP privacy policies remains low. The FTC found that the provider with the highest engagement saw only 6.7 percent of subscribers look at their privacy pages.

I examined my own provider, Comcast Xfinity, to understand their specific policies. Comcast stated in a 2017 blog post and on their current privacy pages that they do not sell personal information without affirmative opt-in consent. However, agreeing to their terms of service during the initial account sign-up functions as that consent.

Navigating Comcast’s privacy section reveals numerous documents and a complex process for managing data disclosures. Users can opt out of certain disclosures, such as participation in audience measurement or personalized ads, but the application of these settings to broader tracking methods is ambiguous.

The ability to view, change, or delete the specific data an ISP holds depends heavily on state laws. For residents in states with applicable laws, Comcast provides a form to request a download of stored data, which includes account information, behavioral inferences, and details about telecommunication usage.

I submitted a data download request over a week ago, a process Comcast notes can take up to 30 days to fulfill. Until comprehensive federal regulations are established, the responsibility remains on the individual subscriber to navigate these varied settings and actively opt out of data collection.

I will be back with an update once Comcast hands over my data. Stay tuned!

Gadget Haul 13! Projectors, Handheld Gaming, Chargers and an Apple Watch iPod

admin — Sun, 15 Feb 2026 00:19:05 +0000

I recently gathered a collection of consumer electronics, ranging from repurposed legacy hardware to a new Anker projector, to evaluate their utility and performance. Check out the full list here (compensated affiliate link – all others below are too).

Check it out in my latest video!

The first item, the RePod, functions as a chassis designed to repurpose an older Apple Watch into a standalone music player resembling an iPod. The device features a physical scroll wheel that mechanically engages the watch’s digital crown, allowing for list navigation, though the center button is non-functional, requiring users to touch the screen for selection.

It accommodates 44-millimeter watch models and permits charging via the standard Apple magnetic charger through an exposed rear port. While it removes fitness tracking capabilities due to the lack of wrist contact, the metal enclosure offers a viable use case for retired hardware, provided the user disables the watch’s locking mechanism to avoid repetitive passcode entry.

For power management, I tested the Anker Prime 3-in-1 wireless charging station, a foldable unit sent by the manufacturer that supports the Qi2 charging standard. The fold-up portable charging station includes a magnetic pad for phones, a pop-out Apple Watch charger, and a base for airpods or other Qi compatible devices. The main wireless charger is capable of delivering up to 25 watts to compatible devices. To manage thermal output during high-speed charging, the unit incorporates an active cooling fan, which is super quiet but can be toggled off via a capacitive button. The package includes a power adapter and features a weighted base with rubber footing to maintain stability during use.

Addressing connectivity over longer distances, I evaluated a 5-meter fiber optic USB-C cable. Unlike standard copper cables which often suffer signal degradation at this length, this bidirectional optical cable supports 10 gigabit per second data transfer and 60 watts of power delivery. In my testing with a fast external drive and Blackmagic disk speed software, the cable maintained read and write speeds comparable to shorter interconnects, hovering around one gigabyte per second. However, potential users should note that the optical design does not support DisplayPort alt-mode, rendering it unsuitable for video transmission to monitors.

Moving to visual media, I examined the Soundcore Nebula P1i smart projector, an entry-level LED unit with a brightness rating of 380 ANSI lumens, necessitating a dark environment for optimal viewing. A distinguishing feature is its pair of rotatable 10-watt speakers, which can be oriented to project sound forward, backward or upward. The device runs a certified version of Google TV, ensuring native support for streaming applications like Netflix, though the interface demonstrated some sluggishness during navigation. Regarding gaming latency, high-speed camera tests revealed an input lag of approximately 20 to 22 frames at 240 frames per second; while not comparable to a dedicated monitor, this result indicates very good performance for casual gaming within the projector category.

Finally, the haul included the AYANEO Pocket Air Mini, an Android-based handheld gaming device featuring a 4:3 aspect ratio IPS display which is well suited for retro titles. The hardware utilizes Hall effect joysticks and triggers, providing precise control without drift. Performance is driven by a MediaTek Helio G90T processor, which I found sufficient for emulating consoles up to the Sega Dreamcast era. Attempts to run PlayStation 2 or GameCube titles resulted in inconsistent frame rates, and the internal fan became intrusive when high-performance modes were engaged. The device supports memory expansion via microSD and includes a 3.5mm headphone jack, with the 3-gigabyte RAM model offering slightly better headroom for operations than the base model.

As I continue to acquire these types of items, the compilation format appears to offer a more efficient method for covering the steady influx of consumer technology accessories and niche devices. I will continue to separate individual segments for my Gadget Picks channel, but for now, this consolidated approach allows for a broader survey of the current gadget landscape.

See more hauls here!

Disclosure: The projector and charging station came in free of charge from Anker. The cable came in free of charge through the Amazon Vine program. No other compensation was received and no one reviewed or approved this content prior to uploading. I paid for the gaming handheld and the RePod with my own funds.

GL.iNet Comet Remote KVM Review (GL-RM1)

admin — Thu, 12 Feb 2026 14:23:56 +0000

I picked the GL.iNet Comet KVM (compensated affiliate link) the other day, an entry-level remote KVM device designed to provide hardware-level access to computers and other HDMI-enabled equipment.

You can see it in action in my latest review!

I purchased this unit to facilitate remote administration without relying on software-based solutions. Unlike traditional remote desktop applications, the Comet captures the HDMI output from a target device and emulates keyboard and mouse input via USB, allowing for control through a standard web browser. Because it operates independently of the host machine’s operating system, it provides access to the BIOS and functions even when the target computer is not fully booted.

The hardware setup is straightforward, though it requires a wired ethernet connection as this specific model lacks Wi-Fi capabilities. The device features an HDMI input, a USB-C port for keyboard and mouse emulation, a USB host port for external storage and an Ethernet port for network connectivity. It is powered via a separate USB-C connection. During my testing, I connected the Comet to a headless mini PC. The device successfully emulated the peripherals, allowing me to navigate the BIOS and initiate a Windows boot sequence remotely from a Mac browser.

A notable feature of the Comet is its independence from mandatory cloud services. While a cloud option exists, the device does not bind itself to external servers by default, offering users greater control over their data privacy. For remote access outside the local network, the unit supports Tailscale and Zero Tier, allowing for secure VPN connections without opening firewall ports. However, users accessing the device via a browser may encounter security warnings due to the default security certificate, a configuration issue that lacks clear documentation for resolution.

In terms of performance, the Comet handles video streaming adequately for administrative tasks, with a latency of approximately 30 to 40 milliseconds on a local network. This delay makes it unsuitable for fast-paced gaming, though it supports resolutions up to 4K at 30Hz, with 1080p at 60Hz being the standard configuration. Audio pass-through is supported but must be manually enabled in the settings. The interface also includes a Wake-on-LAN feature, which can identify and boot compatible devices on the network.

File transfer capabilities are present but limited. The device utilizes a virtual media mounting system where files are uploaded to the Comet and then presented to the target computer as a USB drive. Transfer speeds are restricted by the USB 2.0 interface, resulting in slower performance for larger files. Additionally, the mobile experience is currently suboptimal; the browser interface on tablets is difficult to navigate, and the dedicated mobile app requires a cloud account, which contradicts the self-hosted preference of many users.

I also tested the device with non-standard hardware, specifically a MiSTer FPGA retro gaming setup. The Comet successfully allowed for remote control of the interface and basic operation of emulated systems, although mouse alignment and clipboard pasting were inconsistent.

Despite some rough edges, the device serves its intended purpose effectively, particularly for scenarios where installing remote desktop software is impractical or would interfere with performance benchmarking. I intend to integrate this tool into my workflow for managing test units remotely around the house and when I’m not at home.

ATSC 3.0 DRM Opponents Make Their Case to the FCC

admin — Tue, 10 Feb 2026 12:52:16 +0000

The transition from the current over-the-air television standard to NextGenTV, or ATSC 3.0, continues to generate significant debate, particularly regarding the decision by many broadcasters to encrypt their signals.

In my latest video, I take a look at the filings from organizations and individuals opposing the implementation of Digital Rights Management (DRM) on the public airwaves.

This issue moved from theoretical to practical for me recently during the Super Bowl. I was unable to tune into the game over the air because my local NBC affiliate had encrypted their channel, and the legacy ATSC 1.0 signal was unreliable at my location, forcing me to stream the event instead.

I submitted my own filing to the FCC docket, effectively mirroring the arguments I raised in my prior video on this topic regarding the industry’s justification for encryption. To circumvent file size limitations on the docket, I attached a PowerPoint presentation with embedded video evidence, a method that allows for the submission of multimedia documentation under the 100-megabyte limit. This approach is useful for anyone wishing to demonstrate the real-world impact of these restrictions, such as devices failing to decrypt channels they are theoretically certified to receive.

One of the most comprehensive filings came from Public Knowledge, a consumer advocacy group. They commended the FCC for scrutinizing the issue but raised substantial concerns about the A3SA, the authority managing the encryption program. Public Knowledge argued that the A3SA operates without meaningful external oversight, maintaining confidential licensing terms and opaque decision-making processes. They contend this entity acts as a private gatekeeper to the public airwaves without accountability to consumers or public interest stakeholders.

Public Knowledge also highlighted the potential for consumer confusion arising from the current certification regime. There are now two distinct logos for consumers to navigate: the NextGenTV logo and the A3SA logo. A device might carry the NextGen TV certification, like the HDHomeRun gateway I use, yet lack the ability to decrypt content. Conversely, a device like the Zapperbox may have A3SA certification for decryption but lack the NextGenTV designation. During a recent visit to a major electronics retailer, I observed that neither logo was displayed on television sets that support the new standard, suggesting that this certification system has yet to effectively reach the consumer marketplace.

Furthermore, Public Knowledge drew a parallel between the current situation and the “broadcast flag” rule from the previous digital transition. They argued that the A3SA certification requirements essentially function as a new, more sophisticated broadcast flag, allowing broadcasters to dictate which devices can receive programming and potentially restricting recording capabilities. They also reminded the Commission that the FCC’s 2017 order to begin the ATSC 3.0 transition emphasized that encrypted programming should not require special equipment supplied by the broadcaster, a standard the current regime may be failing to meet.

Opposition also came from within the broadcast industry itself. Weigel Broadcasting, which operates stations reaching a vast majority of US households, filed comments expressing concern over the direction taken by larger broadcasting consortiums. Weigel presented evidence suggesting that some competitors view the new standard primarily as a vehicle for monetization, such as integrating gambling platforms or treating the spectrum as a financial asset rather than a public service. They acknowledged that the current implementation of DRM has created adoption hurdles and suggested that if encryption must exist, it should not require a persistent internet connection—a requirement that has already caused functionality issues with some commercially available tuners as noted in my prior video.

The Consumer Technology Association (CTA), which represents device manufacturers, also weighed in. While their filing focused largely on opposing a mandate for ATSC 3.0 tuners in all televisions, they acknowledged the friction caused by DRM. This is a complex position for the CTA, as the encryption technology being used is owned by Google, a major industry player and CTA member, yet the implementation is harming member companies like SiliconDust (also a member). Their filing recommends that the Commission continue to monitor the intersection of DRM and the new standard, a notable admission from an organization that typically advocates against government intervention in their industry.

Similarly, the NCTA, representing cable and internet providers, cited encryption as a complicating factor that adds cost and technical challenges to the transition. They argued that these complexities support their stance against a forced transition to the new standard, noting that the need to support new audio and interactive formats is already a heavy burden without the additional layer of decryption requirements.

For those who have experienced issues with encrypted channels or malfunctioning hardware, the opportunity to place these experiences on the record is closing. The reply deadline for this docket is February 18. Under FCC rules, new filings at this stage must be in direct response to arguments already present in the record. This provides a narrow window for consumers to submit evidence countering the claims made by broadcasters, such as documenting instances where “offline” DRM failed to function as advertised. The record is currently being shaped by these final arguments, and the volume and specificity of these replies may influence the Commission’s next steps.

You can get more information about how to file here. I also did a video on the topic here.

Is the 2022-2026 Macbook Air The Greatest Laptop of All Time?

admin — Sun, 08 Feb 2026 13:34:19 +0000

Typically, purchasing a laptop involves a compromise. If the budget is limited, one usually has to sacrifice performance, battery life, or portability. Finding a machine that adequately addresses all three requirements is rare, yet over the last few years, my 2022 MacBook Air M2 has largely managed to balance these competing needs. Despite the release of newer models, this device remains a significant benchmark for what a portable computer can achieve – and new versions cost less than the one I bought almost four years ago. Check out current offerings on Amazon (compensated affiliate link).

I take a deeper dive in my latest video.

Looking back at the hardware after nearly four years of daily use, the durability is notable. While there is some minor cosmetic wear—specifically some color rubbing off on the sides and the accumulation of oil on the keyboard—the metal chassis has held up against standard knocks and bumps. The display has maintained its brightness without flickering, and the keyboard, a departure from Apple’s lousy scissor-switch mechanism, remains fully functional with no stuck keys. Weighing in at roughly 2.7 pounds, the device is balanced enough to be handled with one hand, a feature that aids its portability.

From a port standpoint, the inclusion of the MagSafe charging connector was a practical decision. It frees up the two Thunderbolt ports for peripherals and prevents the laptop from being pulled off a surface if the cable is snagged. While the computer side of the magsafe cable is proprietary, the other end is standard USB-C. The Thunderbolt ports will still charge the laptop if using a desktop docking station.

The primary limitation regarding connectivity remains the inability to natively drive two external displays, a feature reserved for the “Pro” tier devices. However, for a single-monitor setup, the clamshell mode functions effectively as a desktop replacement.

When I originally purchased this unit, I opted for the 16GB RAM configuration rather than the base 8GB, a decision that appears to have contributed significantly to the machine’s longevity. Interestingly, a comparable configuration today—equipped with the newer M4 chip—actually costs approximately $400 less than what this M2 model cost in 2022. While the new chips offer performance gains, the 10-core GPU in this older model still handles demanding tasks competently.

Battery performance has been perhaps the most consistent aspect of the ownership experience. Across extensive travel and full days of conferences, I have yet to encounter a low-battery notification during standard operational hours. Even after approximately three and a half years and 364 charge cycles, the battery has retained about 89% of its original health. This endurance persists even when the machine is subjected to heavier workloads that typically drain portable devices quickly.

Regarding those workloads, the machine handles 4K video editing at 60 frames per second without significant friction. Using Final Cut Pro, scrubbing through footage and rendering effects happens almost instantaneously. It is a level of responsiveness often absent in lower-end Windows laptops running similar software like DaVinci Resolve. While I did not purchase this machine specifically for video production, it has proven capable of serving as a mobile editing station when I need to travel light.

The architecture also supports robust virtualization. Using UTM, I have been able to run the ARM version of Windows 11 alongside Ubuntu Linux, and even emulate older environments like Mac OS 9 and Windows 95 simultaneously. The performance is stable enough to browse the web within the virtualized Windows environment or run office applications in Linux without noticeable slowdowns.

Gaming on Apple Silicon has also evolved. With titles ported to the native architecture, performance on a fanless laptop is surprisingly viable. Running Cyberpunk 2077 on low settings yields a steady 30 frames per second. While it doesn’t reach the high frame rates of a dedicated gaming rig, it offers a playable experience for casual sessions. The lack of active cooling means the system might throttle under sustained load, but I have not observed significant performance drops during use.

Finally, the device shows promise with local AI workloads. In the video I demoed the Locally app that connects to open-source models like Gemma. My aging laptop, which released a few months before the commercial introduction of ChatGPT, processes queries with reasonable speed. While newer chips are optimized further for these tasks, the unified memory architecture allows this older model to handle basic language models and light automation without excessive memory or processing penalties.

Given its sustained performance across varied tasks—from virtualization to media creation—I see no urgency to upgrade to the M4 generation. The M2 MacBook Air continues to function as a reliable, well-constructed tool that meets daily professional demands. For those who can find this model on the secondary market or on sale, it represents a hardware investment that still offers substantial utility years after its initial release.

GMKTec K15 Mini PC Review

admin — Thu, 05 Feb 2026 13:39:51 +0000

I recently received the new GMKTec K15, marking my first mini PC review of 2026. If I had to characterize this device with a single analogy, I would describe it as the Toyota Camry of its category: It is neither a stripped-down budget device nor a high-end powerhouse; rather, it occupies a functional middle ground. You can find it on Amazon here (compensated affiliate link).

See it in action in my latest review!

The system is built around the Intel Core Ultra 125U processor from the Meteor Lake family. This chip features a 12-core architecture—comprising two performance cores, eight efficiency cores, and two low-power efficiency cores—delivering a total of 14 threads. My unit arrived equipped with 32 GB of DDR5-4800 RAM and a 1 TB NVMe SSD. While the current price sits higher than it otherwise would due to the volatility of memory prices, if things do let up it should sell for less than its current price.

Despite the cost, the expandability is notable; the system supports up to 96 GB of RAM and features three NVMe slots, which is generous for a device of this footprint.

Connectivity is a strong suit for the K15. The front panel includes a 10Gbps USB-C port and three USB-A ports. The rear I/O offers 40 gigabit USB 4 port, which is Thunderbolt compatible, dual 2.5GbE Ethernet ports, and an Oculink port. The Oculink addition is particularly useful for those interested in external GPUs, as it connects directly to the PCIe bus, offering superior bandwidth compared to USB 4. During my tests, the Wi-Fi 6 chipset performed well, maintaining speeds close to gigabit levels, and the variety of ports suggests this unit could easily be repurposed as a home server.

In terms of daily performance, the K15 handles standard desktop workloads efficiently. Web navigation is snappy, and 4K video streaming presented no issues aside from the expected minor frame drops upon initial loading. Content creation capabilities, however, have a clear ceiling. When editing 4K video in DaVinci Resolve, simple cuts and transitions were smooth, but the system bogged down significantly when attempting complex color grading or heavy effects. It is serviceable for basic edits, but anything more demanding would necessitate an external graphics solution.

Gaming performance aligns with the limitations of the integrated graphics and the reduced GPU performance on this 125U processor vs. the higher end 125H. Testing Cyberpunk 2077 at 1080p with the lowest settings resulted in frame rates hovering between 25 and 30 frames per second. It’s certainly playable, but lagging behind some of the more higher end mini PCs. While it struggles with modern, graphically intensive titles, it is perfectly adequate for older games or emulation. Thermals were well-managed throughout these stress tests; the CPU temperature stayed around 43°C, and the fan noise was minimal, likely due to a larger fan design that moves air efficiently at lower RPMs.

The device arguably shines brightest when running Linux. My experience with the OS was seamless, with all hardware—including Wi-Fi and Bluetooth—detected immediately. The system felt more responsive on Linux than on Windows, which has become increasingly bloated. Between the stable performance, the quiet operation, and the extensive storage options, the K15 stands out as a sensible, if modest, choice for a reliable workstation.

Disclosure: GMKTec sent the K15 to the channel free of charge but no other compensation was received. They did not review or approve my review prior to publication and all opinions are my own.

This Was the Best Selling Game Console of 1976

admin — Wed, 04 Feb 2026 20:26:16 +0000

To commemorate my upcoming 50th birthday, I acquired a piece of technology that shares my birth year: the Coleco Telstar, a video game console released in 1976. It’s the subject of my latest retro video!

I purchased this device for a local historical society project celebrating the United States’ 250th year, intended to demonstrate to younger generations what home entertainment looked like when the country turned 200. The unit, a Pong clone, was manufactured by the Coleco, formerly known as the Connecticut Leather Company making this quite relevant for a local Connecticut historical society!

This specific model, the 6040, was the first edition released by Coleco. Its market success was largely due to its price point; while competitors like the Magnavox Odyssey and Atari’s Pong console retailed for approximately $100, the Telstar launched at just $50. Adjusted for inflation, that $50 price tag is roughly $290 today. This aggressive pricing strategy helped the company sell over a million units, a figure surpassed only by a Nintendo Pong clone sold exclusively in the Japanese market.

Internally, the device is distinct from modern consoles as it lacks a central processing unit. Instead, it operates using a specific chip, the AY-3-8500, which has the game logic hardcoded directly into its circuitry. Because the software is fixed on the chip, the system is not programmable. It generates sound through a built-in speaker rather than the television set and connects to displays via an analog RF connector, originally designed to work with a switch box on the VHF band’s channel 3. While a power connector was available as an add-on, the device was primarily intended to run on six C batteries.

The gameplay experience is controlled by knobs that move paddles on the screen, with a difficulty slider available to adjust the game mechanics. The console features three variations: a standard tennis-style Pong game, a single-player handball mode, and a hockey game where players control both a goalie and a forward. Upon testing this specific unit, I noted several functional issues consistent with its age, including a stuck game selector switch and a malfunctioning difficulty slider that fails to resize the paddles correctly on the “pro” setting.

This device represents the entry of Coleco into the video game market, a venture that eventually led to the release of the legendary ColecoVision console and the less successful ADAM personal computer. The Telstar remained on the market for approximately two years before the company shifted focus to handheld games and programmable consoles. It serves as a historical marker for home gaming in 1976, predating the significant technological leap that occurred just a decade later with the introduction of titles like The Legend of Zelda.

How I’m Using Plex in 2026 (sponsored post)

admin — Sun, 01 Feb 2026 16:28:57 +0000

I’ve been using Plex for well over a decade now, long before any sponsorships entered the picture, and it remains the backbone of how I manage and watch my media at home and on the road. As a point of disclosure, this video and the transcript it’s based on are part of a paid sponsorship with Plex, but they did not review or approve the content beforehand.

My current Plex server runs on Unraid, which has proven to be a flexible choice that makes installing the Docker version of Plex super easy. Right now, the server itself is a small Beelink ME Mini NAS/PC paired with a USB-connected multi-bay SATA enclosure. It’s not a particularly elegant setup in terms of cabling, but it’s been reliable.

One of the reasons I’ve stuck with Unraid is how easy it is to migrate from one machine to another. Moving from an earlier NAS box with thermal issues to the current setup was simply a matter of transferring the Unraid external boot drive and disk array. The system came back online without any any configuration drama, which makes incremental upgrades far less painful.

The processor in this server is a low-power Intel N150, and in practice it has been more than sufficient. It handles multiple Plex transcodes at once and still leaves enough headroom for other Docker containers I run alongside it. That experience has reinforced my view that you don’t need particularly powerful hardware for a small, well-tuned home server so long as your processor supports hardware transcoding. The Intel N100 and N150 chips are available in many affordable mini PCs and entry-level NAS devices.

I also maintain a second Plex server offsite at a family member’s house, running on a Synology NAS. That system serves double duty as a test bed and as an offsite backup destination, giving me control over where my data lives. To connect everything together securely, I rely on Tailscale. It allows me to access my servers remotely without exposing them directly to the internet, and I can limit access to specific people and devices. That balance between convenience and security has worked well for my use case.

Most of my serious viewing happens at home, particularly higher-bitrate Blu-ray rips that I watch in my home theater. That setup centers around an older LG OLED television paired with an Nvidia Shield from the 2019 generation. Despite its age, the TV still delivers excellent image quality, and the Shield handles Dolby Vision playback from both streaming services and locally ripped discs.

With proper audio passthrough enabled, lossless Dolby Atmos tracks make it from the server to the sound system untouched, which is exactly what I want for that kind of content. I also enable refresh-rate switching so films play back at their native 24 frames per second, avoiding unnecessary judder.

Over time, I’ve built up a sizable library, and lately I’ve found myself revisiting older television series. Plex’s ability to shuffle episodes has become a surprisingly useful feature, especially for shows I know well and don’t feel the need to watch in order. It turns familiar series into something closer to background comfort viewing, without much thought required.

Live TV is another part of my setup, using an HDHomeRun tuner integrated into Plex. I can mix over-the-air channels with streaming channels in a single guide, and when I’m traveling, I can even watch my local channels remotely. Plex doesn’t currently support ATSC 3.0 broadcasts due to encryption and audio codec limitations, so recordings are limited to ATSC 1.0. I also handle actual recording through the HDHomeRun app, with Plex pointed at the directory where those recordings are stored so both systems can access them.

One of the more recent additions to my workflow is Plex’s watch list feature. When I hear about a show or movie that sounds interesting, I add it to the list from my phone. Later, when I sit down to watch something, Plex shows me not just the title but where it’s available, whether that’s on my own server, a friend’s server, or a streaming service. It’s a practical way to reduce the time spent deciding what to watch, especially when free time is limited. The same interface also surfaces trailers and upcoming episode release dates, which acts as a lightweight reminder system.

Music is handled through Plex as well. I’ve been slowly ripping decades’ worth of CDs into lossless files, which now live alongside my video library. Most listening happens through the Plexamp app on my phone, both at home and remotely. For travel, I’ll download albums or playlists directly to the device. While wireless headphones limit some of the benefits of lossless audio, using wired headphones makes a noticeable difference, especially on long flights.

Speaking of travel, the download feature has also been useful for loading TV episodes onto a tablet before trips using the Plex mobile client, letting me watch without relying on in-flight connectivity.

Looking back, Plex has stayed in my workflow because it’s made managing and accessing my media more straightforward. It brings together local files, live TV, and streaming discovery in a way that reduces friction rather than adding to it. For me, that efficiency is the real value, and it’s why the system I set up years ago continues to evolve rather than being replaced.

GeForce Now Gets a Linux Client

admin — Fri, 30 Jan 2026 14:26:38 +0000

In my latest video, we revisit GeForce Now and take a look at the new official Linux client for Nvidia’s game streaming service.

This release is not as feature-heavy as some previous updates, but it represents a meaningful change for Linux users who until now have primarily relied on browser-based access to the service. This follows a Steam Deck client that I took a look at recently.

GeForce Now is a subscription-based service that streams games users have already purchased from platforms such as Steam, GOG, Epic Games Store, Ubisoft, EA, and certain Xbox titles with PC versions. Xbox PC Game Pass titles can also be accessed if the user has an active subscription. Not every game in a user’s library is supported, as developers must opt in to cloud streaming, but the catalog covers many well-known titles. In my previous update we also looked at Nvidia’s new feature that allows users to install unsupported games too.

Because GeForce Now runs games remotely, client-side hardware requirements are relatively modest, making systems like this a practical test case. To test the client, I ran it on a very low-end system: an inexpensive mini PC powered by an Intel N100 processor. This is the type of super low cost hardware simply can’t run modern games, which makes it useful for evaluating how much of a value-add a game streaming service can provide. Back before the RAM crisis this PC was selling for well under $200.

The service is offered in multiple tiers. The free tier supports up to 1080p at 60 frames per second, includes advertisements, limits sessions to one hour, and places users in a queue for access. The Performance tier increases resolution to 1440p at 60 frames per second, while the Ultimate tier offers access to higher-end GPUs in the cloud, enabling resolutions up to 5K and frame rates as high as 240 frames per second on supported games. Both paid tiers include a monthly cap of 100 hours, with additional time available for purchase once that limit is reached.

The install process for the new linux client is functional but still feels a bit rough around the edges, particularly compared to more polished platform-native installers. The new client is designed for x64-based PCs and is currently targeted at Ubuntu 24.04 LTS. Installation is handled through a Flatpak package downloaded directly from Nvidia rather than through a distribution’s package manager. After downloading, the installer needs to be marked as executable before it can be run.

After installing the Linux client, I launched No Man’s Sky from my Steam library. As with other GeForce Now clients, the service spins up a remote PC instance running Steam, which allows cloud-synced save files to load automatically. In this case, my existing save was available without any additional steps.

Running at 4K and 60 frames per second, the game performed smoothly on the low-cost mini PC. Network statistics showed a latency of around 11 milliseconds from my home in Connecticut to Nvidia’s New Jersey data center. The system was connected via Ethernet, which remains the recommended way to use the service given the bandwidth demands of high-resolution game streaming. But a decent Wifi 6 or 7 access point should deliver adequate performance on a

I also tested the client earlier on a 1080p, 144 Hz display and was able to exceed 60 frames per second without issue, despite the limited client hardware. While the Linux client currently lacks support for features such as HDR and cloud-based G-Sync, it does support server-side options available to higher-tier subscribers, including DLSS and hardware ray tracing for compatible games.

There are some usability issues to note. Display scaling was not respected on a 4K desktop set to 200 percent scaling, resulting in very small interface elements. And the interface felt a bit slow and clunky on my low end hardware but thankfully the clunkiness went away once a game was loaded up.

Overall, the Linux client delivers a more consistent experience than running GeForce Now in a browser and makes the service more accessible to users who have adopted Linux as their primary operating system. For those with lower-end hardware, it provides a way to run demanding games using remote resources, with performance that is largely dictated by network quality rather than local specifications.

ADTH’s ATSC 3.0 Box Woes Kill the Industry’s Arguments Regarding Over the Air TV Encryption

admin — Tue, 27 Jan 2026 13:16:22 +0000

I’ve been spending the last few days reading through the filings in the FCC’s ATSC 3.0 docket now that the comment period has closed, trying to understand how broadcasters, device makers, and industry groups are framing the next phase of the over-the-air television transition.

While I was doing that, I went upstairs to check on my own ADTH tuner, a device that’s supposed to handle encrypted ATSC 3.0 channels without needing an internet connection. It wasn’t working. Encrypted channels wouldn’t tune at all, and the box was throwing content protection errors that hadn’t been there before.

In my latest analysis piece, I talk about how widespread problems with this box tuning encrypted channels popped up just as the industry was saying there were no concerns with DRM.

That problem sent me down a familiar path. ATSC 3.0 is the planned successor to today’s ATSC 1.0 broadcast standard, and on paper it brings technical improvements. In practice, the transition has been complicated by broadcasters choosing to encrypt free, over-the-air signals. That decision has narrowed consumer choice and added layers of complexity that simply didn’t exist before. The industry’s assurances that this system is mature and reliable don’t line up with what I’m seeing in my own home.

One of the filings I reviewed came from ADTH itself. The company strongly supports the transition and argues that there are no real technical barriers to consumer devices receiving encrypted broadcasts. Encryption and digital rights management, they say, are routine in modern electronics.

That’s hard to square with my experience. After repeated errors, I tried a factory reset. Instead of fixing anything, the device dropped into a boot loop, endlessly scanning channels and rebooting. Even with an internet connection restored, it refused to recover. At that point it stopped being a TV tuner and effectively became a brick.

What made this more than a minor inconvenience was timing. We were in the middle of a significant snowstorm, the kind of situation where over-the-air television has historically been a reliable source of local information. Because the encrypted channels wouldn’t tune, that information simply wasn’t available on this device. And this doesn’t appear to be an isolated issue. I’ve heard from viewers and seen reports on Reddit and AVS Forum from people around the country whose boxes stopped working around the same time. Some even reported that disconnecting the internet made their tuners work again, which raises uncomfortable questions about how these systems are actually operating.

At the same moment consumer devices were failing, the group that oversees the encryption system, the A3SA, told the FCC it has seen no evidence of approved devices failing to work with encryption. They also suggested that any reported issues are generally resolved with firmware updates. That response glosses over a basic problem: firmware updates require an internet connection. Requiring internet access just to watch free, over-the-air television undermines one of broadcast TV’s core purposes, while adding cost and fragility.

The A3SA also describes itself as a “neutral, standards-based administrator.” From what I’ve seen, that neutrality is questionable. The group is made up of major broadcasters and has effectively decided which manufacturers can and can’t participate. SiliconDust’s HDHomeRun, a widely used network tuner, has been denied approval, while other devices with similar technical characteristics have been cleared.

Another theme running through the filings is piracy. Broadcasters cite tens of billions of dollars in losses and argue that encryption is necessary to protect their content. When you dig into the examples they reference, though, the picture changes. One high-profile piracy case they cite involved stealing encrypted signals from cable and satellite providers, not rebroadcasting free over-the-air signals.

Encryption, it appears, inconveniences only those who are viewing content lawfully – not the pirates.

Broadcasters also warn that without encryption they risk losing premium sports programming. Yet recent rights deals tell a different story. The NFL, NBA, MLB, NASCAR, and major college conferences have all committed to long-term agreements that keep marquee events on broadcast television for years to come. These deals were struck without any guarantee that over-the-air signals would be encrypted, which undercuts the argument that encryption is essential to retaining top-tier content.

The FCC has also raised questions in this filing round about consumer rights, particularly the long-standing right for consumers to record broadcasts at home for personal use. That right was established decades ago, but encryption complicates it. Circumventing DRM, even for lawful personal recording, can be illegal. The A3SA argues that internal rules already protect home recording, but those assurances are tied to current simulcasting requirements that may disappear. Once they do, the only remaining safeguards would be voluntary commitments from broadcasters whose financial incentives don’t necessarily align with consumer flexibility.

Underlying all of this is a business reality that the National Association of Broadcasters acknowledged more directly in its own filing. Encryption is about protecting retransmission fees, the charges cable and streaming providers pay to carry broadcast channels. Those fees have risen sharply over the years, and making free reception less convenient creates pressure to return to paid services. That strategy may make sense from an industry perspective, but it runs counter to the idea of broadcast spectrum as a public resource.

There’s also nothing in the current framework that limits encryption to a single system. The ATSC admits in their filing that multiple, incompatible schemes could emerge, adding yet another layer of confusion for viewers and device makers alike. At that point, the promise of ATSC 3.0 as a straightforward upgrade starts to look like something else entirely.

After reading the docket and dealing with a tuner that worked one day and failed the next, I’m left with the sense that encryption over the public airwaves is creating problems faster than it’s solving them. Broadcasters were granted access to spectrum at no cost, with the understanding that they would serve the public interest. Turning free television into a fragile, tightly controlled experience doesn’t seem consistent with that mission. I plan to file a reply in the FCC proceeding during the response window, and there’s more in these filings worth unpacking.

Stay tuned for more and see my full ATSC playlist here!

Nine Reviews in 24 Minutes – My Latest Amazon Tech Haul!

admin — Sun, 25 Jan 2026 14:18:36 +0000

It took me six months but I finally pulled together enough random gadgets for my next Amazon Gadget Haul “lightning round” of product reviews!

Check it out here!

This time I have nine different devices to check out! A majority came in free of charge from their manufacturers, but this is not a sponsored review nor has anyone reviewed or approved this video prior to uploading. All product links below are compensated affiliate links.

The first item I looked at was the Ostation 2 Pro, a battery charging system designed for AAA and AA cells. It accepts nickel metal hydride batteries as well as Ostation’s own rechargeable lithium options, which provide a full 1.5 volts for devices that expect alkaline batteries. Batteries drop into the top and the unit mechanically feeds them into the charging bays, displaying charge status on a small screen. Once charged, batteries are deposited into a drawer at the bottom, making it easy to grab fresh ones. It can only charge two AA and two AAA batteries at a time, which limits throughput, and it does make some motor noise while operating, but it functions as a kind of battery inventory system that keeps everything in one place. The Pro version also includes a magnetic charging pad for Ostation flashlights, though the display features themselves don’t add much beyond status information.

Staying on the theme of power, I then moved to desktop chargers. One was the Joyroom Podix, a 140-watt GaN charger with two retractable USB-C cables built into the unit. It’s fairly large, which makes it less ideal for travel, but convenient for a desk setup where cables often go missing. A small display shows total power draw, and while it comes with a base and strong adhesive option to keep it in place, that adhesive feels aggressive enough to warrant caution on finished surfaces.

I also tried Anker’s new 160-watt Prime charger, which packs three USB-C ports and a built-in display into a wall charger. What sets it apart is app integration over Bluetooth, allowing real-time monitoring of power delivery and per-port configuration, including priority modes and wattage limits. It doesn’t offer remote access over Wi-Fi, but standing near the charger you can see detailed data about what each device is drawing. The physical design holds more securely in the outlet than some older Anker models I’ve used, and it’s likely to replace my existing everyday charger.

From power to input devices, I next looked at the Retro Fighters Hunter 360 controllers. These are modern replacements for the Xbox 360 controller, complete with Hall effect analog sticks and mechanical D-pad switches. They work on PCs and with the Xbox 360 itself, though the console requires a dedicated 2.4 GHz dongle per controller. The dongle is required on the 360 as it won’t connect to its built in wireless controller system. Inputn lag was minimal on both wired and wireless, and the build quality felt solid. Voice chat isn’t supported through the controller, which is one limitation for anyone still using those features on original hardware.

Next up is a Thunderbolt 5 dock from WaveLink. With Thunderbolt 5 docks now priced similarly to Thunderbolt 4 models, it makes sense to consider the newer standard even if your current computer doesn’t fully support it. You’ll be ready to go when upgrading your hardware to a Thunderbolt 5 model. The increased bandwidth allows for more demanding multi-display setups, and the dock offers multiple Thunderbolt passthrough ports along with USB-A, SD card, and audio connections. Ethernet performance was unfortunately typical of what I’ve seen on similar docks, with slightly reduced downstream speeds on macOS despite having a 2.5-gigabit port. Like most docks in this class, it relies on a large external power supply to deliver up to 140 watts to a connected computer.

Audio came up next with the latest Amazon Echo Studio which I purchased with my own funds. It’s smaller than earlier versions but still produces a wide, bass-heavy sound that feels substantial for its size. Beyond audio, it now serves as an entry point to Amazon’s Alexa Plus features, which include more conversational responses and, more interestingly, the ability to create smart home routines using plain language. I was able to set up a lighting routine simply by asking for it, without navigating menus in the app. While the assistant tends to be more verbose than earlier versions, the routine creation alone could save time for people who struggle with smart home configuration.

Another device aimed at productivity was the Plaud Note Pro, an ultra-thin voice recorder designed to live on the back of a phone. It records phone calls or ambient audio, stores hours of recordings locally, and syncs them to a phone app. From there, recordings can be transcribed and processed into meeting notes using built-in AI templates. While the subscription model and upselling are hard to ignore, the hardware itself is compact and practical, and the all-in-one workflow may appeal to people who want transcription and summaries without juggling multiple tools or knowledge of AI prompt optimizations

The final item was more of a preview: the RØDECaster Video S. It’s a compact video switcher with multiple HDMI inputs, audio inputs including XLR, and the promise of features like NDI support. I didn’t review it in depth yet, but unboxing it gave a sense of how it might fit into lower-cost video production setups, especially compared to older switchers that haven’t seen updates in a while.

These haul videos don’t run on a fixed schedule—they happen when enough interesting items pile up—and this batch covered a wide range of everyday tech problems, from keeping batteries charged to simplifying workflows at a desk. You can check out prior editions here!

Abbott Lingo Review : Over the Counter Glucose Biosensor for Non-Diabetics

admin — Thu, 22 Jan 2026 13:13:53 +0000

I like data. I spend a lot of time looking at analytics from my YouTube channel, telemetry from devices around my house, and usage stats from the services I rely on every day. What I don’t usually have access to is real-time data about what’s going on inside my own body. But at CES this year, I ran into Abbott and was provided with a two-week trial of their over the counter Lingo continuous glucose monitor for non-diabetics.

Check it out in my latest review!

The sensor sits on the back of my arm and sends blood sugar readings to my phone every few minutes. Abbott has long made glucose monitors for people managing diabetes, but Lingo is positioned differently. It’s aimed at people without a diabetes diagnosis who want more insight into how food, exercise, and daily habits affect their blood sugar.

The hardware itself was easier to live with than I expected. The applicator looks intimidating at first glance, but the actual installation was painless for me. I didn’t feel a prick or sting—just a click, and it was done. One small omission in my box was an alcohol wipe, so you’ll want to have one handy before applying it. Once attached, the sensor stayed firmly in place through showers and daily activity, to the point where I mostly forgot it was there.

After pairing it with my phone over Bluetooth, it took about an hour for the first reading to appear. From there, the app updates roughly every five minutes. The real value comes from seeing how those numbers change in response to everyday choices. Eat lunch, and you can watch the curve start to rise. Go for a walk, and you can see how even light exercise affects the slope and duration of that spike.

Lingo tries to make this approachable by translating glucose spikes into what it calls a “Lingo score.” The score reflects how high your blood sugar rises and how long it stays elevated. One evening, I had leftover sausage and pepper pizza. The resulting spike was sharp, dipped, then rose again as digestion continued, earning me a high score for that meal. Earlier in the day, a healthier and more protein-heavy turkey sandwich produced a much smaller, shorter-lived rise.

What surprised me most was how quickly this started influencing my behavior. Knowing that a certain food would likely generate a bigger spike made me think about timing—whether I could follow it with a walk—or whether it made more sense to choose something else. The app reinforces this by suggesting simple mitigations, like light exercise after eating, and by offering challenges focused on habits rather than calorie counting.

Logging matters too. The app isn’t asking you to obsess over nutrition labels, but it does want you to note when you eat, when you exercise, and even when you’re feeling stressed. If you use a smartwatch, some of that happens automatically. In my case, dog walks detected by my watch showed up in the app without any extra effort on my part.

There’s also an educational side, with recipes, short videos, and explanations designed to help you interpret what you’re seeing. The content feels more like guidance than instruction, which fits the overall tone of the product. This isn’t positioned as a medical device for diagnosis, but rather as a feedback tool. If you did see readings that looked concerning, that would be a conversation to have with a doctor.

Abbott sells Lingo as a two week kit along with options for longer durations. I found that you can get enough data out of the device in two weeks making a longer duration purchase unnecessary. The data doesn’t disappear when the sensor comes off, and you can export it or keep it in your health app for reference later.

After a few days of use, I had a much clearer picture of how my body responds to foods I already thought I understood. That awareness alone was enough to start nudging my choices in a different direction. For something that measures just one variable, it ended up saying a lot about daily habits I don’t usually think twice about.

The RAM Crisis Explained: An Interview with Framework’s Nirav Patel

admin — Wed, 21 Jan 2026 03:29:19 +0000

The price of memory is climbing, and it’s not just a problem for people building a new PC. RAM for laptops, desktops, phones, and tablets is getting more expensive as AI data centers absorb an increasing share of global supply. To better understand what’s happening behind the scenes, I called up Nirav Patel, CEO of PC maker Framework, to talk through how this shortage developed and what it means for consumers over the next several months.

Check out the interview in my latest video!

Patel described the current situation as a classic supply-and-demand imbalance, but on a scale the consumer market hasn’t seen before. Only a handful of companies—Micron, SK hynix, and Samsung—manufacture most of the world’s DRAM, and expanding capacity requires massive capital investment.

“What we’re seeing right now is just a massive excess of demand relative to the supply available,” Patel said.

With AI servers commanding higher margins, manufacturers are prioritizing those customers, leaving consumer products with tighter allocations. That imbalance has been building quietly for years, but it became much more visible when Micron announced it was shutting down its Crucial consumer memory brand last month. For PC builders, Crucial had long been a reliable option. Patel said the decision made sense given current conditions.

“When memory is in allocation, it doesn’t make sense to compete with your own customers,” he explained, noting that Micron supplies chips not only to large OEMs like Dell and HP, but also to other consumer memory brands.

One reason Framework has been able to navigate repeated supply disruptions—from pandemic shortages to GPU crunches and now memory—is its modular design philosophy. Patel credited flexibility as a survival tool.

“We built the product to be modular, and that gives us a lot of flexibility to navigate these kinds of environments,” he said.

Because many Framework systems are sold as DIY editions, customers can source their own memory and storage when shortages hit, sharing some of the burden rather than leaving the company entirely exposed.

The uncertainty isn’t limited to pricing. Patel described a market filled with overlapping orders, canceled allocations, and even hoarding.

“It is actually very unclear to anyone what the true ground truth is in the market when it comes to the supply and the demand,” he said.

Companies are placing duplicate orders with multiple suppliers, unsure which ones will be fulfilled. That behavior, he noted, can make shortages appear worse than they ultimately are, at least until reality catches up.

Geopolitics are also playing a role. Chinese memory maker CXMT has historically been avoided by many U.S. companies due to sanctions and long-term sourcing concerns, but Patel said that’s starting to change. “If you’re not sure where you’re going to be able to get your memory in two months, you better go and qualify every possible source,” he said, adding that some major OEMs are now testing and approving parts they previously wouldn’t have considered.

For consumers, the immediate concern is quality as prices rise and supply tightens. Patel’s advice was straightforward: stick with established brands. He doesn’t expect major manufacturers to compromise their reputations to chase short-term gains.

“Those brands are not going to torch all of their credibility in this short window of time,” he said, though he acknowledged that lesser-known vendors may try to take advantage of the situation.

While memory is the biggest constraint right now, Patel doesn’t believe every component will remain scarce long term. If memory remains the bottleneck, other parts like GPUs and storage should eventually stabilize because they can’t be deployed without sufficient RAM. In the near term, however, he expects continued volatility as the market works through excess orders and misaligned expectations.

Looking further ahead, Patel pushed back on the idea that soldered or unified memory is a solution to shortages. Even systems that place memory on the same package as the processor often rely on separately sourced components. For Framework, modular memory remains central to its roadmap, especially during periods like this. “Buy what you can afford today,” he said, “and buy solutions that let you upgrade in the future.”

Patel emphasized uncertainty as the defining market feature of the moment. AI demand has reshaped how memory is allocated, and the consumer market is now competing in a space it no longer dominates.

Curious about Framework? Check out my Framework videos here and my other interviews here!

More DOS Game Fun: Unlocking the Potential of GOG’s DRM-Free DOS Games

admin — Sun, 18 Jan 2026 06:01:07 +0000

While the ExoDOS project serves as a comprehensive effort to preserve nearly every DOS game ever created, its massive 638-gigabyte archive can present a significant barrier to entry for users seeking just a few specific titles. For those interested in acquiring only a few games without managing large downloads, the GOG platform offers a practical alternative.

In my latest retro video, I explore how the platform’s DRM-free policy allows users to extract game data from the default installation wrapper and migrate it to other environments, such as Linux, custom DOSBox configurations, or even original retro hardware!

To demonstrate this process, I picked the classic Wing Commander 2, which is available on the platform bundled along with the first game and expansion packs for approximately three dollars—a significant reduction from its original retail cost in 1990.

The extraction process varies slightly by operating system. On a Macintosh, rather than using the Galaxy client, I downloaded the offline backup game installer. After bypassing standard security prompts to install the legacy software, the game files are typically contained within the application package. By right-clicking the executable and selecting “Show Package Contents,” then navigating to the “Resources” and “Game” subfolders, users can locate the raw game data and executables. Moving them is as easy as copying it over to a new directory or drive.

I copied these files to a separate directory to test them with Boxer, an open-source DOSBox port for macOS that has been forked for compatibility with Apple Silicon. One functional advantage of this manual extraction is the ability to enable features not active in the default wrapper. In the case of Wing Commander II, the default installation uses Sound Blaster audio; migrating the files allowed me to configure Boxer to support the Roland MT-32 soundtrack.

The procedure on Windows is equally straightforward. After running the offline installer, the necessary game data—specifically Wing Commander II’s “gamedat” folder and root files—can be found directly in the installation directory, usually located on the C drive. While the folder may contain modern cloud save data or platform-specific wrappers, these are not required for the game to function in other environments. Just like the Mac version, the game files can simply be copied out of the installation directory.

To verify the portability of these DRM-free files, I transferred the extracted Wing Commander 2 data onto a Compact Flash adapter and loaded it into my 26-year-old college laptop running Windows 98. This test confirms that the software sold through GOG remains independent of the delivery mechanism, granting users the flexibility to execute the code on the hardware or emulator of their choice. It’s a rare example of true digital ownership!

BuzzTV Powerstation P6 Review.. It’s not an Nvidia Shield

admin — Thu, 15 Jan 2026 13:16:41 +0000

I review a lot of TV streaming boxes, and for enthusiasts the Nvidia Shield has long been the reference point. It has been around since 2015 and remains a capable device for people running their own media servers with support for full 4K Blu-ray rips, including support for Dolby Vision and lossless audio formats. It also shares its core hardware lineage with the Nintendo Switch, which gives it enough performance headroom for gaming and emulation.

While attending CES, I came across a company called BuzzTV showing a device called the Power Station 6 that they said is more powerful than the Shield. I decided to purchase one to see how it performed and whether it could serve as a realistic alternative. Spoiler alert, it doesn’t.

Check it out in my latest review!

The model I chose was the least expensive version, which includes 8 GB of RAM and sells for just under $300. There are higher-end variants with 16 GB and even 32 GB of DDR5 RAM, with the most expensive version priced at around $500. At that level, it starts competing directly with compact Ryzen-based mini PCs, which generally offer more flexibility and stronger overall performance for similar money.

All versions of the Power Station 6 use the same Rockchip RK3588 processor. Storage on the base and mid-tier models is 128 GB, while the highest-end version includes 256 GB. There is also an SD card slot and an internal bay for an NVMe SSD, allowing for quiet, solid-state expansion. Physically, the unit looks appealing but feels lightweight and somewhat hollow. The port selection is reasonable, with USB 3.0, USB 2.0, USB-C, optical audio out, gigabit Ethernet, and HDMI output rated for up to 8K. In practice, however, its usefulness as a home theater device quickly runs into limitations.

In my testing, this was not a strong Plex client. When I opened the box I was greeted with a warning that the Powerstation 6 is not to be plugged into a home theater receiver for some strange reason.

Dolby Vision was not supported, and lossless audio passthrough to my receiver did not work. While it can output 4K and 8K video, the lack of video and audio passthrough features means it doesn’t support the enthusiast-grade playback experience that the Shield is known for. That was disappointing given the price category this device occupies.

Performance is one of the few areas where the Power Station 6 shows some promise. In the 3DMark Wildlife benchmark, it slightly outperformed the Nvidia Shield, though not by a wide margin. That extra headroom shows up in emulation. GameCube titles like Wave Race using the Dolphin emulator ran at full speed in my testing. PlayStation 2 emulation was more mixed. Using NetherSX2 at minimum settings, demanding games like Burnout Revenge struggled to maintain full speed when there was a lot happening on screen. At this price point, a mini PC generally handles this workload better.

The software experience reinforces that concern. This is not an officially certified Android TV or Google TV device. Buzz TV uses its own interface, and while the Google Play Store is present, many mainstream streaming apps either cannot be installed or do not function properly. Disney+ would not play content at 4K and repeatedly errored out after only a minute or two of playback. Netflix was available only in a tablet-style version, with the TV version failing to launch entirely. Features like Dolby Vision, Dolby Atmos, and reliable HDR support were absent across these apps.

Although the device reports Widevine L1 certification, which should allow for high-resolution HDR streaming, real-world results did not reflect that capability. Compounding this is an outdated security posture. The box runs Android 13, but its most recent security patch dates back to August 2023. Google Play Protect was disabled by default, and there are numerous preinstalled apps of unclear origin. Taken together, this raises both usability and security concerns.

One area where Buzz TV clearly invested effort is the remote control. It feels solid, is backlit, and avoids the advertising buttons common on many streaming remotes. The programmable color buttons and the accompanying configuration app are well executed, and HDMI-CEC controls are easy to access. The remote ends up being the best-designed part of the product, even though it cannot compensate for the broader software and compatibility issues.

After spending time with the Power Station 6, what stood out most was how poorly integrated the overall experience felt. The interface itself is not cluttered with ads, but many of the things enthusiasts expect simply do not work. Between limited app compatibility, missing audio and video features, outdated security updates, and unusual hardware restrictions, the device falls short of what its high pricing suggests. There is some performance potential here, but in its current form, it is difficult to justify as an enthusiast-grade streaming box, especially when more capable and flexible Mini PCs exist at similar prices.

My First Cord Cutting / ATSC 3 Update of 2026

admin — Tue, 13 Jan 2026 14:27:13 +0000

In the days leading up to the CES show and throughout the week in Las Vegas, several cord cutting news items related to the ATSC 3.0 over the air TV standard were announced. In my latest video, I provide a more in-depth overview of these developments that I touched on briefly during my CES Dispatch series.

Watch the update here!

As a recap, a central issue remains DRM encryption over the new ATSC 3.0 broadcast standard. Broadcasters are pushing to lock down over-the-air signals, limiting how viewers can receive and use content that has traditionally been freely accessible. While they say this is to prevent piracy, the real outcome is that it pushes consumers to expensive cable and streaming plans to maintain recording and time shifting features they enjoy today.

This matters because retransmission fees charged by broadcasters continue to rise at almost an exponential rate. In my area, the Broadcast TV fees are now $48.30 per month – and that’s before other cable charges. Even the most basic cable subscription will now cost consumers more than $60 monthly. Of course using an antenna to receive television is completely free.

Shortly after I began asking viewers to download and share their Comcast rate cards, Comcast removed the broadcast TV fee line item from their published rates entirely. The company says this was done to simplify pricing, but the effect is reduced transparency. The costs haven’t disappeared; they’ve simply been folded into higher base prices.

At CES, Pearl TV announced what it described as an affordable ATSC 3.0 converter box program. This is positioned as a way to lower the barrier to entry for consumers and manufacturers, but it closely resembles a similar failed effort announced in 2022 that never materialized.

The underlying root cause of Pearl’s troubles with consumer adoption hasn’t changed. Encryption and certification requirements add cost and complexity in a market that is already small. Even the proposed “affordable” devices are expected to cost under sixty dollars, still roughly double the price of many ATSC 1.0 tuners (compensated affiliate link) that include DVR functionality.

The certification process itself remains a problem. Pearl TV and the A3SA encryption body are private entities made up of the same major broadcasters, effectively controlling which devices are allowed to receive encrypted signals and ultimately be sold to consumers. This introduces a layer of private regulation on top of what has traditionally been governed by FCC standards alone.

Another announcement hinted at some movement on gateway devices, which take an antenna signal and distribute it across a home network. After years of delays, A3SA says encrypted gateway functionality is now working on a limited number of products, including the ZapperBox and an upcoming ADTH device. These solutions, however, are expensive and tightly constrained. ZapperBox requires multiple expensive proprietary devices for multi-TV households, and the ADTH approach is limited to Android and Fire TV platforms, excluding market leader Roku.

Visiting the ATSC booth at the CES show made it clear how confusing this ecosystem has become. Devices carried different combinations of NextGen TV and A3SA certifications, each with different implications for compatibility and functionality. By contrast, current ATSC 1.0 devices work simply because they can receive the signal, without needing approval from a private consortium.

There may be signs of easing tensions. An interview with SiliconDust CEO Nick Kelsey suggested that support for encrypted ATSC 3.0 signals could eventually come to HDHomeRun devices without additional hardware. That would be a meaningful shift, though it still leaves unanswered questions about support on non-Android platforms and the broader role of DRM on public airwaves.

FCC Chairman Brendan Carr addressed these issues during a CES discussion, emphasizing the public interest obligations tied to broadcast licenses. He noted that broadcasters unwilling to meet those obligations have other distribution options, from cable to online platforms, and raised the possibility of revisiting how spectrum is allocated if public interest standards are not upheld. Those comments echo questions raised by the FCC in its current ATSC 3.0 docket, particularly around whether encryption serves consumers or primarily protects broadcaster revenue.

That docket remains open for public comment, with additional opportunities to respond once broadcasters file their answers. The outcome is still uncertain, but it’s clear the FCC has heard our concerns and is waiting for the broadcasters to make their case as to why restricting access to the public airwaves will better serve the public.

CES 2026 Is a Wrap!

admin — Sun, 11 Jan 2026 03:46:44 +0000

I’m back from a whirlwind trip to Las Vegas for CES 2026! Like last year I managed to crank out four dispatch videos along with a bonus episode that I posted last night.

You can see the full playlist here.

Like the last couple of years, this show felt very incremental insofar as new innovations were concerned. Robotics were plentiful, but very few were useful beyond doing some visually impressive demos. For example, this robot struggled with a the relatively simple task of folding laundry.

Another theme was concern over memory pricing. Deep pocketed AI companies are gobbling up all of the silicon they can find which is dramatically increasing prices for consumers and manufacturers alike. Micron recently shuttered their 30 year old Crucial consumer memory line. Every company I spoke with, large and small, is very concerned about this issue and some note that the worst has yet to be felt by consumers. What’s worse is that there is no end to it in sight.

This year’s coverage wasn’t sponsored. Everything you saw from CES this year was made possible by all of you! That includes everyone who watched and subscribed, along with those of you have contributed to the channel. That support mattered more than ever, because CES is expensive, time-consuming, and physically demanding, especially when you’re doing it solo.

By my math, CES 2026 coverage cost me around $2,500. That includes flights, hotel, food, and a lot of Uber and Lyft rides around Las Vegas. I stay at one of the lower-cost CES hotels and take advantage of the free CES shuttle when I can, but there are still plenty of events and off-site locations that require Uber or Lyft. Going alone keeps those costs manageable, and between ad revenue, affiliate links, and viewer support, I should roughly break even. Bringing additional people would change that equation dramatically, which is why many larger channels rely on sponsorships.

Sponsorships are a tricky subject at CES. I’m not opposed to them in principle, but most of the offers aimed at smaller creators come with editorial strings attached—covering specific booths, submitting footage for approval, or spending time on things that aren’t particularly interesting to viewers. I’d consider a sponsor if it genuinely improved the quality of the reporting without compromising independence, but those opportunities are rare.

From a workflow standpoint, my goal at CES is all about quick hits and efficiency. I shoot everything live, on location with my iPhone, and try to keep editing to an absolute minimum so I can get videos out quickly without staying up all night in a hotel room. That approach drives nearly every decision I make, from how I shoot to what gear I carry.

Audio is the biggest factor. The show floor is loud—often overwhelmingly so—and clean sound matters more than anything else. That’s why I stick with a handheld microphone, even though it’s not fashionable and some viewers wish my hands were free. There’s a reason TV news crews still use stick mics: they work. They isolate voices naturally, and they save time in post. For my purposes, reliability beats aesthetics every time.

The rest of the setup is intentionally simple. Fewer components mean fewer things to forget, lose, or troubleshoot while running between halls and events. The phone-based workflow continues to hold up well, and storage hasn’t been an issue on my 256GB iPhone.

This year also reinforced how much planning matters. When I was deliberate about which areas and events to cover, the reporting felt stronger and more focused. When I wandered without a plan, the results were mixed. Viewer suggestions were incredibly helpful, but relying on comment threads alone made it easy to miss good ideas. For next year, I’m planning to set up a more structured way to collect booth and topic suggestions from viewers so I can reference them quickly on the floor.

I also want to do more advance research before arriving—especially on the larger exhibit halls of the show. CES rewards preparation, and the better the groundwork, the more efficient the days become once you’re there.

As always, feedback is welcome. Hearing what worked and what didn’t helps shape how I approach future coverage. And if you’re new here, stick around—CES may be a big moment each year, but the rest of the calendar is filled with reviews, nerdy experiments, and tech commentary the same way it’s always been.

CES 2026 Dispatches Have Begun!

admin — Tue, 06 Jan 2026 16:41:48 +0000

I’m at CES 2026 for the start of my latest Dispatch series, beginning with CES Unveiled, one of the early showcase events ahead of the main show floor. These Unveiled events are dense and efficient, with dozens of companies packed into a single room, which makes them well suited to fast-paced coverage.

This year’s Dispatch videos are intentionally lightweight in production, just me, an iPhone, and a backpack, with no sponsors influencing what gets covered.

Check out my first dispatch here!

Walking the floor, I ran into a wide mix of products, ranging from practical home tech to more experimental ideas. There were new security cameras and smart displays tied into network-attached storage systems, emphasizing local recording and the absence of subscription fees, though often requiring higher-end hardware. Music-focused gadgets showed up as well, including a “second-generation instrument “guitar hero” like device designed less around learning technique and more around casual, stress-free music creation with no musical experience required.

Mini PCs continue to evolve, and one of the more interesting concepts was a modular system that can dock into different enclosures, including a GPU base or a portable laptop shell, depending on how and where it’s being used. On the more whimsical side, I also came across a water-based drone meant for pools, capable of lighting effects and coordinated movement, clearly aimed at a niche (and wealthy) audience but at least something new and different.

Battery charging solutions were also on display, including systems that remove most of the decision-making by automatically handling orientation, charge state, and battery type.

One stand out from my first night was a compact and portable ice maker that cranks out ice cubes in 5 minutes, while others targeted professional and industrial users. A new FLIR thermal imaging device running Android positioned itself as a full workflow platform rather than a single-purpose camera, with industry-specific apps and built-in collaboration tools.

There were also familiar brands making a return. Pebble watches are back, focusing on long battery life and simple notifications rather than health tracking, alongside a new recording ring concept that lets users capture voice notes. In the outdoor automation category, autonomous yard robots continue to expand beyond mowing, with attachments for leaf collection and snow plowing, including models designed to be more affordable than earlier versions.

My dispatches are meant to be a snapshot rather than a deep dive, showcasing the range of ideas at the show. More Dispatches are coming as the show continues so be sure to subscribe to my YouTube channel and follow my CES 2026 playlist here!

Plex Q&A: Optimizing Video vs. Live Transcoding (sponsored post)

admin — Sat, 03 Jan 2026 13:22:47 +0000

I took a look at a Plex feature that has been around for a while but hasn’t come up much in my previous coverage: media optimization. The idea is straightforward: instead of relying on your Plex server to transcode video on the fly every time someone watches something on a limited connection, you can have the server create alternate, smaller versions of your media in advance. Those optimized files sit alongside the original and can be played back directly, reducing the load on the server.

My latest video dives into this feature here.

In normal use, Plex’s transcoder does a good job adapting high-bitrate files for bandwidth challenged connections, but that assumes the server has enough CPU or hardware acceleration available at the moment someone presses play. If it doesn’t, or if multiple users are competing for those resources, performance can suffer. Optimization shifts that work to the background, letting the server do the heavy lifting ahead of time rather than in real time.

The feature lives in the Plex web app. From the menu attached to a movie or episode, there’s an option to optimize the media. You can also access it from the title’s detail page. When you start an optimization job, Plex lets you give the optimized version a custom name and choose a quality preset. The built-in options are aimed at common use cases like mobile viewing or TV playback, with defined resolutions and bitrates, but there’s also a custom mode if you want more control.

Custom optimization profiles allow you to pick specific resolutions and bitrates, ranging from 1080p down to very low-bandwidth 480p options. These profiles can be named and reused, which makes it easier to target particular devices or scenarios. Once an optimization job is started, the server processes it in the background and uses hardware video encoding if it’s available, which can significantly speed things up.

There are also some useful controls when optimizing TV series. You can limit optimization to unwatched episodes and cap the number of optimized files Plex keeps around. As episodes are watched, Plex can automatically delete the older optimized versions and generate new ones for upcoming episodes. That adds a layer of automation that helps keep storage usage in check.

When it comes time to watch something, Plex exposes the different versions through a “watch version” option. From there, you can explicitly choose between the original file and any optimized versions that exist.

Management of these files is centralized in the server settings under optimized versions. From that screen, you can see what’s currently being processed, what’s finished, and delete optimized media you no longer need. There’s also the ability to reorder optimization jobs if you want one item to be processed before others in the queue.

One additional setting ties optimization to the transcoder configuration. If HEVC optimization is enabled, Plex can create optimized files using HEVC where possible, which can deliver better quality at lower bitrates. That can be especially useful if storage and bandwidth efficiency is a priority.

Overall, optimization feels most useful for servers with limited processing power, older hardware, or libraries full of high-bitrate content that’s frequently accessed remotely. By preparing alternate versions in advance, more users can enjoy content simultaneously.

Disclosure: This video was a paid sponsorship by Plex. They did not review or approve this content prior to uploading and all opinions are my own.

GMKTec M8 Mini PC Review

admin — Tue, 30 Dec 2025 13:53:40 +0000

My latest mini PC review takes a look at the GMKtec M8, a mid-range mini PC that sits comfortably between entry-level systems and higher-end compact desktops. It’s built around AMD’s older Ryzen 5 6650H, a six-core, twelve-thread processor, paired with 16 GB of DDR5 memory and a 512 GB NVMe SSD. On paper, it’s not cutting-edge hardware, but in practice it feels capable enough for most everyday workloads without calling too much attention to its limitations m8.

Check it out in my latest video review.

What stood out immediately was the port selection, especially given the price point, which was quite reasonable when I recorded the video. You can see current pricing over at Amazon (compensated affiliate link).

On the front, GMKtec includes both an OcuLink port and a 40 Gbit-per-second Thunderbolt compatible USB 4 port. OcuLink is still relatively uncommon on systems in this price category, but it opens the door to directly attaching PCI Express devices like external GPUs with less overhead than Thunderbolt.

The USB4 port performed as expected when I tested it with an external Thunderbolt SSD, delivering transfer speeds consistent with a full-bandwidth implementation. Alongside those are two USB-A ports, a combined headphone and microphone jack, and the power button. Around back, there’s another mix of USB ports, HDMI and DisplayPort outputs, and dual 2.5-gigabit Ethernet connections.

Display support was solid in my testing. While GMK advertises support for up to three 8K displays, I don’t have an 8K panel on hand. With multiple 4K displays connected, everything worked as expected through HDMI, DisplayPort, and the USB 4 port via a dongle. Networking performance was also better than I usually see on small PCs. Both Ethernet ports hit their rated speeds, and the Wi-Fi 6E adapter delivered strong throughput, including upstream speeds that cleared a gigabit on my network.

Internally, there are some tradeoffs. The 16 GB of DDR5 memory is soldered, so RAM upgrades aren’t an option. Storage, however, is more flexible. After unscrewing the rubber feet and opening the case, I was able to access the Wi-Fi card and space for two NVMe drives, which makes dual-boot setups feasible.

Out of the box, the system ships with Windows 11 Pro pre-installed. The operating system comes activated with a proper license.

For basic use, the M8 behaved the way I’d expect a six-core Ryzen 6000 series processor to behave. Web browsing at 4K60 felt responsive, with smooth scrolling and no obvious slowdowns. Media playback was similarly uneventful in a good way, with only the occasional dropped frame during Youtube 4K60 playback, nothing I would have noticed without looking for it with the “stats for nerds” diagnostics screen enabled. Benchmark testing put it in line with other systems in this price range with similar processors.

Light video editing was workable as well. Simple 4K timelines with basic transitions played back reasonably smoothly, though this is not the kind of machine I’d recommend for heavy editing without adding an external GPU. That option is there, though, and connecting one through OCuLink or USB4 would dramatically change what the system is capable of doing.

Gaming is where expectations need to be managed. Modern, demanding titles like Cyberpunk 2077 are playable, but only at low settings. At 1080p, performance hovered around 30 frames per second, with better results at 720p, where frame rates climbed into the mid-40s and occasionally higher in less complex scenes. In that sense, the experience reminded me a bit of a Steam Deck connected to a monitor. Emulation, on the other hand, was a strong point. PlayStation 2 emulation at native resolution ran at full speed, and older systems performed without issue.

Thermally, the system held up well under sustained load, passing stress tests without significant throttling. The fan is audible in performance mode, which runs the processor at its full 40-watt envelope, but it’s not among the loudest mini PCs I’ve tested. BIOS options allow you to dial things back with balanced and quiet modes if noise is a concern, trading off some performance in exchange for lower fan activity.

I also spent some time with Linux, booting a recent Ubuntu release. Hardware detection was smooth across the board, including Wi-Fi, Bluetooth, audio, and networking, which suggests the M8 would be a comfortable choice for Linux users or anyone planning a dual-boot setup.

Taken as a whole, the GMK M8 feels like a system built around practical choices. You give up upgradeable memory, but for a reasonable price you get unusually fast I/O for the class, solid networking, and performance that’s adequate for everything from everyday computing to light creative work and emulation.

See all of my Mini PC reviews here.

Disclosure: GMKTec sent the Mini PC to the channel free of charge. However they did not review or approve this content prior to publication, no other compensation was received, and all opinions are my own.

Holiday Retro : The eXoDOS and eXoWin9x Projects Seek to Preserve 80s and 90s PC Gaming in a Single Collection

admin — Sat, 27 Dec 2025 13:46:49 +0000

Every year around Christmas I try to find a piece of retro technology to feature on the channel, and this time I landed on something for fans of 80s and 90s PC games. The eXoDOS project is an attempt to make nearly the entire history of DOS gaming accessible with a single click. With that project largely done, the group is now focusing in on the Windows 95/98 era with eXoWin9X.

In my latest retro video I take a look at both running on a lower end Mini PC.

Similar to projects like Emudeck, the eXo project has its entire library of games preconfigured and ready to run mostly with just a single click to get going. Scripts for each game determine the best emulator (either Dosbox or 86box) along with the best settings for optimal performance.

ExoDOS is downloaded from the Retro-Exo site and can be installed either as a massive full archive or as a much smaller “lite” version that pulls down individual games on demand. The full collection weighs in at well over 600 GB, but the lighter option lets games download as you play them, after which they stay local. Setup is handled through a batch file, and once installation finishes everything runs through LaunchBox. The result is a browsable library of roughly 7,600 DOS games, searchable by title, publisher, or hardware features. This is mostly a Windows-centric project although there are some patches to get it working on Linux.

To see how well this works on modest hardware, I ran everything on a midrange mini PC with a Ryzen 6650H processor and 16 GB of RAM (compensated affiliate link). That turned out to be more than sufficient, even for titles that originally required specialized hardware.

One example is Wing Commander II, which in this setup includes the CD-ROM edition with speech and Roland MT-32 audio. Selecting the MT-32 option recreates a sound experience that was out of reach for many players in the early 1990s, when the Roland synth hardware was expensive and uncommon. For those leaning in on the nostalgia, Soundblaster FM synthesis is also an option.

What stood out immediately is how quickly these games launch. Game controllers work out of the box, manuals are included as PDFs, and supplemental materials like box art and disk images are bundled alongside the games.

The archive also functions as a memory jogger. Games that are half-remembered from BBS downloads or shareware disks tend to be here, including titles like Night Raid, a Paratrooper-style game that circulated widely on BBS’s in the early 1990s. For adventure fans, the collection includes both floppy and CD-ROM versions of games like Space Quest IV and many others from Sierra and Lucasarts.

ExoDOS also organizes games by technical capabilities, including a playlist of DOS titles that supported early glide/3Dfx 3D acceleration. Running something like Battle Arena Toshinden with emulated 3dfx support shows how well these setups scale, even if performance varies slightly depending on host hardware and settings. The important part is that the environment detects and configures the right components automatically.

Alongside ExoDOS is the newer project called ExoWin9x, which applies the same philosophy to Windows 95 and Windows 98 games. These titles run inside carefully optimized virtual machines that avoid duplicating full Windows installations for every game. Instead, system changes are swapped in as needed, saving space and simplifying management. At the moment the collection covers games from the mid-1995 and 1996, with more planned for the future.

Running Windows-era games like Beavis and Butt-Head: Virtual Stupidity or Wing Commander IV highlights how much effort has gone into preservation beyond just making the games start. Virtual CD-ROMs are fully browsable, bonus videos are intact, and even obscure developer easter eggs remain accessible. Different emulators are used depending on what a game needs, and the system quietly selects the appropriate one.

Downloading these projects can only be done over BitTorrent given the huge file sizes involved with each. But once it’s done, it’s done.

What ties all of this together is the focus on removing friction. These projects prioritize playing over configuring, while still preserving the original context of the software. Instead of reconstructing old setups from memory, the experience becomes as simple as browsing, clicking, and playing.

See more retro videos here!

Texas Files Suit Against Smart TV Makers Over Spying Features

admin — Tue, 23 Dec 2025 14:24:45 +0000

Back in October, I started a video series looking at “Automatic Content Recognition” (ACR) which is a technology that modern smart televisions use to collect data about what people are watching. The televisions take actual visual and audio snapshots of what is on the screen several times a second.

In my latest video on this topic, I look at a new set of lawsuits filed by the Texas Attorney General against five major TV manufacturers—Sony, Samsung, LG, Hisense, and TCL—over their use of this technology. The Texas AG even scored an early victory, requiring Hisense to turn off their ACR systems for Texas residents.

The lawsuits were all filed in a Texas state court, which means any outcomes would apply only to Texas residents. Still, they offer a detailed look at how this technology works and how aggressively it is being deployed.

The frequency of ACR sampling varies by manufacturer and model, but in some cases the sampling happens multiple times per second. That information is converted into a digital fingerprint and sent to a remote server, where it is matched against a massive database of media. Once identified, the viewing data can be sold to advertisers and data brokers.

As I noted in my earlier videos, ACR can also analyze anything coming into the television through HDMI, including cable boxes, streaming devices, and video game consoles. The lawsuits allege that video games are a big area of data collection for TV manufacturers and data brokers, which raises questions about whether they are illegally capturing data from children under the age of 13.

Marketing materials cited by the Texas Attorney General in the lawsuits suggest that some companies use this data to track users across devices and platforms, following them from their TV screens to social media sites and other parts of the internet. In one example cited in the filings, LG is accused of collecting screen data as frequently as every 10 milliseconds and building detailed consumer profiles that may include political interests, religious viewing habits, and other personal characteristics.

Another major issue raised in the lawsuits is informed consent when users are asked to opt into these features. While most smart TVs technically require users to opt in before data collection begins, the Attorney General argues that the process is designed to push users toward agreement. Opting in is often a single click, while opting out can require navigating dozens of menu options spread across multiple screens. In some cases, declining data collection disables core smart TV features altogether, effectively forcing users to choose between privacy and functionality. Screens shown in the lawsuits for brands like TCL and Hisense often lack a clear “disagree” option, while others rely on confusing layouts that make refusal unintuitive.

Samsung is also accused of misleading customers by claiming it does not collect video or screen content. The state argues that even if the company only transmits hashed fingerprints rather than raw images, the end result is the same because the system can still identify exactly what is being watched.

The Attorney General is seeking jury trials, civil penalties of up to $10,000 per violation, and additional restraining orders against the manufacturers. Beyond the legal details, the lawsuits highlight how valuable viewing data has become. It helps explain how large televisions can be sold so cheaply: the hardware is often subsidized by ongoing data collection.

For viewers who are concerned about this practice, the most reliable option remains disconnecting the television from the internet entirely and using an Apple TV that has stronger privacy controls. Even then, avoiding tracking altogether is difficult, but these cases shed light on just how much data smart TVs can collect—and how little most users may realize about what is happening in the background.

I’ll continue watching how these lawsuits develop, since they may signal whether other states are willing to challenge an industry practice that has largely operated out of public view until now.

The QMTech MiSTer Clone is Affordable and Available!

admin — Sun, 21 Dec 2025 03:05:41 +0000

The latest video in my MiSTer series features a system from QMTech, a fully assembled clone that, at the moment, is actually available to buy over at Aliexpress (not an affiliate link). Given how difficult it has been to find MiSTer hardware in stock over the past few years, I was curious to see how this one would stack up, especially at its asking price. So I ordered one to find out!

Check it out in my latest review!

For anyone unfamiliar with MiSTer, the appeal lies in how FPGA hardware recreates the original logic of classic consoles and computers. Instead of translating software instructions the way an emulator does, the FPGA is reconfigured to behave like the original hardware itself. That approach is particularly valuable for complex systems such as the Sega Saturn or Sega 32X, where multiple processors need to operate in parallel with precise timings. The result is very low input latency and timing behavior that closely matches the original machines, whether the output is going to a modern flat panel or a CRT based display.

The QMTech unit is based around a cloned DE10-Nano FPGA board with an integrated heatsink and fan, paired with a custom analog I/O board. From a compatibility standpoint, it behaves like any other standard MiSTer setup, with full support for the existing ecosystem of cores and tools. In day-to-day use, it feels no different from other MiSTer systems I’ve tested, including the MiSTer Pi I looked at last year. There are two versions for QMTech devices for sale, one priced lower for U.S. buyers and a higher-priced option for international customers, but both arrive fully built rather than as kits.

Physically, the QMTech system is straightforward. The built-in USB hub provides four ports, which is fewer than some other MiSTer builds, though adding an external hub is an easy workaround. Ethernet is included, but there is no onboard Wi-Fi or Bluetooth, so wireless connectivity requires a USB adapter for updates. A SNAC port is present for connecting original controllers directly to supported cores, which allowed me to use a Nintendo Zapper with the NES core on a CRT just as I would on original hardware.

The unit ships with a 32 GB SD card with a basic MiSTer installation already in place. As with other preconfigured systems, some additional setup is still required to get everything working the way I prefer, including running updater scripts and making configuration tweaks. Since the hardware is fully MiSTer-compatible, the setup process is identical to other systems and well documented elsewhere.

On the back, the system offers HDMI for modern displays and analog video output suitable for VGA monitors or CRT televisions with component RGB inputs. With the appropriate cable, the analog output delivers a clean signal that looks amazing on a late-model CRT. Audio for CRT televisions and monitors is available via analog output or optical and the system powers on immediately when plugged in, as there is no physical power switch.

To see how the hardware handled more demanding workloads, I spent time running several cores known to stress the MiSTer platform. Arcade titles like Street Fighter Alpha 3 ran without issue, even after extended periods in attract mode, suggesting that both cooling and memory stability were solid. Switching between cores was quick, and the system handled rapid transitions from late-1990s arcade hardware to mid-1980s home computers without complaint.

I also tested computer and console cores that are often used as benchmarks for system stability. Amiga demos and games ran cleanly, Neo Geo titles like King of Fighters 2003 loaded and played as expected, and Sega Saturn games such as Daytona USA worked within the known limitations of the MiSTer’s memory configuration. The Nintendo 64 core, which has matured significantly, performed well across the titles I tried, and other complex systems like the Sega 32X behaved correctly without any issues.

Even cartridge-based games with custom chips, such as Star Fox on the Super Nintendo, ran properly, demonstrating that the necessary co-processors were being accurately reproduced. At the other end of the spectrum, earlier consoles like the Atari 2600 and ColecoVision also worked as expected, complete with the quirks of their original control schemes.

To round things out, I ran memory stress tests at 130 MHz for an extended period and saw no errors. While the RAM could be overclocked slightly, there was no real benefit in doing so, as none of the existing cores require more than the standard operating speed.

After spending time with it, the QMtech MiSTer left me with the impression that it is a competent and well-executed implementation of the platform. It handled everything I threw at it, stayed cool, and ran quietly in the process even with its tiny on board fan. For a device that is currently available to purchase at a relatively accessible price point, that combination is noteworthy, especially in a market where MiSTer hardware is often difficult to find at all.

2025 Year in Review and 2026 Channel Plans

admin — Sat, 20 Dec 2025 00:12:55 +0000

As the year winds down, I wanted to take a moment to look at where things on the channel stand and where they’re headed next.

You can check it out in my latest video.

Viewership climbed to just under nine million views, up from about 7.8 million last year, and subscriber growth also ticked up. That tells me something is working, even if it’s not always obvious what that something is. I still approach the channel as a generalist, largely because that’s how it started more than a decade ago, but the platform and its audience have changed. Many subscribers don’t see every upload anymore, which remains a point of frustration I have with the platform.

To make sure people don’t miss uploads, I’ve leaned more on the weekly email newsletter, the daily digest, and the blog, which serves as an archive and an alternative way to follow along. If you’re reading this you likely know about these already!

One area that stood out this year was audience retention. Regular viewers now make up about ten percent of the audience, a sharp increase from last year which was under 1%. The audience itself continues to skew older, which reflects how much YouTube has evolved. While shorter videos tend to attract younger viewers, long-form content remains where I spend most of my time, both as a creator and a viewer.

In total, I uploaded 175 long-form videos this year, along with a smaller number of shorts and live streams. Live content slowed down compared to previous years, partly due to scheduling, but it’s something I plan to revisit, especially around events like CES. Looking at what resonated most with viewers, it was clear that topical and consumer-focused videos outperformed traditional product reviews. Issues that directly affect viewers, like privacy concerns and our ongoing ATSC 3.0 DRM fight, drew the most attention.

That shift has influenced how I’m thinking about the year ahead. I’ve started rebuilding the Gadget Picks channel, now focused on smaller gadget reviews that may not find a large audience on the main channel but still serve a purpose elsewhere, particularly on Amazon. Amazon itself has become a more important platform, quietly adding social features that make it worthwhile to publish there and diversify beyond YouTube. Follow me on Amazon here!

Product reviews remain a core part of the business, accounting for a significant share of revenue through platform revenue sharing and affiliate links, even if they don’t always align with every viewer’s interests. That tension between sustainability and audience interest is something I’m still trying to solve, but the numbers suggest progress.

Early next year begins, as usual, with CES in Las Vegas. I’ll be covering the show solo again, focusing on fast, on-the-ground dispatches that give a sense of what’s new and interesting without a lot of polish. Those videos have connected well with viewers in recent years, and I plan to stick with that approach.

Beyond CES, the main channel will continue leaning into consumer advocacy topics, building on the momentum around issues like broadcast encryption and other consumer focused topics. Even when outcomes are uncertain, raising awareness and engaging regulators feels like work worth doing.

Product reviews will still be part of the mix, especially for larger items that fit the audience here, while smaller reviews will be on Gadget Picks and production-focused content will live on my production nerd channel. It’s not the simplest structure, but it reflects the reality of how platforms and audiences behave today. I don’t expect explosive growth, but steady progress has long been my strategy, and after more than a decade on the platform, that’s enough to keep me moving forward.

Intellivision Sprint Review – A great recreation of a classic

admin — Thu, 18 Dec 2025 13:48:47 +0000

The Intellivision Sprint is a newly released console that looks and feels like it belongs to the early 1980s. With faux woodgrain panels and metallic accents, it closely resembles the original Intellivision, the Mattel-produced system that competed with the Atari 2600. What’s notable here is that this hardware is now coming from Atari itself, following its acquisition of the Intellivision brand.

You can see it in action in my latest review.

The console is smaller than the original unit, but the controllers retain the familiar size and layout. They are wireless and include the full numeric keypad that defined the original experience, along with physical overlays that slide over the buttons to indicate game-specific functions. Forty-five games come preinstalled, drawing from much of the classic Intellivision library. While the system does not support original cartridges, it does provide alternative ways to run additional software via its USB port.

Inside, the hardware is relatively modest, built around an ARM processor running games through emulation. The emulator chosen here is well regarded within the Intellivision community, and everything I tested ran as expected. Video output is limited to 720p at 60 frames per second, and the system does not require an internet connection to function. Power is supplied over USB-C, though no power adapter is included.

On the back of the unit are USB ports used for firmware updates and for connecting wired controllers. While the system does not support Bluetooth pairing with third-party controllers, plugging one in directly is an option. Using a modern USB controller had more input lag compared with the included wireless controllers.

The included controllers use Intellivision’s distinctive disc-style directional control, which behaves more like a rocker pad – kind of an early pre-cursor to the modern d-pad. It’s a design that can take some getting used to (especially with the side buttons), but it closely matches how the games were originally designed to be played.

Turning the system on highlights how much attention was paid to physical details. The power switch has a firm, mechanical click that feels deliberately old-fashioned. The main menu provides individual information screens for each game, including a visual reference for the controller overlays. Games can be rated and marked as favorites, making it easier to return to specific titles later.

Playing through the built-in library underscores how many of these games were designed around shared, two person competitive play. Titles like Shark! Shark! are simple in structure but clearly more fun when a friend is playing too. The controls feel close to how I remember them from years ago.

One standout experience was B-17 Bomber, a game I had heard about but never previously played. It makes use of synthesized speech and places you in various roles aboard a bomber during missions, switching stations through the keypad. The voices announce the direction of incoming fighters along with the proximity of the desired target. For an early 80’s game it’s pretty impressive.

The system also allows additional games to be loaded from a USB drive. With the right setup, titles like Pac-Man and Donkey Kong can be run even though they are not included with the console. Definitely check out GenXGrownUp’s tutorial on geting this right. This works reliably once configured, but the hardware is particular about USB drives. Several modern sticks I tried were not recognized, while an older, generic drive worked without issue.

I didn’t own an Intellivision growing up, so nostalgia isn’t driving my reaction here. Even so, the effort put into replicating the look, feel, and behavior of the original hardware is evident. This is clearly a niche product aimed at a limited audience, but it treats that audience seriously. If you’re an Intellivision fan or Intellivision curious, definitely check this one out. I don’t think it’ll be around for long.

Last year, Atari gave its own classic console a modern refresh with the Atari 2600+. That one works with original Atari cartridge games and controllers. It even comes packed in with a 10-in-1 cart that runs on original hardware too!

Check out more retro reviews here!

Zapperbox’s “Big Deal” on DRM Gateway Devices is a Bigger Deal for Them Vs. Consumers

admin — Thu, 18 Dec 2025 12:53:46 +0000

Over the next few weeks we are likely to see the broadcast industry tout “gateways” that work with their private, opaque DRM regulatory framework. The first one you will hear about comes from Zapperbox. Last month they released news of a “Big Deal,” stating their device now allows in-home streaming of DRM content from one Zapperbox device to another.

While this is a “big deal” given how difficult the private, opaque DRM regulation has made the simple act of watching television, it underscores how difficult it’s been for the industry to implement a feature that has worked on ATSC 1.0 broadcasts for nearly two decades. But this is far from being at parity with the ATSC 1.0 experience – at the moment the Zapperbox solution only works with other expensive Zapperbox devices.

Unfortunately for consumers, getting functionality back that DRM has taken away will result in a significantly higher cost. Since this only works with Zapperbox devices, consumers will need to purchase a Zapperbox tuner starting at a whopping $199 for a single tuner device, $274 for a dual tuner device or $300 for a quad tuner.

On top of that, consumers need additional Zapperbox hardware for each of their televisions. Their “Zapper Mini” client device currently sells for $139 each. And if that’s not enough, Zapperbox requires a subscription for its whole home DVR features to record content for an additional $5 monthly/$29.99 a year or $240 for a lifetime subscription. Quad tuner device subscriptions cost even more. So a three TV set up will cost $552 + subscription fees.

On ATSC 1.0 devices gateway tuners like the Tablo can be purchased for far less right now with no subscription fee (compensated affiliate link) and will work with the smart TV or streaming devices consumers already have. An ATSC 1.0 SiliconDust HDHomerun also costs less than that Zapperbox (compensated affiliate link) and will work with nearly every streaming platform in existence along with mobile devices too. That’s because there is not an expensive and complicated private, opaque regulatory scheme driving up cost.

This certainly is a “big deal” for Zapperbox as the A3SA is currently picking the winners and losers in this space. But shouldn’t the market decide instead?

My Best Tech of 2025

admin — Sun, 14 Dec 2025 14:00:25 +0000

Over the course of the past year, I reviewed a wide range of tech products, and as the calendar wraps up, I like to take a step back and look at the ones that stood out to me after extended use. This list is limited to things I actually reviewed during the year, which means some notable products are absent simply because I never had them in hand. What I enjoy most about this process is that many of the items I cover tend to be a bit off the beaten path, and revisiting them offers a useful snapshot of how they held up beyond the initial review period.

You can watch my Best of 2025 video here!

Among PCs, the GMKtec G3 Plus was the most compelling system I looked at this year insofar as its bang for the buck. It is a compact Windows mini PC built around Intel’s N150 processor, with support for up to 16 GB of memory and dual storage devices. Despite its low cost, performance proved solid for everyday computing, Linux installations, and light server duties. Pricing has crept up due to broader market pressures, but it remains accessible, especially given its flexibility. Find it here on Amazon or direct from GMKTec (compensated affiliate links).

Another system built on the same processor, the Beelink ME Mini, distinguished itself as a home server platform thanks to its six NVMe slots. I have been running it continuously as a Plex server under Unraid (compensated affiliate link), alongside additional Docker containers, and it has been reliable, quiet, and well cooled over several months of use. You can find the ME Mini on Amazon or direct at Beelink’s website.

In gaming hardware, one of the more interesting devices was GMKtec’s AD-GP1 external GPU. It pairs an AMD RX 7600M XT with multiple connection options, including Thunderbolt, USB4, and OCuLink. Beyond using it as a conventional external GPU for laptops, I also experimented with connecting it directly to a mini PC via OCuLink, which opened up some unconventional but functional configurations. You can find it on Amazon here or direct at GMKTec’s website (compensated affiliate links).

Another gaming highlight was Lenovo’s Legion Go S, a handheld PC running SteamOS. It offers a modest performance and display upgrade over the Steam Deck and signals a broader ecosystem of licensed SteamOS devices that should expand further in the coming years. You can find the Legion Go S at Best Buy (compensated affiliate link).

For retro enthusiasts, the SummerCart64 stood out as an affordable flash cartridge for the Nintendo 64. Based on an open-source design and produced by multiple manufacturers, it enables playback of the full N64 library, including 64DD titles and modern homebrew software. It also worked seamlessly with the Analogue 3D console in my testing. Find one at Aliexpress (compensated affiliate link).

On the software side, I spent time with NES-to-SNES game ports developed by Infidelity. These ports preserve the original gameplay while reducing hardware-related limitations such as flicker and adding small quality-of-life improvements. They run on original hardware as well as emulators, making them broadly accessible. You can download the ROMs here!

In the camera and photo space, the Kodak-branded Slide N Scan offered a practical, if imperfect, solution for digitizing negatives and slides. Image quality is limited, but the speed and simplicity of the workflow make it useful for casual archiving and sharing. When paired with modern AI-based enhancement tools, the resulting images can be significantly improved, which extends the usefulness of the hardware beyond its original capabilities. Find the Slide N Scan at Amazon (compensated affiliate link).

Two free applications also earned spots on the list. LocalSend provides a straightforward way to transfer files across platforms on a local network, effectively filling the gap left by proprietary solutions like AirDrop. It has become a regular part of my workflow. You can find LocalSend here.

UTM, available on the Mac, offers virtualization and emulation support for both ARM and Intel operating systems. It allowed me to quickly spin up Windows, Linux, and even classic operating systems without relying on heavier commercial software, making it a practical tool for testing and legacy access. UTM can be downloaded here.

There were also a few honorable mentions. The Mister Pi offered a low-cost turn-key entry into the MiSTer FPGA ecosystem, but limited availability kept it from wider recommendation. But be on the lookout for the new SuperStation One by the same manufacturer which promises to be a more readily available (and more elegant) Mister solution.

A UniFi 10-gigabit Ethernet adapter proved to be a reliable and quiet option for high-speed low cost networking over Thunderbolt or USB4. You can find it at B&H.

Finally, the 8BitDo Ultimate 2C controller demonstrated that a low-priced gamepad does not have to feel disposable, making it suitable for both casual and multiplayer use. The days of the lousy “little sibling” controller are finally over. Find it on Amazon (compensated affiliate link).

As I head into the next year, my 14th doing this YouTube thing, I’ll be once again attending CES for a series of dispatch videos. I expect that same mix of mainstream and niche hardware to continue shaping what I cover, and I appreciate everyone who followed along as I tested and revisited these devices throughout the year. More to come!

Disclosure: the GMKTEc, Beelink and 8bitdo devices came into the channel free of charge. The Lenovo Legion Go S was provided on loan from Lenovo. No other compensation was received, the brands did not suggest, review or approve content prior to publication, and all opinions are my own.

2025 Toyota Sienna Recall : A Tale of Betrayal by a Once Trusted Brand..

admin — Sat, 13 Dec 2025 13:55:13 +0000

I bought a new Toyota Sienna with my wife in January of 2025, a Woodland Edition that replaced our 2019 Sienna. It was our third Toyota, following a Highlander and a previous 2019 Sienna. Until recently I had no reason to question the brand. The vehicle itself has been solid, and nothing about the driving experience suggested there was a serious issue lurking beneath the surface.

That changed when a recall notice arrived in the mail in mid-December. The letter explained that Siennas manufactured between January and July of 2025 may have defective middle-row seat rails. In certain high-speed collisions, those seats could lose structural integrity if occupied, increasing the risk of injury. Toyota’s guidance was blunt: no one should sit in the second-row seats while the vehicle is moving until a fix is implemented. At the time of the notice, no remedy had been defined.

Explore more in my most recent commentary video.

What troubled me was not just the defect, but the timeline. According to Toyota’s own filings, the company became aware by September that the seats could dislodge in a crash. A voluntary safety campaign decision was made on October 1, and the National Highway Traffic Safety Administration was notified shortly thereafter. Dealers were also informed at that time and instructed not to sell affected vehicles. Yet as a customer, I did not learn about the issue until roughly two months later, despite continuing to drive my family in a vehicle Toyota already knew had a potentially serious safety problem.

Toyota did issue a press release when the recall was filed, but it was easy to miss if you are not actively following automotive news. When I asked Toyota’s PR department why customers were not contacted sooner, I was told that assembling mailing lists takes time and that federal regulations allow up to 60 days for notification by first-class mail. I was also told there is no comprehensive digital database of owner contact information. That explanation rang hollow, especially after customer service was able to pull up my details immediately using the VIN when I called them.

There is also the role of the dealership. I purchased this vehicle locally, from a dealer that has sold me multiple cars over the years. They had the same information Toyota had in early October, yet there was no proactive outreach to customers who had recently driven off the lot in affected vehicles. A phone call warning families about a seating restriction would not have required a regulatory mandate, only a basic sense of responsibility and duty of care for customers.

Seeking a workaround introduced a second layer of frustration. The service bulletin indicated that impacted customers were eligible for a loaner or a rental vehicle with a daily allowance. When I contacted the dealer, I was told there were no loaners available and that any replacement vehicle would be “whatever was on hand.” The option of a rental was initially dismissed, despite being clearly outlined in Toyota’s own documentation. It took several calls between the dealership and corporate support before a rental was finally arranged.

For now, we will be driving a rented minivan on Toyota’s dime while waiting for the company to determine how it will address the defect. The inconvenience is manageable, but the experience has shaken my confidence.

This was not a minor oversight or a cosmetic issue. It involved seating where children ride, and it carried acknowledged safety risks. Knowing that both the manufacturer and dealers were aware of the problem months before customers were directly notified is difficult to reconcile with the trust that brand loyalty is built on.

I still like the vehicle, and I still want this to be resolved properly. But this episode raises broader questions about how companies communicate with customers when safety is at stake, and whether meeting the minimum regulatory requirement is an adequate substitute for timely, direct warnings.

Kensington TB800 EQ Trackball Review

admin — Fri, 12 Dec 2025 15:01:25 +0000

I don’t usually get early access to new phones or laptops, but every so often something more niche shows up instead. In this case, it’s a pre-release trackball from Kensington, the new TB800 EQ.

I first saw it at a local trade show a few weeks ago, and Kensington later sent one over for me to try out. The TB800 is available for preorder through Kensington directly and on Amazon (compensated affiliate link). If you buy it through Amazon, you can choose between different ball colors; the unit I’ve been using has a burgundy ball, though a silver option is also available.

One of the first things I noticed is how securely the ball is held in place. It snaps into the housing with enough resistance that it won’t fall out even if you flip the device upside down. That may sound minor, but anyone who has used older trackballs knows how easy it is for the ball to pop loose when moving the unit from one office to another.

Like other Kensington trackballs, there’s a large central scroll wheel, and this one has a solid feel with a bit of weight to it. By default, it spins freely and supports accelerated scrolling. Pressing a mechanical button on the top switches it into a click-by-click mode with an actual mechanical detent so you can physically feel each step as you scroll line by line. In addition to that main wheel, there are two more scroll wheels built into the device on the left and right hand side. One handles horizontal scrolling, while another can be used for zooming, depending on the application. In a spreadsheet, for example, I was able to scroll vertically, move left and right across columns, and zoom in and out without touching the keyboard.

Those extra wheels are positioned far enough away from the main buttons that they don’t get triggered accidentally. After using the trackball over several days, I didn’t find myself activating them unintentionally during normal use. They also have a balanced resistance, so they don’t feel loose, but they aren’t stiff either. If you decide you don’t want to use one or more of the scroll wheels at all, Kensington included physical switches on the bottom of the device that let you disable them individually. That avoids the need to dig into software profiles just to turn a wheel off for a particular task.

There are additional programmable buttons along the top, which by default handle actions like browser back and forward as well as volume control. These, along with the rest of the buttons and scollers, can be reassigned through Kensington’s software.

Connectivity is another area where the TB800 offers flexibility. It can connect via USB-C, through a USB-C wireless dongle, or over Bluetooth, with support for pairing to two Bluetooth devices. A button on the side lets you toggle between connection modes, making it possible to move quickly between multiple computers or tablets. Kensington estimates around four months of battery life per charge, depending on usage.

On the performance side, there’s an on-the-fly DPI switch to adjust pointer sensitivity, along with a polling rate button labeled in hertz. When connected via USB or the wireless dongle, the polling rate can be set as high as 1,000 Hz, which puts it in the same range as many gaming mice. Bluetooth connections don’t support the higher polling rates, but for wired or dongle use, the higher setting results in smoother cursor movement, especially on high-refresh-rate displays.

The configuration software, Kensington Connect, presents a visual layout of the device and allows extensive customization. Any button can be mapped to a wide range of actions, including macros, text snippets, system controls, or application-specific functions. There’s an easy mode for basic assignments and an advanced mode that allows combinations of buttons to trigger additional actions. Pointer behavior, DPI steps, polling rates, and scroll wheel functions can all be adjusted, and profiles can be set on a per-application basis so the controls behave differently in, say, a video editor versus a spreadsheet.

Trackballs have always attracted users who want a high degree of control, and that’s clearly the audience Kensington is aiming for here. I’ve been using Kensington trackballs for decades, going back to one I bought around 1989 or 1990 for an Apple IIgs that still works today. The TB800 feels like a continuation of that lineage, with large, accessible buttons that accommodate different hand sizes and grip styles. All in a very nice solid offering for Trackball fans.

Disclosure: Kensington sent the trackball to me free of charge. No other compensation was received and they have not reviewed or approved this content prior to upload.

Using Gemini AI’s “Nano Banana Pro” To Enhance Old Digital Photos

admin — Fri, 12 Dec 2025 14:06:17 +0000

On my Gadget Picks channel, I reviewed the Kodak Charmera, a cheap keychain sized, 1.6-megapixel camera whose main appeal seems to be less about image quality and more about novelty. The camera is sold as a Labubu-style blind-box product, with different designs packaged randomly, and that scarcity has led some scalpers to charge far more than its original price. Amazon does have them in stock at the time of this writing (compensated affiliate link).

The image quality straight out of the camera is pretty bad—similar to what one might experience from an early consumer digital camera. But could Google’s new Nano Banana Pro AI model fix these images up and make them look modern? That’s what I explore in my latest video.

The Charmera produces images that are noisy, soft, and lacking in detail. On their own, they are barely usable. Using a prompt that Gemini itself helped generate, I fed in a selfie taken at my desk. The original file was a blur of digital noise, but the output that came back was far more detailed, with accurate colors and recognizable objects in the background. While there was some smoothing that made the image look slightly retouched, it largely preserved what was actually there.

That initial result led me to try a variety of other images. I photographed a small holiday decoration, a candle, my dog, and an outdoor scene, all using the Charmera. In each case, Gemini produced images that looked closer to what I might expect from a modern smartphone. Details that simply were not visible in the original files appeared in the processed versions, from textures on a figurine to fur and reflections. The framing and perspective stayed consistent, even when depth-of-field effects were introduced.

The experiment didn’t stop with new photos. I also revisited digital images from the late 1990s, taken with a Kodak DC120 camera. Many of those files I saved at very low resolutions, such as 320×240, which were the sharpest looking on my 1024×768 display at the time but look especially rough on today’s high-resolution displays. Running those decades-old images through Gemini produced mixed but often striking results. In some cases, textures and facial details appeared that made the photos feel contemporary, even though the originals had almost no usable information at the pixel level.

I also found Nano Banana to be a great compliment to another Kodak-licensed product, the Slide N Scan photo negative scanner. The scanner is inexpensive (comparatively) and can rapidly scan photo negatives and slides. But the output quality is nowhere near where it needs to be for professional use. But Gemini was able to dramatically transform a few of the images I fed through it from that scanner.

Not every result was faithful to the original. In some images, Gemini appeared to invent details when there wasn’t enough data to work with. A dog’s fur texture changed noticeably, and in one image of me running with my dog, my face was clearly not my own.

Scanned photos from books and yearbooks were generally handled well, including colorization, but there were occasional distortions in faces or text. Logos and lettering were sometimes incorrect or duplicated, especially when the source material was ambiguous or mirrored.

I also found that context mattered. When I scanned a 1994-era Polaroid of my Powerbook 180c and a Newton I had to give Gemini more specific hints about what was in the image. Gemini convincingly recreated the devices and dropped them in place. At first glance it looked amazing. But some elements—particularly text—were reconstructed inaccurately. In the below example you’ll see that Gemini replaced the “Macintosh” text on the computer with “Powerbook.”

Working through these examples made it clear that tools like Gemini are doing something very close to what modern smartphone cameras already do. Computational photography has shifted the process away from simply capturing light and toward interpreting data. In that sense, using Gemini on an extremely poor image from a toy camera is not all that different vs. what happens inside many smartphones today.

Used carefully, it can make old or low-quality images usable again. But it can very quickly cross the line from enhancement into fabrication. That balance is something worth keeping in mind as these tools become more accessible and more powerful.

Check Your Cable Bill for Increased Broadcast TV Fees!

admin — Wed, 10 Dec 2025 17:44:26 +0000

If you’re still paying for cable TV, you might be seeing a sizable increase this month on your local TV fee paid to broadcasters. In my part of Connecticut that increase is substantial. According to the latest Comcast rate card, that fee is going up over $10 to $48.30 a month! It sits outside any contract pricing, so even subscribers locked into a package are getting hit with this increase.

In my latest video, we take a look at what this fee is all about and how broken the system is.

Comcast publishes very detailed rate cards that break down every charge and bundle for each of the markets they serve. But I can’t access cards from other regions without logging in as a customer. Because of that, I put together a form where viewers can share what they’re seeing locally.

I went back to an older video I made in 2018 where I had pulled this same section from the rate card. At the time, the fee was only $8. In under eight years, that’s a 500 percent increase!

Much of this money is going to large broadcast groups like Nexstar, Sinclair, Gray, and Scripps. Nexstar, for example, is currently asking regulators for permission to grow even larger by taking over Tegna. As more people cancel cable, the subscriber base that funds retransmission consent fees keeps shrinking, and the broadcasters have been raising rates to maintain the revenue they’ve grown accustomed to. Many of these companies now rely on retransmission for half or more of their income, regardless of how many people actually watch their stations.

The natural question is how broadcasters are allowed to keep raising these fees. The answer lies in the retransmission consent framework. Cable companies once had to carry every local station for free under “must-carry,” but court decisions in the 1980s and a 1992 law shifted the landscape. Broadcasters can now choose between must-carry or negotiating a paid consent agreement. Nearly all of them opt for the paid agreement. Cable providers, meanwhile, are required to negotiate in good faith and can’t walk away. Broadcasters, on the other hand, can pull their signals if they’re unhappy, and the cable company can’t replace a local station with the same network from another market. If the ABC affiliate in my area is owned by Nexstar, that’s the one Comcast has to carry—no alternatives.

Cable companies also must place local stations on their most basic tier. Years ago that tier was called “lifeline cable,” but with a $48.30 broadcast fee added on, even a “lifeline” subscription has become expensive.

The FCC is revisiting national broadcast ownership rules, which has drawn in comments from groups across the political spectrum. One proposal from the International Center for Law and Economics argues for eliminating the retransmission consent system entirely and treating broadcasters more like any other content supplier under copyright and contract law. That could allow cable companies to negotiate outside their markets and potentially reduce costs by choosing among multiple affiliates of the same network. It wouldn’t preserve local newscasts, but it could give cable companies some leverage they don’t currently have.

Streaming services like YouTube TV and Hulu are not subject to the same rules that bind cable companies. Broadcasters want that changed, which would likely raise streaming prices as well. Some smaller networks such as Newsmax have raised concerns about consolidation for a different reason: if large broadcast groups force cable operators to carry their affiliated news channels on the basic tier, smaller channels could be pushed off the lineup entirely.

There’s a lot happening at once—shrinking cable audiences, aggressive fee increases, regulatory reviews, and pressure on both distributors and programmers to keep revenue flowing. I’ll continue following these developments. In the meantime, if you have a recent cable rate card, sending it in will help build a clearer picture of what subscribers are facing across the country.

The Multiview App for Apple TV and Android / Google TV Review

admin — Sun, 07 Dec 2025 01:49:42 +0000

I came across an neat cord cutting app last night called Multiview. As its name implies, it can run four simultaneous OTA broadcasts on a single screen using an HDHomerun network tuner. The Apple TV version can also ingest streams from Tablo and Plex – including FAST streaming services.

You can check it out in my latest review.

Multiview is available on both Android and Apple platforms, including Apple TV, Google TV, Android TV, phones, and tablets. It feels a bit like the YouTube TV multiview experience but without the subscription attached.

The app costs ten dollars as a one-time purchase, and there’s a free trial that provides enough time to see whether it fits your needs. I paid for the pro version of the app myself, and the impressions here are entirely my own.

The software is still early in its life, and that shows through some bugs and quirks. The developer is active on Reddit and open to feedback, which makes the rough edges feel more manageable. Even in its early state, the app demonstrates how much innovation can come from small developers in the cord cutting space, especially when they build around open hardware like the HDHomeRun tuners the app relies on. I’ve used HDHomeRun devices for years, and their openness has always encouraged creative third-party projects like this.

Building out a layout inside the app is simple. I was able to pull in four OTA channels, switch audio between them just by moving the cursor, select one stream to go full screen with a button push and switch the layout to two-up or three-up configurations when needed. The app lets you save these layouts so you’re not rebuilding them every time you want to watch. Switching between these presets feels quick on the latest Apple TV hardware.

There’s also a program guide that resembles a traditional grid interface. It loads in all of the OTA channels your tuner sees. Occasionally it hangs, but backing out and reopening usually resolves it. Some of that may be tied to how many channels my Plex server exposes, since the app can merge OTA channels with Plex sources when Plex is connected.

The Plex integration currently works only on Apple TV. It brings in Plex’s FAST channels alongside OTA channels, which makes for some interesting multiview combinations. I did find that a local Plex server is required at the moment and that Plex accounts with two-factor authentication enabled don’t connect properly yet. After switching to an account without two-factor enabled, everything worked. Once connected, I was able to place OTA channels right next to Plex FAST channels within the same grid.

ATSC 3.0 support is present but mixed. The app will tune video from an ATSC 3.0 HDHomeRun, but I couldn’t get audio working in my market. The developer says it works where he is, so it may depend on local conditions. Encrypted ATSC 3.0 broadcasts don’t work at all, as expected, since they remain restricted by broadcasters.

I also tested the app on my iPhone, where it works similarly to the TV version, and on an Android TV device. The Android build currently supports only HDHomeRun sources and feels a bit slower on lower-end hardware. My Nvidia Shield had trouble running it, locking up during tests, while Walmart’s Onn 4K box handled it more reliably, even if it didn’t feel quite as fluid as the Apple TV.

The free demo gives you three fifteen-minute sessions along with the ability to watch a single channel without limits. For anyone trying to follow several games or events at once, the app offers an interesting option to experiment with.

You can find it on the Apple App Store here and the Google Play Store here.

Why Are People Scalping the Kodak Charmera Keychain Camera?

admin — Fri, 05 Dec 2025 12:49:08 +0000

Blind-boxes are all the rage, something usually reserved for collectible toys like Labubus rather than electronics. But now Kodak, or rather a Kodak licensee, has jumped into the fray with a blind-box keychain camera that actually works!

Check it out in my latest Gadget Picks Channel review.

I ordered one months ago at B&H out of curiosity (compensated affiliate link), and it finally arrived this week. The first surprise was how small it was. It feels closer to a toy than a traditional camera, with a color and design you won’t know until you open the box. I happened to get the one I was hoping for, which matched the artwork right on the packaging. There are seven designs in all, with a “rare” variant being a transparent version.

The specs set expectations pretty quickly. The sensor sits at around 1.6 megapixels, and the camera comes without an SD card, though it does accept cards up to 128GB. It stores only two photos internally, so an SD card is essential if you plan to use it for more than a quick test. The back screen is tiny and offers only a few basic modes: photos, videos, and some built-in filters and frames that vary depending on which design you unboxed. Navigating the menus is simple enough, and taking a photo triggers a little mechanical-style snap sound.

The results look like something out of the late 1990s. The images immediately reminded me of my first Kodak digital camera from 1997, which also hovered around a megapixel. The look is soft, noisy, and decidedly retro, which might actually be part of the appeal for some buyers. The frames and overlays add a novelty factor, especially the one tied to the specific model I received.

Video is where things really fall apart. It records at 1440×1080 in a 4:3 aspect ratio, but the footage is jumpy and lacks any stabilization. The audio is thin and the overall experience feels more like a proof of concept than a practical feature. Still, it technically works, and some people may find charm in the limitations.

The Charmera sells for about thirty dollars at retail, although that price doesn’t mean much at the moment. Supply is tight and scalpers have pushed resale prices well beyond what the camera delivers.

I’m putting this one over on my Gadget Picks Channel, where odd little items like this tend to show up. If this is the kind of thing you like stumbling across, you’ll probably enjoy whatever shows up next—there’s always another curiosity around the corner.

Plex on the Steam Deck (sponsored post)

admin — Fri, 05 Dec 2025 12:37:00 +0000

I’ve done a lot with Plex over the years, but never have I run it on my Steam Deck. Since the device is effectively a handheld Linux PC, it’s possible to run the full Linux Plex desktop application on it and access media the same way you would on a computer.

In my latest monthly sponsored Plex video, I step through installing and running both the Plex and Plex HTPC clients and demonstrated them running on the Steam Deck.

The process starts in the Steam Deck’s desktop mode rather than its usual gaming interface. From there, I went into the Discover app store, searched for Plex, and chose the desktop version instead of the HTPC edition initially.

The desktop app supports media downloads for offline viewing, which the HTPC version doesn’t, so it made more sense for someone planning to take content on the go. After installing it, I found the app under the multimedia section, signed into my Plex account, and confirmed everything worked.

To integrate Plex into the handheld’s regular Steam interface, I opened the Steam client in desktop mode and added Plex as a non-Steam game using the little plus icon at the bottom of the library interface. Once added, I rebooted back into gaming mode, and Plex appeared in the library under the non-Steam tab. I wasn’t able to make the icon show up properly, though I’m sure there’s a method tucked away in the settings somewhere. Even without the icon, the app launches like any other game.

Running the desktop version inside gaming mode takes a little control adjustment. The trackpads can work as a mouse, and Steam’s controller templates can remap the controls however you want. I set mine to a simple mouse-only profile, though the touchscreen works too. Navigating Plex this way feels natural enough, and the download option appears just as it does on other desktop platforms for Plex Pass users. My Steam Deck is one of the originals that doesn’t have an HDR display, and with only a 720p resolution, it makes sense to choose smaller download sizes when storage is at a premium.

Playback was smooth in my testing. A 4K Blu-ray rip of Jurassic Park—a Dolby Vision disc—played back without issue over my LAN, tone-mapped appropriately, and looked fine on the Deck’s display. Local network streaming especially felt quick and responsive. As a client device, the hardware seems more than up to the task. I wouldn’t run a Plex server on it, though; the AMD processor in the Deck doesn’t support hardware transcoding, and the whole idea of carrying a server around isn’t practical anyway. But if you wanted to do it there’s no restriction on it.

For those who prefer a TV-style layout, the Plex HTPC app installs from the same app store and works as expected. It responds quickly, though like the desktop app it requires a bit of controller mapping for navigation. The tradeoff is that it doesn’t support offline downloads. Depending on how you like to use Plex, either app may be the better fit.

What surprised me most is how naturally the Steam Deck functions as a portable media player once everything is set up. Since many people already travel with the device to play games, adding Plex creates another use case without much effort. And with all the power packed into the hardware, it behaves very much like a small PC that happens to have a built-in screen.

If you’d like more Plex topics explored in future posts or videos, feel free to suggest them. I’m always collecting ideas as I work through this series.

Disclosure: This video was sponsored by Plex, however they did not review or approve it prior to uploading.

Geekom A8 Mini PC Review

admin — Wed, 03 Dec 2025 03:14:14 +0000

It’s a new week and that means another new Mini PC review! This time we’re taking a look at the Geekom A8, a nicely compact unit built around a Ryzen 8745HS processor. Mine arrived with 32 GB of DDR5 RAM and a 1TB Lexar NVMe SSD already installed. You can find it over at Amazon (compensated affiliate link).

Check out my full review here!

The processor inside delivers eight cores and sixteen threads, enough to handle the usual mix of browsing, office work, and general multitasking without strain. It also supports up to four 4K60 displays at once, or a single 8K display.

Opening the case took a little more effort versus the A8’s competitors. When I removed the protective metal plate, one of the Wi-Fi antennas pulled loose from the radio. The Wi-Fi/Bluetooth card sits beneath the NVMe SSD, so reattaching it means removing the drive first. It would likely happen every time the system is opened, so while the RAM and storage are upgradeable, I wouldn’t plan on doing it often. The A8 only has a single NVME storage slot which is occupied by its included storage.

The build is otherwise very solid. The top and sides are metal, the bottom plate snaps back together cleanly, and the footprint is small. Port selection is decent with dual 10-gigabit USB-A ports in the front, a headphone jack, dual HDMI on the back, and two USB-C ports that can output video. One of those USB-C ports offers 40 Gbps USB4 with Thunderbolt compatibility, while the other tops out at 10 Gbps. There’s also 2.5-gigabit Ethernet, another 10-gigabit USB-A port, a USB 2.0 port for peripherals, and a full-size SD card slot.

Network performance was mixed. Wired Ethernet delivered full 2.5-gigabit speeds in both directions, but the Wi-Fi 6 connection wasn’t spectacular during testing, which is common on compact metal-cased systems.

Power draw stayed modest: around 8–10 watts at idle and up to about 90 watts under load. The included 120-watt adapter comfortably handles peak use, which may appeal to anyone looking at this as a low-power desktop or small server.

Performance in everyday tasks matched expectations. Websites loaded quickly, office workloads were comfortable, and the fan stayed effectively silent with light use. A 4k 60fps YouTube stream produced a couple of dropped frames over time, something that may be fixed through future graphics driver updates. A Browserbench Speedometer score of 23.3 put it in line with other systems using similar chips.

In video editing, 4K60 timelines with simple cuts and transitions played smoothly, but heavy effects and color grading slowed things down as expected. An eGPU could help, though pairing one with a system at this price pushes the whole setup into gaming-PC territory.

Games ran better than I expected. Cyberpunk 2077 at 1080p on low settings hovered between 45 and 50 frames per second in busier areas, occasionally touching 60 in simpler scenes. No Man’s Sky exhibited similar behavior, with ground performance in the mid to upper 40s and higher frame rates in space. For casual gaming, it works. Older console emulation was strong too: PS2 titles like Burnout Revenge ran at full speed in my testing.

On 3DMark Time Spy, the system scored 3,347—about the same as other mini PCs using this chip and close to some recent gaming handhelds. A 99% pass on the 3DMark stress test suggested the cooling system avoids throttling. Even under sustained load, the fan noise stayed relatively low compared to many machines in this category.

Linux support looked solid. The latest Ubuntu release detected the Wi-Fi, Ethernet, Bluetooth, video and audio hardware without issues, and 4K60 output worked as expected. Applications performed similarly to the Windows side, making it a candidate for a Linux desktop or light server.

After spending time with the unit, I liked its size and overall build quality, even if the antenna placement complicates upgrades. The performance is strong for the form factor, the thermals are handled well, and Geekom backs it with a three-year warranty and a 90-day money-back guarantee.

Disclaimer: Geekom sent this Mini PC to the channel free of charge for review. However no other compensation was received and they did not review or approve my review before it was published.

Nintendo Switch 2 Game-Key Cards Explained

admin — Wed, 03 Dec 2025 03:00:16 +0000

I picked up a physical copy of Star Wars Outlaws for the Switch 2 (compensated affiliate link) on a black Friday sale the otherday. But unlike games on the first generation Switch console that ship the actual game data on the cartridge, the Switch 2 games often ship on “Game-Key” cards that are essentially a physical key to unlock and download a digital version of the game.

You can learn more in my latest Gadget Picks channel video.

When I inserted the card, the system immediately began pulling down about 25 gigabytes of data. It’s the kind of download that takes a while, so I let the console do its thing. The card itself is still required after installation, so the game will not load or stay loaded without the cartridge inserted.

This game goes a step further, requiring an Ubisoft online login before being able to play. After logging in, I tested what would happen without connectivity. Switching the console to airplane mode triggered warning messages, but the game did eventually offer an offline mode. It’s unclear how long it will allow offline play before asking to phone home again. At minimum, it does boot and run without a network connection once authenticated.

The game itself performs better than I expected on the new Switch hardware. For a large open-world title, it feels surprisingly at home on the system.

Ubisoft has said their decision not to ship the full game on a cartridge has more to do with cartridge speed than manufacturing cost, claiming the consoles internal or SD-based storage offers faster data streaming.

Even so, they could have included the data on a cart and copied it over during installation. That would have given players a long-term fallback if the download servers disappear in the future. Recently I looked back at some digital purchases I made, with many of my purchased iPhone app store games no longer available to download.

Sometimes a simple retail purchase turns into a small investigation, and in this case it revealed another step in the slow drift from physical games to digital tokens. Not quite the future the old cartridges prepared us for, but here we are—tapping plastic to download data and hoping the servers stay alive long enough for one more play session.

One advantage a physical Game-Key allows for is selling the game when you’re done playing it. That is one thing digital store purchases do not allow for. Given how well Switch games tend to hold their value, it’s still possible to live in this new digital world while keeping some degree of transferability.

That is, of course if Nintendo keeps the download servers active well into the future.

The FPGA Retro Gaming War Kicks Off: Analogue’s “Labubu Economics” vs. Palmer Luckey’s Loss Leading ModRetro

admin — Sun, 30 Nov 2025 14:02:03 +0000

My latest video digs back into FPGA-based retro gaming hardware, sparked by the arrival of the Analogue 3D that landed on my doorstep last week.

As someone who has followed Analogue for years and bought most of their consoles as they’ve rolled out, I’ve noticed the rhythm their products follow. The devices show up, YouTube channels light up with praise, interest spikes, and there’s no stock to meet the demand.

The newest Analogue 3D console is no different. It’s a well-constructed machine that very accurately replicates the Nintendo 64 experience with modern conveniences, but like nearly everything Analogue sells, it was gone almost immediately.

Their previous systems—the Mega SG, the Super NT, the NT Mini, and even their handheld—are all unavailable, with no reliable guidance on restocking. It’s become a familiar cycle: excitement, scarcity, and the inevitable rise of inflated eBay listings.

As with Labubu collectibles, another scarce item I’ve had some dealings with (for my daughters of course), drops happen at set times, queues form instantly, scalpers scoop up a large share, and buyers who miss the window pay double or triple later.

The usual assumption is that this is artificial scarcity, but in this case the shortage may have more to do with components and Analogue’s ability to cover manufacturing costs. The FPGAs that power these consoles are in high demand across many sectors, including defense and aerospace, where their massively parallel architecture is especially valuable. That demand affects both availability and cost.

When a company like Analogue is already producing hardware with expensive metals, premium plastics, and custom manufacturing, it’s easy to see how difficult it becomes to scale production without taking a loss – especially with volatile costs of the raw materials making holding inventory a risky endeavor. Even so, the limited customer base for FPGA retro devices also shapes how companies approach supply. These aren’t mainstream gadgets, and for many people, emulators, Switch Online libraries, or even original hardware are good enough. The buyers who care about fidelity and accuracy are passionate but small in number.

That’s why the arrival of ModRetro has captured so much attention. Their first device, the Chromatic (compensated affiliate link), is a Game Boy-style handheld built from magnesium with an optional sapphire screen. It’s over-engineered in ways that resemble Analogue’s philosophy, but what sets it apart is that it’s actually in stock. You can check out my review of it here.

The company is also preparing an FPGA-based N64 clone called the M64, with a controller designed to emulate the original’s feel. ModRetro’s founder, Palmer Luckey, has made it clear that he approaches these products as passion projects rather than profit centers. His resources give him access to supply chains most companies can’t tap, especially given the FPGA needs of his current day job, a defense contractor startup called Anduril. That may allow ModRetro to maintain consistent inventory where others can’t, shifting the dynamic of this small market.

Other options are emerging for people trying to enter the FPGA space without playing drop-day roulette. The MiSTer project remains one of the most flexible and capable FPGA platforms available, covering everything from the PlayStation and Saturn down to early arcade and computer systems.

But even Mister hardware and accessories are caught up in the same supply issues. Some vendors are sold out not only of their core boards but also the add-ons required to run the cores effectively. But there are some promising alternatives that can get a fully functional FPGA system into your hands without having to play games to get one.

The Mister Multisystem 2 offers a more accessible path even though it too is currently out of stock. The Multisystem makers have an ongoing production strategy and a queue-based shipping system that doesn’t require watching a countdown clock.

Taki Udon’s upcoming SuperStation One blends Mister functionality with a PlayStation-focused form factor. Taki collects orders in batches and ships them following production. Currently the SuperStation One is taking orders for a batch that will ship in the first quarter of 2026.

Analogue now faces pressure from multiple directions. Their high quality products continue to attract attention, but scarcity and unpredictable restocks leave buyers discouraged, and a community this small notices quickly when a company seems unresponsive.

Enthusiasts increasingly recognize that a MiSTer setup costs less, does more, and isn’t tied to hype-driven scarcity. With new systems from ModRetro and Mister-based makers on the way, the market is likely to become more competitive. I have several of these systems on order myself, so there will be more reviews coming as they arrive. For now, the retro FPGA landscape is shifting, and companies that want to stay relevant may need to rethink how they balance demand, supply, and the patience of the people who want to support them.

Testing the New Analogue 3D FPGA Nintendo 64 Console with Flash Cartridges : SummerCart64 & Everdrive

admin — Sat, 29 Nov 2025 02:11:09 +0000

I finally got my Analogue 3D this week, a system I ordered more than a year ago. If you haven’t encountered it yet, it’s a modern FPGA recreation of the Nintendo 64 meant to run original cartridges with clean output on current displays. These consoles tend to ship in limited runs, and once they’re gone, they’re usually gone for good, so I jumped on this one when preorders first opened.

Because much of the early coverage focused on its features, I wanted to do a bit of a deeper dive on compatibility questions, especially around flash cartridges. I brought out my older EverDrive 64 and my SummerCart64 I reviewed recently.. I also tested a BlueRetro Bluetooth adapter designed for original hardware to see how far I could push the Analogue 3D beyond standard carts.

You can see it all in action in my latest retro video!

To set a baseline, I first tried everything on an actual N64. The EverDrive behaved as expected: it loaded a homebrew title called Sticks from its SD card, saved progress correctly, and performed normally across a few commercial games. The SummerCart64 worked too, and I was able to run F-Zero X alongside its 64DD expansion disk. And my Bluetooth mouse worked through the BlueRetro adapter when I loaded up the Mario Paint 64DD title. Nothing surprising there.

On the Analogue 3D I tried the EverDrive first. The system simply didn’t see it, even after reseating it a few times. This older V2 Everdrive64 hardware appears to be a dead end for now. Newer EverDrives have already received a firmware update that adds compatibility, although those updates have to be applied using an original N64. But in my case the older Everdrive cart will likely not work at all.

The SummerCart, on the other hand, worked perfectly. The menu appeared, games booted, and saves from Wave Race 64 wrote correctly to the SD card. From there I tested the 64DD functionality, loading the F-Zero X expansion image the same way I did on real hardware. It launched, loaded its special tracks, and ran without issue. Given that this setup pushes accuracy and timing quirks pretty far, seeing it work at all was encouraging. The homebrew game loaded without issue and the BlueRetro mouse features worked just fine too.

There are a few quirks worth noting. The Analogue 3D treats the Summer Cart as a single “game,” which means display settings don’t persist per title the way they do when you insert individual cartridges. The Analogue 3D has a number of per-game settings that can be adjusted including scanlines, video processing and overclocking. But because it sees the SummerCart as a single title, you’ll need to adjust those settings each time you load a game.

Based on what we’ve seen with other Analogue products, it’s likely that an unofficial “jailbreak” firmware will eventually allow SD-card game loading directly through the console’s SD card slot. That has happened with nearly every device they’ve released. If that occurs here, it may open up broader compatibility and more options for people who don’t have a full library of cartridges.

Now that I’ve had some hands-on time with the system, I plan to hang onto it while waiting to see how the firmware evolves. I also might take a fresh look at the rest of the Analogue hardware I’ve collected over the years—each one has effectively become a short-run collector’s item.

About That NAB “Keep Football on Free TV Ad”

admin — Tue, 25 Nov 2025 04:02:14 +0000

Some viewers have been seeing an ad during football games urging viewers to text a number to “keep football free,” and after looking into it more closely, it became clear that what’s happening here isn’t what the ad suggests.

The spot positions itself as a warning about streaming services taking football away, but the goal appears to be getting fans to send form emails to Congress in support of loosening broadcast ownership rules. That effort benefits the large corporations that own most local stations, not the people watching these games.

In my latest video I take you through a number of misleading statements the broadcasters are using to trick football fans into their astroturf advocacy campaign.

The ad frames streaming platforms as the cause of rising costs, but the broadcasts featured on Prime Video, Netflix, and YouTube TV are still produced by the major networks. NBC produces the Thursday night games for Amazon. CBS Sports produced the Christmas Day game that ran on Netflix. The Super Bowl that aired in 4K this past year on YouTube TV came from Fox’s production. These aren’t original productions from the streamers. They’re network broadcasts delivered by different means, often using the same crews, the same equipment, and in some cases even the same production partnerships that handle network television.

The reason networks are turning to streaming platforms versus their local broadcast affiliate partners seems tied to the economics of local broadcasting. As cable and satellite subscribers have cut back due to ever increasing costs, local stations have leaned heavily on retransmission fees from pay-TV services. Those charges have steadily risen, and they show up whether someone watches over cable, satellite, or a streaming bundle. My own cable bill before I dropped it climbed from about $33 in local TV fees last year to over $38 this year. That pattern has repeated across the country. As more customers leave cable, the fees for those who remain increase to compensate. Not a very good economic model!

At the same time, many broadcasters have been signaling that the new ATSC 3.0 television standard gives them the flexibility to charge for some over-the-air channels. They would still provide one free stream, but additional channels could become paid offerings. This isn’t speculation; companies like Sinclair have stated this directly in filings with the FCC.

Alongside that, stations have begun encrypting these new signals and limiting how viewers can access them. Devices like the HDHomeRun, which let people stream over-the-air channels around their homes, are blocked unless the manufacturer receives permission from the broadcasters. Approved devices must remain directly connected to the antenna and TV, disabling features that consumers have taken for granted—such as in-home streaming or out-of-home access while traveling. Even emergency information could become harder to receive if these encrypted signals can’t be freely tuned.

When viewers text the number in the ad, they’re funneled to a site that collects their personal information and sends a pre-written email to Congress and FCC commissioners. That email can’t be edited and specifically pushes for relaxed station-ownership limits. Those limits exist to prevent any one company from dominating local markets, but in recent years large groups have been consolidating anyway.

A pending deal between Tegna and Nexstar would knit together two already sizable owners into one of the largest station groups in the country. Sinclair’s footprint is similarly extensive. The larger these conglomerates become, the more likely they are to merge or eliminate local newsrooms, centralize weather coverage, or replace market-specific reporting with generic content produced elsewhere. Examples of these changes are already visible, from stations reducing local newscasts to companies experimenting with centralized anchorless news segments or attempting to replace entire meteorology staffs with feeds from national services.

The ad’s promise of protecting free football doesn’t reflect what’s actually happening. If anything, consolidation and encryption will make TV more expensive and less accessible.

The one area where the public still has leverage is the ongoing FCC proceeding on broadcast encryption. This is the moment where viewers can register their concerns about how restrictions on recording, streaming in the home, and traveling with content could affect them. Anyone interested in that process can find resources on how to file comments and understand the issues at stake.

There’s a flag down on this play, and it’s worth taking a closer look at what these campaigns are really asking viewers to support.

Time to File! The FCC’s Next ATSC 3.0 Comment Period has Begun

admin — Sun, 23 Nov 2025 12:42:19 +0000

This week, the FCC’s recent ruling became official as it’s now published in the Federal Register. This means that the 60 day comment period begins today.

As I note in in my latest video, there isn’t as much for the public to respond to as there was before. The broadcasters, however, have a lot to answer in regards to how they’ve been handling the DRM situation. More on that here.

Tyler the Antennaman and I are recommending that if you decide to submit written testimony on the docket to include photos of yourself along with the encryption messages you’re receiving when trying to tune DRM protected content. This can come from either your HDHomerun device or some of the other ATSC 3.0 tuners that require an Internet connection. You can see an example based on my filing here. Here’s the photo that I embedded.

One thing I noticed is that the FCC accepts Powerpoint files on the docket that are under 100MB in size. You could embed videos in a Powerpoint presentation in addition to photos.

Before you file, be sure to check out the Antennaman’s latest video about sticking to the facts and submitting information that can be of use to the commission. In my video, I have a step-by-step guide for filing documents on the FCC docket.

You can find the FCC’s electronic filing system here.

More to come. I’ll be monitoring the docket and will let you know when we need to respond to falsehoods.

Budget Roku Project Review: Aurzen D1R

admin — Sun, 23 Nov 2025 12:39:10 +0000

I recently spent some time with what is now the second Roku-integrated projector to hit the market, a lower-cost model from the same company that produced the first. This one does much of what the earlier one did, it comes in at a lower price (compensated affiliate link) and with a few compromises.

You can check it out in my latest review!

The most noticeable difference is brightness. At around 280 ANSI lumens, it’s dimmer than the already-modest output of the more expensive version, which means it really needs a completely dark room to look its best. In a typical office environment with lights on, the image was barely visible, so blinds and darkness are key to making this unit workable. Once the room is dark enough, the image looks similar to the brighter model, suggesting the optics are largely the same.

Aside from brightness, the cuts are mostly in audio. The built-in speakers are small and thin-sounding, especially compared with the fuller audio on the company’s higher-end projector. For a movie night, plugging in external speakers through the headphone jack would be a better approach. The projector does at least preserve the connectivity of the earlier version: a USB port for media files, HDMI for external devices, and full access to the Roku TV environment, which includes Netflix and other mainstream apps with no restrictions.

Gaming wasn’t a strong point on the previous model and it isn’t here either. Input lag measured is among the worst projectors I’ve tested and is too slow for twitchy games and noticeable even in “game mode.” For slideshows or basic non-interactive content, that lag doesn’t matter much, but anyone considering it as a budget gaming display should temper expectations.

The experience of its built-in interface feels familiar if you’ve spent time with any Roku TV. It’s responsive enough, similar to Roku’s lower-end streamers, and apps like Netflix and YouTube performed normally delivering 1080p visuals and decent performance at 60 fps on YouTube.

The projector also carries over some conveniences from the earlier model, including autofocus and auto-keystone each time it’s moved or powered on, with manual adjustments available in the settings. There are no physical adjustments, however, it’s all done via software. Casting support is broad—YouTube casting works as expected, AirPlay functions nicely with iPhone and Mac, and I was even able to run a Keynote presentation using dual-display mode, with presenter notes on the phone and slides on the wall. Miracast works too, giving Android and Windows users options. The Roku mobile app adds private listening, a better on-screen keyboard, and shortcuts into apps or titles.

All of Roku’s usual privacy toggles are here as well, and by default they’re switched on. Automatic content recognition, in particular, is worth disabling if you prefer not to have HDMI input fingerprinted for advertising data. A few settings pages take care of that, and it’s something worth doing on any Roku TV device.

As a budget projector with Roku built in, this model delivers what it promises. It runs mainstream apps reliably, produces a watchable image in the right environment, and includes the Roku conveniences people are used to. It’s not bright enough for daytime use without dark room conditions, and it’s not a gaming display by any stretch. But with expectations set accordingly, it fits the niche it aims for.

See more projector reviews here!

OhSnap Mcon Review

admin — Thu, 20 Nov 2025 13:39:01 +0000

My review the new Ohsnap Mcon game controller is another one that YouTube has chosen not to put in front of you. But as a subscriber to this email list you now know about it! :).

You can find the Mcon at OhSnap at this compensated affiliate link. It will automatically apply a discount.

It’s built around a MagSafe-style magnetic mount, so the phone snaps onto a metal plate on the controller and it then snaps out to reveal a compact game controller. The first thing that stood out when I tried it was the release mechanism on the back. Pressing the button sends the spring-loaded section shooting out with more force than I expected. It doubles as a protective shell when closed, which makes it easier to toss into a bag without worrying about damaging the sticks or buttons.

The layout is familiar but it’s scaled down for portability. The analog sticks sit recessed into the body and use Gamesir magnetic sensors that are similar to hall effect designs. They controlled better than I expected, with firm tension and smooth travel, though there’s a gap that opens during full movement where dust could get in. The triggers also use hall effect sensors, and the shoulder buttons feel standard for a compact controller. The D-pad uses individual buttons rather than a rocker, which made errant diagonals more common in games that require precision. For more forgiving titles it wasn’t as noticeable, but it’s something I noticed right away.

One of the more flexible features is the removable top plate, which detaches with an eject button and turns it into a phone stand. With the plate off, the controller acts like a traditional gamepad.

The mounting plate allows for vertical phone mounting by sliding the magsafe mounting plate off. This is perfect for emulating retro “tate” games that had their original CRT monitors mounted sideways.

I tested the controller with several devices. An iPhone identified it as an Xbox controller and worked over Bluetooth and USB-C. Android phones, tablets, and a TV box paired without issue. It connected to a PC easily, though adjustments in muscle memory were needed for games I typically play with a larger controller. The triggers feel more like shallow shoulder buttons, and camera control required lighter movements than I’m used to. There is no rumble motor, so games that rely on haptics won’t provide feedback. The Switch and Switch 2 didn’t pair at all despite marketing language suggesting compatibility, so that may depend on a future firmware update.

Latency was tested by recording inputs at high frame rates, and USB-C delivered response times similar to other current wired high poll rate gaming controllers. Bluetooth on a gaming laptop didn’t add much latency. But devices with slower bluetooth controllers (usually found on phones and tablets) might introduce more latency.

The Mcon’s portability stands out more than anything. The folding design protects the hardware, and the extendable handles help offset the weight of the phone during play. The detachable top plate gives it some versatility if I need to switch from mobile to desktop use quickly. There are trade-offs in control size and precision, especially with the D-pad, and some small build quirks showed up on the early unit I received. But after using it across devices and different types of games, it fits into the category of controllers that aim to travel well while still feeling reasonably familiar.

Testing a controller always comes down to whether I can forget about the hardware and just play. This one didn’t disappear entirely, but after a little adjustment, it settled into something workable. And once I got used to that unexpectedly aggressive spring-loaded pop, I stopped flinching every time I opened it.

See more game controller reviews here!

Disclosure: Ohsnap sent the Mcon for review free of charge but no other compensation was received. They did not review or approve my content before uploading and all opinions are my own.

Cracks in the Over the Air TV DRM Cartel?

admin — Wed, 19 Nov 2025 12:15:17 +0000

I’ve been following the fight over the encryption of broadcast television for a while now, and the past couple of weeks have revealed some meaningful shifts in how parts of the industry are talking about it. What began as an effort by the largest broadcasters to impose full encryption on their signals—making it harder for people to watch and record over-the-air television the way they do now—has moved into a phase where even some of the people who helped build the system are beginning to question whether it’s the right path forward.

You can learn more in my latest ATSC 3.0 update.

The FCC’s pending public comment period is still waiting on publication in the Federal Register, but in the meantime I’ve been watching the trade press. One notable development is SiliconDust becoming an official ATSC 3.0 certificate authority. This isn’t a replacement for A3SA’s DRM system, but it does give broadcasters an alternative for the broadcast identification certificates that 3.0 will eventually require. It’s another sign of how fragmented and privatized the standard has become—functions that once sat squarely with the FCC now depend on private bodies asserting control, and smaller stations are looking for options that don’t leave them answerable to a handful of major corporations.

Then there’s the more direct crack in the wall: an op-ed from Fred Baumgartner, a former Sinclair executive who helped lead their NextGen TV implementation. He’s now arguing that encryption should be paused. He describes the rollout as abrupt, poorly communicated, and alienating to early adopters—many of whom discovered their new TVs and receivers couldn’t display encrypted 3.0 broadcasts at all. He also points out that encryption shifts broadcasting away from what it has been for decades, turning it into something closer to narrowcasting. Coming from someone who helped architect the system, it’s a notable departure.

Sinclair’s current leadership didn’t let that stand unanswered. Sinclair VP Mark Aitken responded in a follow-up piece, insisting that encryption doesn’t hinder access when “properly implemented,” a phrase that glosses over the very real fact that devices already in people’s homes cannot tune these encrypted broadcasts. Aitken also frames “free unencumbered access” as applying only to a single primary channel—essentially signaling that everything else could move behind a paywall. It’s hard to see how that squares with why people use antennas in the first place, especially those who cut the cord to avoid paying retransmission fees.

Baumgartner doubled down in a second response, saying he has tried and failed to articulate a scenario where the benefits of encryption outweighed the downsides. He also warned that the approach invites regulation, a point the FCC itself has raised as it asks broadcasters to justify why encrypted over-the-air signals are appropriate in a system designed to serve the public. That debate will continue once the comment window opens, but it’s already clear that consensus is faltering inside the industry itself.

As for what happens next, I’m planning to submit my own filing once the comment period officially begins, including photos of the devices in my home that can no longer tune freely available broadcast channels because of encryption. Many people submit only text, but showing the real-world impact could help contextualize what’s happening. These public airwaves belong to everyone, and documentation from the people affected is part of what keeps the process grounded.

There’s still a long way to go, but seeing industry veterans rethink their stance—and watching the FCC press for answers we’ve been asking for—feels like a shift. It’s not final, and it’s not enough on its own, but it’s movement.

I’ll keep an eye on the Federal Register and on the broadcasters who seem to be discovering that the path they set may not be as defensible as they once thought.

The Modretro Chromatic is a Modern Gameboy / Gameboy Color Handheld Powered by an FPGA

admin — Sun, 16 Nov 2025 13:00:22 +0000

In my latest video that YouTube is not showing to my subscribers, we take a look at the ModRetro Chromatic – a modern handheld that plays the full library of Game Boy and Game Boy Color cartridges. It even ships with a modern version of Tetris that company published and released on a physical cart.

Priced at $199 (compensated affiliate link), this is a definitely a premium device for gamers of a certain age, but its features and build quality justifies its price tag in my humble opinion. If $199 wasn’t enough, there’s a version with a sapphire glass screen that costs $299. But given what I’ve seen with the base model, the sapphire one is overkill.

The build is all metal, something you feel right away in the weight and feel of it. It’s sturdier than the original Game Boy hardware ever felt. The layout mirrors the Game Boy Color closely, though I ran into some accidental diagonal inputs on the D-pad. The firmware includes an option to disable diagonals, and once I did that, games like Tetris behaved much better.

The display is a super low-resolution 2.56-inch IPS panel running at 160×144. It’s so low-res that the pixels are clearly visible at normal viewing distances. That isn’t a flaw—it recreates the “dot matrix” look of the original hardware in a way software filters don’t always get right. Even though the screen is modern and backlit, it carries forward that dot-matrix character. Audio comes through a surprisingly loud speaker, controlled by a physical volume wheel that allows for quick adjustments without diving into menus. There’s also a link port for multiplayer with another Chromatic, a Game Boy Color, or potentially even an Analog Pocket when running compatible games.

Power comes from three included AA batteries, though an internal rechargeable pack is available. The battery door is metal as well, maintaining the overall build quality. On the bottom edge there’s a headphone jack and a USB-C port, and the USB-C implementation is more versatile than I expected. It can power the device, charge the optional battery pack, update firmware for both the console and Chromatic cartridges, and back up save data from both Chromatic cartridges and original battery-backed Game Boy carts. It also outputs video over USB as a standard webcam device with essentially no latency, making it easy to capture gameplay in OBS or other recording software. You do need to be plugged in to record—there’s no internal capture option.

But returning to a time of physical games and cartridges is really the point here. I dropped in some old favorites, including my three decade-old and well-traveled copy of Solar Striker, and the games behaved just like they do on a Game Boy Color. Anything beyond that lineage, like Game Boy Advance games, isn’t supported because this is a strict Gameboy Color hardware replica built around an FPGA. That’s similar in concept to the Analogue Pocket, but the focus of the Chromatic is entirely on the Game Boy and its Color successor.

When I plugged in an old copy of Qix that my dad brought back from Japan years ago, the Chromatic behaved like a Game Boy Color would. It selected a color palette on its own, and I could flip through other palettes in the sidebar menu, including faithful recreations of the Game Boy and Game Boy Pocket color palletes. The effect is especially convincing given the low-resolution screen. The settings menu also includes display tweaks like frame blending, which helps older games look a bit more like they did on the original slow-refreshing LCD, and options for brightness, audio, and various system indicators.

What’s neat is that the packed in Tetris cartridge works on original hardware too. I tested it on my twenty-seven year old Gameboy Color and it played perfectly including loading the save game file. It’s part of a small but interesting lineup of reissued and newly published cartridges ModRetro is selling for the platform.

Because this is a hardware-accurate device and not an emulator, it doesn’t load ROMs or offer save states by default. But flash cartridges work, including my older EverDrive GB. Games, ROM hacks, and homebrew all loaded without issue, and newer flash carts with save-state support should work as well.

Palmer Luckey, who founded Oculus, is behind the Chromatic project, and the choices here clearly lean toward preserving a very specific look and feel. For people who want a faithful Game Boy or Game Boy Color experience with modern conveniences, that’s the appeal. For people looking for more flexibility, other devices open up a wider range of systems and features.

There are plenty of alternatives depending on what you’re looking for. Original hardware can be outfitted with modern IPS screens for less money. There are build-it-yourself FPGA handheld kits that deliver a similar experience. And for a little more than the Chromatic, the Analogue Pocket offers a much broader range of supported systems along with SD card loading and community-developed cores. Its display is much higher resolution, which is great for versatility but changes the visual character of Game Boy games unless you apply a software-based dot-matrix filter.

As someone who grew up with these games, it’s been interesting to watch this whole ecosystem of new hardware, flash cartridges, and reissued carts evolve. Some of it improves on the original experience, some of it like the Chromatic leans into preserving quirks, and I seem to be slowly collecting all of it!

See more retro gaming videos here.

Easing USB-C Cable Confusion with Testing Devices!

admin — Fri, 14 Nov 2025 12:23:28 +0000

USB-C has been with us for over a decade now, and we have ten years worth of confusion to show for it. Two cables might appear identical, yet one will push 40 gigabits per second and 240 watts while another barely manages USB 2.0 speeds and 15 watts. Often there’s no marking, no clue, and no real way to know what a cable can handle until it fails at an inconvenient moment.

That’s what pushed me to pick up two cable testers from Amazon, one inexpensive and one considerably more advanced to get to the bottom of what’s tangled up in my rats nest of USB-C cables.

Check it out in my latest video.

The simpler of the two, from a company called Treedix (compensated affiliate link) lights up its board with pin-by-pin results. It works, but it asks you to know USB-C well enough to interpret what each light means. The more expensive unit, called the CaberQu (compensated affiliate link), offers a cleaner readout with data rates, supported modes, power levels, and even cable health. It also identifies the manufacturer and can sync its results to a mobile app. That turned out to be surprisingly useful for labeling cables and keeping track of what each one can actually do.

Running different cables through both testers made the differences obvious. A cable that was labeled at 40 Gbps and 240 watts really did meet those specs. Another cable that looked nearly the same topped out at USB 2.0 speeds and only 15 watts. One of my mystery cables supported 100-watt charging but only USB 2.0 data. These testers don’t stress-test power delivery, but they do verify what the cable is built to handle.

The testers didn’t always agree on Thunderbolt 3 cables, though—the CaberQu consistently read them at 20 Gbps when they should be twice that. My Mac reports 40 Gbps when I use them, so I’m chalking that up to a firmware quirk.

USB-C isn’t the only thing these tools can handle. The Treedix tester accepts USB-A and USB-B connectors too, and it confirmed the performance markings on several older cables. I even fed photos of the indicator lights to an AI model, which interpreted the pinouts pretty accurately—useful for anyone who doesn’t want to memorize USB diagrams. CaberQu’s makers tell me that USB adapters can be used on their product for older cables.

USB cables aren’t required to go through a certification process the way Thunderbolt cables are. A Thunderbolt cable must be certified to carry the logo. USB cables do not, though USB-IF is beginning to roll out an optional certification process. That means plenty of cables on the market claim capabilities without a third party ever confirming them.

After working through my collection, I’m glad to see tools like these that can remove a lot of uncertainty around USB-C. But the fact that we need tools like this underscores just how consumer-unfriendly the USB standard has become.

HyperMecaTech Super Pocket Review – Evercade Compatible Handhelds

admin — Fri, 14 Nov 2025 12:00:45 +0000

My latest Gadget Picks channel review is of a pair of retro-themed handhelds called the Super Pockets, which come from the same folks behind the Evercade ecosystem. Amazon has these in stock along with Evercade cartridges (compensated affiliate link).

You can see my review here.

The two units I looked at were the Neo Geo and Capcom editions, each loaded with a set number of arcade titles. The Neo Geo version includes 14 games and the Capcom one has 12, and both are designed to be self-contained devices that can also accept Evercade cartridges. The built-in games aren’t removable, and the spacer in the shell is just a bit of plastic, but physical Evercade carts (affiliate link) work the way they do on the other devices in the line.

Each model looks different and comes with different games, but the underlying internals are the same. They use a 2.8-inch IPS display with a 4:3 aspect ratio and a 320×240 resolution. It’s a small screen but sharp and responsive, and input lag didn’t stand out as an issue. They’re compact units overall, and I found the ergonomics a little tight. The main buttons and D-pad are fine, but the rear buttons required by some of the Capcom fighters can feel cramped.

Capcom Game Selection

Most of the fun comes from the quality of the included libraries. The Capcom device brings in well-known arcade staples along with a few titles that required some creative control mapping, like Forgotten Worlds, which originally used a spinner. The Neo Geo model includes Metal Slug X among other familiar names. Not every title you might expect is here, and that may matter if you’re looking for a specific favorite, but the mix covers several genres and feels thoughtfully selected.

Gameplay is handled through a menu system that lets you create and load save states. From there, switching between games is quick. Getting out to the main launcher gives you a clean grid of the available titles. As was the case with the original cabinets, some games like Metal Slug still exhibit the slight slowdown they were known for, which feels true to the era.

Neo Geo Game Selection

Battery life is modest at around four hours, though the devices can run off USB-C power or an external battery. There’s a 3.5mm headphone jack, and no wireless or online features to worry about. Firmware updates are possible, but at the moment only through Windows and only when tethered to a PC. Out of the box, there’s no account setup or onboarding—just switch it on and start playing.

I also tried the Evercade cartridges they sent along. Each comes in a plastic case with artwork and a small manual inside, and the carts slide into the back of the handheld similar to a Gameboy. To access cartridge games, you quit back to the main menu, open the Evercade section, and let the handheld read the cart. From there, the titles load and function the same as the built-in ones, complete with save states and quick access to control instructions. Elevator Action and Operation Wolf were on the two Taito cartridges I tested. Operation Wolf originally used a mounted Uzi-style light gun, so the D-pad-controlled reticle takes a little mental adjustment, but the gameplay is intact.

These handhelds aren’t open platforms and don’t have an established jailbreak, so you’re limited to the built-ins and whatever Evercade cartridges you add. For casual pick-up-and-play sessions or for someone who has a soft spot for specific Capcom or Neo Geo titles, they are similar to other licensed mini collection hardware devices.

The difference here is the ability to expand them a bit with physical carts, which seems to be a large part of Evercade’s appeal. Collectors get something tangible, and the devices themselves remain simple and offline.

Disclosure: The handhelds and cart were sent to the channel free of charge by the manufacturer. However they did not review or approve this content prior to uploading and not other compensation was received.

The FCC Vote on ATSC 3.0 Opens a New Comment Period on DRM, Tuner Mandates

admin — Tue, 11 Nov 2025 11:59:01 +0000

For the past couple of years, viewers like us have been urging the FCC to rein in broadcasters who want to lock down free antenna signals with encryption. These broadcasters would prefer you watch through paid services that generate retransmission fees, but many of us have been pushing back to preserve the ability to view and record free local TV as we always have.

In my latest video, I talk about a recent vote the FCC took on moving to the next step of the process which includes a significant focus on DRM.

Back in August, Tyler the Antenna Man and I visited the FCC to deliver those concerns in person. A few weeks ago, the commission released a draft order that reflected much of what we presented. The document included serious questions for the industry about how they’ve been handling DRM under ATSC 3.0 and whether their current encryption practices even comply with the Communications Act. The FCC also asked whether regulation of DRM should fall under their authority rather than a private group like A3SA as it does now, and if privacy protections and fair-use rights need to be written into formal rules rather than left to voluntary standards.

Two commissioners, Republican Olivia Trusty and Democrat Anna Gomez, acknowledged the discontent members of the general public are feeling about the ATSC 3.0 transition and committed to ensuring the public interest is a priority in future decision making.

The commissioners voted unanimously to move the process forward. While no new rules are in place yet, the order proposes ending the simulcast requirement that forces stations to broadcast in both ATSC 1.0 and 3.0, and it opens another round of public comment. Once it’s published in the Federal Register, there will be 60 days to file comments and another 30 for replies. That’s our opportunity to make sure the record reflects real-world experience—what it’s actually like trying to tune encrypted 3.0 channels when current devices can’t play them back.

I plan to continue submitting evidence that counters misleading claims from the broadcast lobby. For example, a Sinclair executive recently asserted on LinkedIn that ATSC 3.0 works on phones, tablets, and gateway devices. It doesn’t. I tested every configuration he mentioned—USB-C tuners, set-top boxes, network gateways—and none could decrypt the DRM-protected broadcasts. SiliconDust’s HDHomeRun, which he cited as compatible, has been locked out entirely from A3SA’s system. The president of Silicondust even appealed directly to the FCC for relief. When industry talking points like that appear, I post photographic proof of what consumers actually encounter: a black screen where free TV used to be.

One other example occurred on the official docket. In a filing, broadcasters reversed their position on tuner mandates. Just a few years ago they told the FCC to stay out of hardware requirements. Now they’re asking for mandatory ATSC 3.0 tuners, even though DRM complexity has made manufacturing affordable devices nearly impossible.

As the next comment window opens, I’ll share updates through an email list at lon.tv/rapidresponse and a set of instructions at lon.tv/fccinstructions for anyone who wants to participate. This FCC seems more receptive to the public than prior FCC’s, but the chairman is moving quickly, so timing will matter. When broadcasters spread misinformation, the best response is data—photos, test results, and honest firsthand accounts. That’s how we keep the record straight and make sure free, open access to local TV doesn’t quietly disappear behind a paywall.

The Disney vs. YouTube / Google Dispute Gets Even Worse..

admin — Sat, 08 Nov 2025 17:27:57 +0000

I’ve been following the latest corporate clash between Disney and YouTube, and what’s striking is how much it mirrors the cable disputes of the past—except now it’s happening in the streaming world.

I dive into what’s going on in my latest video.

If you subscribe to YouTube TV, you’ve likely noticed the fallout firsthand. Disney’s channels—including ESPN and local ABC affiliates—have vanished due to a carriage dispute. In addition to losing live television, anything recorded on the YouTube DVR has disappeared too. Those recordings were effectively part of the licensing agreement, not owned by the user doing the recording, and that license is now suspended.

The tension doesn’t stop at television. Disney has also pulled all of its movies from Google’s digital stores, including YouTube and Google Play. That means you can’t buy or rent new Disney titles there anymore. Meanwhile, Google has withdrawn from the Movies Anywhere service, a consumer-friendly platform that let users sync digital movie purchases across multiple services like Apple TV, Prime Video, and (formerly) Google Play. I’ve always appreciated that system—it offered rare flexibility in a digital landscape full of restrictions—but now, for Google users at least, it’s no longer working the way it used to.

Underneath these disputes is a deeper problem: the TV industry’s outdated economic model. There was a time when networks competed on content quality and ad revenue. Now, they rely heavily on retransmission fees—payments from cable or streaming services that carry their channels. As customers cut the cord to escape rising costs, networks have responded by hiking prices even more, a cycle that keeps pushing people away.

I saw it myself before I canceled cable; I was paying $35 a month just for local TV channels. Those fees have crept into streaming too—YouTube TV’s base plan has climbed from $35 in 2017 to $83 last year, and more increases are likely if these negotiations continue to go badly for streamers.

Broadcasters, rather than adapting, are lobbying for rule changes that would let them negotiate retransmission deals station by station instead of through national networks. That would almost certainly mean higher prices and more blackouts, similar to what legacy cable customers face. They’ve packaged the effort under the guise of supporting local news, but the real motive is to extract more revenue from platforms like YouTube TV. Consumers end up paying the price, both figuratively and literally.

At the same time, the broadcast industry is making over-the-air viewing less accessible. With the rollout of the ATSC 3.0 standard—also called NextGen TV—broadcasters are adding encryption that limits what viewers can record or stream inside their own homes. It’s another way of nudging people back toward paid streaming, where networks can charge retransmission fees and control access.

All of this paints a bleak picture for consumers. The fight between Disney and Google is about who gets to collect your subscription dollars, not about improving the viewing experience. While they posture in the media against each other, viewers lose access to channels, movies, and services that once worked seamlessly. I still buy physical media for that reason—Blu-rays with digital codes I can redeem independently of these shifting corporate agreements. Those discs can’t be taken away from me in a dispute.

Eventually, Disney and Google will almost certainly strike a new deal. But when they do, the outcome is easy to predict: everything will return, and it will cost more. In the meantime, it’s another reminder of how little control consumers actually have in the streaming age, and how quickly “your” digital library can turn into theirs again.

GMKTec M6 Ultra Mini PC Review

admin — Sat, 08 Nov 2025 13:42:00 +0000

The GMKtec M6 Ultra (compensated affiliate link) is a compact mini PC powered by AMD’s Ryzen 5 7640HS processor. It’s a six-core, twelve-thread chip that’s not the newest but still holds up well for general desktop and home-server use.

You can see it in action in my latest Mini PC Review.

Inside, the M6 Ultra is easy to open and upgrade. The RAM is installed in pairs—something that helps the processor reach its full potential—and it can be expanded up to 128 GB. Mine came with 32GB. There are two NVMe slots inside; one is used by the pre-installed SSD, but the other is open if you want to add storage or dual-boot a Linux installation.

The port selection is solid. There’s a front USB-C port that supports USB 4 at 40 Gbps, capable of driving an 8K display or connecting an external GPU. You get two USB-A 3 ports and one USB-A 2.0 port, HDMI and DisplayPort outputs (each supporting 4K at 60 Hz), and two 2.5 Gb Ethernet jacks. In my tests, both Ethernet ports delivered full multi-gigabit speeds, though the built-in Wi-Fi 6 radio lagged behind—fine for occasional use, but not ideal for heavy data transfers. The fan was quiet during normal use and modestly audible under load, and power draw ranged from about 13 watts idle to 90 watts at full load.

In daily use, the system felt quick and responsive. Browsing the web and streaming 4K video went smoothly with only minor dropped frames. A BrowserBench Speedometer score of 25.1 puts it near the high end for this class of device. Light 4K video editing in DaVinci Resolve was possible as long as I stuck to basic cuts and transitions.

Gaming performance landed where I expected. Cyberpunk 2077 ran at 1080p on low settings between 30 and 40 fps, while No Man’s Sky performed similarly. That makes the M6 Ultra fine for casual gaming or emulation of consoles up through the PS2 era. On 3DMark Time Spy, it scored 2,623 points—roughly in line with a GTX 1050 Ti—and passed the 3DMark stress test at 99.4 percent, indicating stable sustained performance.

The M6 Ultra ships with Windows 11 Pro but handled Ubuntu Linux without issue. All hardware was detected, and performance felt snappy, making it a strong option for anyone who wants a compact Linux workstation or home server.

Overall, the M6 Ultra fits nicely into the growing lineup of affordable mini PCs that balance price and power. It may not replace a gaming rig or a high-end workstation, but it’s capable, quiet, and flexible enough to take on just about anything you’d expect from a small desktop. I’m already thinking about where it might fit into my setup next.

The company sent the unit free of charge, but they didn’t review or approve anything before publication, and no other compensation was provided.

The Native Union Pop Phone Brings a 1970s Phone Receiver to Your Smartphone and Other Devices

admin — Fri, 07 Nov 2025 18:33:02 +0000

The other day I saw my friend Larry Hyrb, AKA Xbox’s Major Nelson showing off his Native Union POP Phone and I knew I had to get one too. It’s a telephone handset that looks like the same one my family had hanging on the kitchen wall when I was a kid. While it might look like something out of a time capsule, it’s actually built for the modern era with a USB-C connector that lets it plug into today’s phones, tablets, and computers. You can find the phone on Amazon (compensated affiliate link).

Check it out on my Gadget Picks channel!

It definitely lacks that heavy, metal feel the old ones did — this one’s all plastic, lighter, and sealed up, so there’s no unscrewing the receiver to see what’s inside. The cable is coiled like the originals but permanently attached, and there’s a single button for hanging up calls. It’s not quite as satisfying as slamming a handset onto a cradle, but if you need the full experience, you can always tap the button and smack it on the desk for good measure — just gently.

To really put it to the test, I called up Larry on a video call which you can see in the video. On my end, the audio setup didn’t cooperate perfectly, but Larry’s side of the call gave a clear sense of what the phone sounds like — surprisingly better than expected, with decent noise isolation.

We both laughed about the muscle memory that came right back — the way you naturally cradle it between your ear and shoulder or reach for a coiled cord that could stretch halfway across the house. Larry mentioned using his Pop Phone in meetings just to throw people off. Older coworkers immediately recognize it, while younger ones have no idea what they’re looking at. It’s one of those small reminders of how quickly technology moves on from something that used to be a fixture in every home.

The Pop Phone is a novelty for sure. But it’s a gag gift that’s actually pretty functional and works with just about any device that has a USB-C port.

Is Smart TV HDMI Spying Legal?

admin — Thu, 06 Nov 2025 04:19:58 +0000

After last week’s video about how smart TVs spy on users, I wanted to take a deeper look at the legalities around allowing TV manufacturers to spy on everything we watch – including what’s connected to our TVs via the HDMI port.

Check it out in my latest video!

As a recap, most televisions don’t just track what apps you use—they can identify what’s on the screen or what’s coming through the speakers, then send that data off to advertisers and data brokers. It’s all done through automatic content recognition, or ACR, and it’s completely legal because users consent to it, often without understanding they have.

When I factory-reset my Roku TV, the setup process gave me two options in regards to ACR: “Agree” or “Manage Preferences.” There was no simple “Yes” or “No.” Most people, eager to get started, are going to hit “Agree.”

If you do click through to “Manage Preferences,” you can then opt out, and Roku will still let you use its smart features. That’s more than I can say for my LG TV, which shut down all its smart functions when I declined a new privacy policy after a firmware update. I could still use connected devices, but the built-in apps were locked out until I accepted the new terms. Roku’s approach at least lets you continue using the interface, but I doubt many users go through the trouble to opt out. A real opt-in should offer a clear yes-or-no choice, not bury “no” under layers of menus.

Roku’s privacy policy itself is over a hundred pages long printed out, and scrolling through it takes several minutes. Buried in that text are all the details about how the company collects and sells data. The numbers make it clear why this is so central to their business—Roku’s recent quarterly report showed more than a billion dollars in gross profit from its platform, compared to only about $146 million from hardware. The TVs are just the delivery mechanism; you and your data are the product.

Apple has taken the opposite approach by asking users directly whether they want to be tracked across apps. The first choice shown is “Ask App Not to Track,” followed by “Allow.” When Apple rolled this out, 96 percent of U.S. users opted out, and even now most people still refuse tracking when given a clear choice. Reports from analytics firms put the current opt-in rate somewhere between 15 and 30 percent.

Looking ahead, I’m concerned about where this technology might go as AI becomes more powerful. Right now, companies say they’re only sending “fingerprints” of screen images, not the images themselves, but even small local models that can run on smartphones analyze photos in surprising detail. It’s easy to imagine a manufacturer deciding that full-image uploads could make targeting more precise and profitable.

Many viewers told me the simple answer is to keep TVs offline. I agree—that’s the easiest fix. Unplug the Ethernet cable, disable Wi-Fi, and use an external device like an Apple TV or a computer if you want streaming apps. But most consumers don’t do that. When I stopped by Best Buy recently, the salesperson said people mainly care whether their new TV supports the apps they use most. They’re connecting their sets because they want convenience, not because they’ve read a privacy policy.

If regulations ever catch up, maybe they’ll require true opt-in choices instead of manipulative prompts. Until then, the safest move is still to disconnect your television from the internet and think carefully about what you’re agreeing to.

For a good resource on taking back control, my friend Veronica over at Veronica Explained has a video on cutting these services out entirely and running everything with open-source tools. She’s got some solid ideas for handling your own streaming setup without giving away your data.

Tech Dispatch from Pepcom’s 2025 Holiday Preview Show

admin — Sun, 02 Nov 2025 02:49:56 +0000

I took a train into New York City on Wednesday to check out Pepcom’s annual holiday preview show. It’s always a little strange to see Christmas decorations everywhere before Halloween, but this event serves as an early look at the gadgets companies are hoping will land on holiday wish lists. I walked the floor to see what stood out.

Check it out in my latest dispatch video!

Withings was there showing off the U-Scan, a health device designed to fit inside a toilet bowl. It analyzes urine to track things like nutrition and kidney health. The system uses cartridges that last about three months and can identify multiple users automatically. There’s also a cleaning and charging station to keep it maintained. It’s a bit unconventional, but it’s another example of how personal health tracking keeps expanding into new spaces.

Remarkable had a smaller version of its popular e-ink tablet called the PaperPro Move (compensated affiliate link). It keeps the same minimalist design but shrinks things down to a more portable size that fits in the hand. It’s designed for people who prefer a distraction-free writing experience without the bulk of a larger tablet.

A company called Neurable caught my attention with a pair of headphones that double as a brainwave reader. The silver pads on the band are electrodes that can analyze brain activity to estimate your “brain age” and track changes over time. They’re also regular headphones, but the focus here is on cognitive health rather than just audio quality.

Xperi—better known for TiVo—demonstrated its television operating system that’s beginning to appear on Sharp Aquos TVs (compensated affiliate link) in the U.S. The interface organizes content recommendations across streaming apps, including Plex, and aims to make finding something to watch a little easier.

Kensington had a few new items, including the Expert Mouse TB 800 EQ trackball. It has adjustable polling rates, multiple buttons, and a sturdy metal design with a satisfying scroll dial. They also showed off a Thunderbolt 5 dock loaded with ports, an M.2 slot for storage, and a compact flash card reader. It’s hefty, but that makes it stay put on the desk. These aren’t shipping just yet but will be available soon at Amazon (compensated affiliate link).

Ambient was demonstrating a bedside clock called the Dreamie that encourages better sleep habits without relying on a phone. It uses light and sound cues to signal bedtime and can play white noise, podcasts, or ambient sounds through the night. A motion sensor tracks how often you get up and records environmental conditions like humidity and temperature. It’s designed to promote healthy sleep without constant screen time.

HP had a lightweight 14-inch portable display that covers the full sRGB color range. It’s bright for a bus-powered monitor and includes a magnetic cover that doubles as a stand. They also had a new version of their HyperX SoloCast 2 microphone (compensated affiliate link), a simple USB mic that’s inexpensive and aimed at beginners who want better sound for podcasting or streaming.

Another HP product on display was a League of Legends–themed Omen laptop, complete with game-inspired design details and high-end specs. It’s targeted at fans of the game who want hardware that matches their interests.

Yubico didn’t have anything brand new, but they noted that their security keys are now available in Best Buy stores (compensated affiliate link), which makes it easier for people to pick one up locally.

Nvidia was at the show too, but there was no sign of a new Shield device—just their GPUs this time.

SanDisk, however, had a few storage products on display, including an ultra-small USB-C drive that fits flush with a laptop port and can transfer data at around 400 megabytes per second. They also had Crayola-branded USB drives (compensated affiliate link) shaped like crayons, with a few colors exclusive to specific retailers like Walmart.

I also came across Napster at the show, though this version of the brand has nothing to do with music. The company is introducing a new AI service built around access to specialized AI experts. You can ask questions and get responses based on the expertise of these AI personalities, and they’re designed to perform certain tasks as well. Napster is also showing a hardware accessory that clips onto the top of a laptop and projects a 3D version of your AI assistant, adding a visual layer to the interaction. But it’s Napster in name only.

That wrapped up my walk through Pepcom’s holiday tech showcase. I’ll be back at CES in January to see what comes next. This event always feels like the calm before the storm—an early glimpse at what we’ll soon see everywhere once the holidays hit full swing.

See all of my prior dispatches (over a decade’s worth!) by clicking here!

Your TV’s HDMI Port is Spying on You…

admin — Tue, 28 Oct 2025 11:55:32 +0000

When I bought my LG OLED TV about eight years ago, I never imagined it would one day be spying on everything I watched. Like most people, I was aware that smart TVs track viewing habits for marketing purposes, but what I didn’t realize until recently is just how deep that surveillance goes. These devices actually capture images and audio from anything connected to the TV, whether it’s a game console, a streaming box, or even a home movie streamed from your phone. That information gets packaged up and sent to data brokers or used to target ads across the web.

In my latest analysis video, we dive into this issue and see how many popular brands implement it.

This kind of tracking happens through something called Automatic Content Recognition, or ACR. It works by sampling what’s on the screen, matching it against a database, and then building a profile around what your household watches. This data is also used to help marketers see how many viewers actually see their ads.

When I went through the privacy settings on my LG set after a firmware update, I discovered the TV was monitoring all HDMI inputs, not just built-in apps. And when I tried to opt out, the TV refused to let me use any of its “smart” features unless I agreed to those terms.

Other manufacturers handle it differently, though not necessarily better. Samsung buries its ACR disclosure deep in its privacy statements, and while there’s an option to disable “SyncPlus and Interactive Functions,” it’s not clear how complete that shut-off really is.

Amazon’s Fire TV–powered televisions create digital fingerprints from the shows and ads you watch, saying the goal is to verify ad impressions and “reduce repetition,” but that still means every pixel and sound might be analyzed.

Roku is the most open about its practices – and even brags about winning an Emmy for their TV spying technology – mostly because it uses that transparency to sell advertisers on the value of its data. The company even boasts about its ability to track what games are being played on connected consoles and for how long people play them.

Google TV is the biggest mystery of the bunch. There’s little public information about whether Google itself runs ACR or leaves it to each manufacturer. HiSense, for instance, admits to collecting both audio and video data through its Google TV sets. I couldn’t find any comparable details from Sony (a larger maker of Google TV sets), which suggests the fine print may only appear on the TVs themselves, hidden behind those long on-screen agreements few people read before clicking “accept.”

For anyone worried about this kind of data collection, the best defense is to treat your TV as just a display. Disconnect it from the internet and use a separate streaming box instead. I use an Apple TV for that reason—it isn’t perfect, but it’s far less aggressive about data sharing than the others. Consumer Reports maintains a useful guide explaining how to disable tracking features across most major brands, which I’d recommend checking out.

After reading through my LG’s privacy policy line by line, I was startled to realize how much of my personal life could be analyzed simply because it passes through an HDMI cable or streamed to it over my local network. The notion of “the privacy of your own home” is quickly becoming eroded by our “smart” technologies.

See more analysis pieces on my YouTube channel!

The Gen 2 ADTH Nextgen TV Receiver is Still a Mess..

admin — Sun, 26 Oct 2025 10:55:12 +0000

I picked up the second-generation ADTH ATSC 3.0 NextGen TV tuner on Amazon the other day (compensated affiliate link) to see how it performs. If you’re not familiar with it, the device lets you receive both traditional ATSC 1.0 and new NextGen TV broadcasts, including those that use DRM encryption. It can record encrypted broadcasts to an SD card, though playback only works on the box itself. ADTH also claims that a “gateway” firmware update will allow more flexibility later.

See it in action in my latest review.

What caught my attention was the box’s promise of “unconnected DRM,” suggesting it wouldn’t need an internet connection to tune in live television. The first-generation model required one, which made no sense for free over-the-air TV. So I decided to test that claim directly—no Wi-Fi, no Ethernet, just power and an antenna.

Out of the box, the tuner booted up and I was able to bypass the WiFi setup. I manually set the time and region since there was no internet connection to do it automatically. That step alone might frustrate less technical users. The channel scan found about 56 stations, and I was able to tune both encrypted and unencrypted channels without connecting online. My local encrypted CBS and NBC affiliates came through fine, confirming that offline decryption now works.

Unfortunately, HDR output was dim on my non-HDR display. There’s no option to disable HDR in the settings—just “always” or “adaptive”—and color-space adjustments made no difference. That means the firmware still forces HDR on displays that can’t handle it.

Recording worked in a limited way. I could start a recording to the SD card and even switch channels on the same broadcast frequency, but the box only supports a single tuner. Once a recording finished, I couldn’t find where it went. The “library” section that should have contained my recordings was missing until I connected to the internet and performed several beta firmware updates. ADTH is advertising DVR functionality and offline use simultaneously, but in practice, the DVR only becomes usable after downloading updates and enabling a beta mode.

After a few updates, the library finally appeared and playback worked, including for encrypted channels. It did play back those encrypted recordings when I disconnected it from the Internet. However, the software remains buggy—the interface froze at one point, requiring a power-cycle. The tuner also runs an old version of Android 11 with a 2021 security patch, making it dangerously out of date.

So, while the device technically works without the internet for basic live TV—including DRM channels—most of its useful features require network access. The HDR bug, outdated software, and rough interface make it feel unfinished. It still costs $100, far more than the $20 tuners available for ATSC 1.0, largely because of the licensing fees and development costs tied to encrypted broadcasts.

This is one of the few options that can handle NextGen TV’s DRM, but it’s hard to imagine a casual viewer getting this up and running smoothly. I’ll keep testing it as updates roll out, but this second-generation box feels like another rough draft in the long transition to ATSC 3.0.

How to Wake a Switch 2 with 8Bitdo Pro 3 or Ultimate 2 Controllers

admin — Sat, 25 Oct 2025 13:41:08 +0000

A few weeks ago I took a look at how the popular 8BitDo line of game controllers work with the new Switch 2 console. But despite the compatibility, the controllers could not wake up the console – until now.

In my latest video, I took a look at the new 2.0 firmware update for the 8BitDo Pro 3 and Ultimate 2 Bluetooth controllers (compensated affiliate links), both of which can now wake up the Nintendo Switch 2 with just a shake. This feature had been missing from earlier versions, so I wanted to go through what’s required to make it work. It does require a specific procedure, so a general pairing with the console won’t wake it up.

First, it’s important to note that only these two controllers — the Ultimate 2 Bluetooth Edition and the Pro 3 — currently support this wake function. Other 8BitDo models will connect to the Switch 2, but they can’t wake it up yet.

To get started, you’ll need to update your controller’s firmware to version 2.0 using the 8BitDo Ultimate software on your computer. Once connected via USB, the software gives you the option to update the firmware, which enables the new “shake to wake” feature. After the update is complete, the controller will reboot automatically.

Next comes the special procedure: First, make sure your Nintendo Switch 2 console is in sleep mode. Next, while the Switch 2 is asleep, put the 8bitdo controller into pairing mode by pressing the button on top until it starts blinking. Then, remove a Joy-Con from your Switch and power the console on using the Joycon’s Home button. From the main menu, go to the controller settings and select “Change Grip/Order.” At this point, press the left and right buttons on the 8BitDo controller until it pairs successfully.

After pairing, you can reattach your Joy-Con, put the Switch to sleep, and then try waking it up by turning on the 8BitDo controller and giving it a quick shake. Be sure the controller is set to Bluetooth mode rather than the 2.4GHz wireless dongle mode. On the Ultimate 2, make sure the mode switch is in the bluetooth position, and on the Pro 3, confirm that the “S” mode is selected.

It’s a small but welcome addition to these controllers, and it brings them closer in functionality to Nintendo’s own gamepads. See more of my 8BitDo videos here, and my review of the Switch 2 here!

Disclosure: 8BitDo and/or their distributor AKNES sent me these controllers free of charge. No other compensation was received, and they did not review or approve this content before it was uploaded.

MINIX Elite ER936-AI Mini PC Review

admin — Thu, 23 Oct 2025 12:05:11 +0000

My latest video review looks at the new Minix Elite ER936-AI Mini PC. It’s powered by AMD’s Ryzen AI 9 365 processor, part of the Strix line, which gives it ten cores and a surprisingly capable built-in GPU. My review unit came configured with 32 gigabytes of DDR5 memory running at 5600 MHz and a one-terabyte NVMe SSD. You can find it over at Amazon, or direct at Minix’s online store (compensated affiliate links).

I’ve reviewed a number of Minix devices before and have generally found them to be well built, and this one fits right in with that reputation. It’s designed to be easily serviceable, with a tool-less bottom panel that lifts off for access to the internals. Underneath, you’ll find an extra NVMe slot, the Wi-Fi card, and RAM slots.

The port selection is generous for a small system. There are two 40 gigabit USB 4.0 Type-C ports that can handle Thunderbolt and video output, plus multiple 10-gigabit-per-second USB-A ports, dual 2.5-gigabit Ethernet jacks, HDMI, DisplayPort, and a headphone/mic jack placed on the front. Power comes from a 120-watt adapter, and the system draws around 100 watts under heavy load but sips about 10 to 12 watts at idle. A small fan keeps things cool; it’s audible under stress but not particularly loud, and it does a good job of maintaining thermal consistency.

The system ships with Windows 11 Pro preinstalled and activated. General performance was solid across everyday tasks like web browsing and streaming, though I noticed a few dropped frames while playing 4K60 YouTube content. The machine scored 33 on Browserbench’s Speedometer test, putting it in line with other recent AMD and Intel processors. Its graphics capabilities stood out in particular. I tested DaVinci Resolve with 4K footage and saw smooth real-time playback of transitions and a noticeable speed advantage when rendering effects compared to other mini PCs I’ve tested.

I also experimented with local AI tools to see how it handled workloads beyond typical productivity. Using AMD’s GAIA and Lemonade applications, I ran a 20-billion-parameter open-source language model that utilized the GPU. It performed significantly faster than running similar models through Olama on the same hardware which only runs through the CPU. It’s not going to rival cloud-based AI tools, but the fact that it handled local LLM this well shows how far these compact systems have come. For anyone experimenting with automation tools like N8N or other LLM setups, this configuration offers a good entry point.

Gaming performance was better than expected. In Cyberpunk 2077 at 1080p low settings, frame rates hovered around 45 to 55 frames per second, dipping slightly in more complex scenes. No Man’s Sky performed even better, staying close to 60 FPS on the ground and climbing to around 80 in space. The GPU is the limiting factor, but there’s enough CPU headroom for an external GPU setup if you wanted more performance. On 3DMark’s Time Spy benchmark, the system scored 3,504, which puts it close to older desktop GPUs like the Nvidia GTX 1060 and 1650. The stress test showed stable cooling with a 99.3 percent consistency score.

Linux support was also solid. Ubuntu detected all of the system’s components, including Wi-Fi, Ethernet, and audio, without issue. With two NVMe slots, it’s easy to set up a dual-boot configuration for Windows and Linux. This flexibility makes it suitable for home server use or software testing environments where you want both operating systems available.

After spending some time with it, the Minix Elite ER936 feels like a well-balanced small form factor computer that can handle a mix of productivity, light gaming, and local AI tasks. The design is practical, it runs efficiently, and it delivers consistent performance under load.

What’s Going on With Fire TV?

admin — Tue, 21 Oct 2025 11:54:20 +0000

Amazon’s new “Select” 4k streaming stick with the new Vega OS has not been well received – especially by enthusiasts. In my latest video, we take a look at what’s going with the FireTV and why Amazon is moving away from the Android player we’ve come to know and mostly love over the last decade.

When I started covering tech on YouTube more than a decade ago, one of the earliest products I reviewed was the original Amazon Fire TV. It was a time when streaming boxes were still new and fragmented. Roku was around, but like today it was very limited in capabilities, and Apple’s TV box didn’t yet have apps. Amazon’s entry in 2014 was a surprise — an Android-based device with an interface built for television. It even beat Google’s Nexus Player, the first official Android TV device, to market by a few months.

Back then, the Fire TV felt like a meaningful step forward. Amazon had invested in game development studios and the box had decent graphics performance for casual play. You could sideload Android apps, and it was fast at launching video, caching streams so they started almost instantly. The platform was flexible, and the company was building a product that appealed to both mainstream users and enthusiasts.

Fast forward eleven years, and Amazon’s latest Fire TV device, the 4K Select, runs something entirely different. The operating system, called Vega OS, has replaced Android under the hood, but Amazon isn’t marketing it openly. It’s not mentioned on the box or in promotional materials. What’s more, this new system limits what the device can do. Apps now need to be rewritten for Vega OS, and many haven’t made the jump yet. In some cases, Amazon is actually streaming apps from the cloud to make them run on the new hardware, a workaround that shows how much compatibility has changed.

This move appears to be a shift in priorities. Vega OS likely helps Amazon build cheaper hardware with lower overhead, targeting the low-end streaming stick segment rather than the higher-performance devices that used to appeal to enthusiasts. Developers can build in React Native, which is cross-platform, but that still means maintaining another version of their app specifically for Vega. Whether streaming app makers will see that as worth the effort remains to be seen.

According to AFTVNews, Amazon is keeping Vega OS confined to the entry-level devices for now, while higher-end Fire TVs and smart TVs may move to a different system based on Android 14.

The timing of this change may have something to do with where Amazon stands in the streaming device market. Data from Pixalate shows Roku leading with about 36 percent of U.S. market share, far ahead of Fire TV’s 14 percent. Roku focuses almost entirely on delivering video streaming with a simple interface. Consumers seem to prefer that over devices that try to do more. Fire TV’s more advanced features don’t appear to be helping it compete.

Roku’s financials tell a similar story. They’ve been selling hardware at little or no profit but making nearly a billion dollars a quarter in gross profit from their platform business — most of it advertising. These devices aren’t meant to be powerful computers anymore; they’re ad platforms with remotes attached. Amazon seems to be trying that model, prioritizing simplicity and scale over capability.

Google is reportedly rethinking its own TV strategy as well, possibly moving away from its current Google TV platform. For users who enjoyed the flexibility of older devices like the NVIDIA Shield (compensated affiliate link), there may not be many options left. The Shield still offers features like sideloading, local media playback, and advanced home theater support with Dolby Vision and lossless ATMOS, but it’s starting to look like an artifact of a different era.

I find it telling that Amazon, a company that once encouraged experimentation on its Fire TV line, is now quietly locking it down. For people who use these boxes just to stream Netflix or Prime Video, that may not matter. But for those who like to tinker — to run emulators, custom apps, or personal media servers — this marks the end of an era. The industry seems to be moving toward simpler, more disposable devices designed to serve ads and stream content, not extend functionality.

My advice? Buy as many NVIDIA Shield devices as you can while they’re still for sale.

OhSnap Grip 5 Review

admin — Sun, 19 Oct 2025 00:22:18 +0000

I’m not someone who usually likes to stick things to the back of my phone, but about two years ago I came across the OhSnap Grip 4 (compensated affiliate link) and found myself not wanting to take it off. You can see my original review of it here.

If you visit my affiliate link here, you can get a discount with my code LON33650.

It was a simple little accessory that functioned like a PopSocket—you could pop it out for a better grip or use it as a stand—and when you didn’t need it, it folded down super flat. What made it stand out to me was that it added MagSafe-style functionality to Android phones through its magnetic ring. It wasn’t something I expected to keep using, but it became part of my daily routine.

Now the company has released an updated version, the OhSnap 5 Grip (compensated affiliate link). It largely looks the same but it no longer uses the strong but removable adhesive of the prior model. OhSnap says they very carefully designed a stronger magnet system that hangs on tighter.

I was curious to see how that would change things since I didn’t have any real complaints about the previous version. So that’s what we explore in my latest video review.

To use the new model on Android phones, the company includes a metal ring that gets stuck to the back of the phone. Once attached, the grip will snap neatly into place and retains the same features as before—the pop-out stand and the comfortable finger grip. But Android users will have to pry lose the adapter ring if they stop using the Snap 5 grip.

The design looks thin but feels sturdy, just like the last one, though it’s slightly thicker. When I tested how securely it attached to my caseless iPhone 17 Pro Max, it came off more easily than the adhesive model. A firm tug or some lateral pressure will very quickly snap it off. For someone like me who uses a phone without a case—my running joke is that AppleCare is my case—the old adhesive-backed version feels much more secure.

When I tried it on my iPad mini with a metal Magsafe adapter ring installed, the grip was much stronger—so much so that I couldn’t pull it off easily. That told me the performance really depends on the phone’s case and how close the case’s magnetic ring sits to the surface.

Like the earlier version, the Grip 5 is MagSafe compatible and allows for chargers and other MagSafe accessories to snap on top. While MagSafe devices snapped on as expected, the strength of the outer magnets is noticeable weaker than the Grip 4. For charging, the Grip 5 works best with MagSafe chargers but doesn’t pair well with standard Qi chargers that lack magnetic alignment.

After a few days of use, I’ve found that while the Grip 5 is not as good as its predecessor. The magnet is strong but not strong enough to serve as an effective substitute for the reusable adhesive, and its outer magnet does not latch onto MagSafe accessories as confidently as before.

I’ll therefore be sticking—literally and figuratively—with the old one.

Disclosure: I purchased a Grip 5 with my own funds, and the company separately sent me another one free of charge. No other compensation was received, and the company did not review or approve this content before it was uploaded. All opinions are my own.

Amazon Fire TV 4k Stick Select Review

admin — Fri, 17 Oct 2025 16:02:24 +0000

Amazon’s latest Fire TV Stick 4K Select (compensated affiliate link) marks a shift in direction for the company’s streaming devices. This one runs on a completely new operating system called Vega OS, replacing the Android-based OS Fire TVs have used over the last decade. But at launch, it’s clear this is a minimally viable product, and early adopters will need to temper expectations.

Check it out in my latest video review.

As far as the product lineup goes, this device sits just above the 1080p stick and just below the full-featured Fire TV Stick 4K. For now, I’d say it’s worth paying a little extra for the latter if you want a smoother experience. The Select model still uses micro USB for power, has just one gigabyte of RAM, and supports Wi-Fi 5 instead of Wi-Fi 6. It also lacks support for Dolby Vision which is found on the other 4k sticks.

Once set up, the interface looks familiar if you’ve used a Fire TV before. Most of the big-name streaming apps are available, but not all of them are native to the device. Some, like the NFL Network, are cloud-hosted, meaning both the app and its content stream over the internet. It works, but performance can feel sluggish, even on a fast connection. Specialized apps for devices such as the Tablo or HDHomeRun aren’t available yet, and while Plex is present, it’s missing many of the features found on its Android-based counterparts.

App support overall feels limited. There are no games and no sideloading options. The experience is closer to a Roku, but with fewer apps to choose from. For basic streaming, though, Netflix, Disney+, and YouTube run well enough. The device supports basic HDR (but again not Dolby Vision), and Dolby Atmos audio works through compatible services.

Performance on YouTube was mostly solid with 4K HDR playback, though I had to manually force it into 4K60 mode. There were occasional frame drops, but nothing too disruptive.

One issue that stood out was the lack of proper 24p output for films and TV shows in all of the apps I tested. Even with the “match frame rate” option enabled, the device stayed locked at 60Hz, resulting in uneven motion that film buffs will notice.

Voice control works as expected, with Alexa handling searches and smart home commands reliably. The remote can also control basic TV and receiver functions, though support for other devices appears trimmed down compared to earlier models.

At this stage, the Fire TV Stick 4K Select and its new Vega OS feel like a work in progress. It handles core streaming tasks fine, but beyond that, the limitations add up. This isn’t the Fire TV experience power users have come to expect—it’s more locked down, less flexible, and missing key features found on cheaper models. Amazon’s long-term plan is clearly to transition its lineup to this new platform, but until app developers catch up, it’s going to feel like a step back.

For now, it works if all you need are the major streaming apps on an older TV. But as Amazon moves further away from Android, this early look suggests the future of Fire TV could be more controlled and less open than before.

See more devices like this one here!

Thermal Master P3 Smartphone Thermal Camera Review

admin — Thu, 16 Oct 2025 18:37:39 +0000

The Thermal Master P3 is a thermal camera designed to plug directly into an iPhone or Android device through the phone’s USB-C port. While it’s a little on the pricey side it does offer some great features and has some useful macro features.

Check it out in my latest video review!

You can find one over at Amazon (compensated affiliate link). Once connected and the companion app is installed, the camera functions as a macro thermal imager—it’s clearly optimized for close-up inspections rather than broad outdoor scenes. It’s the kind of tool you’d use to check an electrical panel, a circuit board, or in my case, a Raspberry Pi, rather than searching for animals in the woods.

It can be attached facing either direction and even accommodates some thicker phone cases thanks to its extended connector, though not every case will fit comfortably. For older iPhones, there’s a lightning adapter included. When using the lightning adapter, the setup feels a bit unstable, so a short extension cable might be a better option.

There’s a focus ring built in, which helps bring small components into sharper view. The sensor itself is very small, with a native resolution of 256×192. The app offers an AI-enhanced mode that upscales to 512×384, but even then, fine detail is limited. The best results come when the camera is positioned close to the subject.

While testing, I filmed my Raspberry Pi booting up and watched the components warm in real time. I also pointed it at a stovetop to see how it handled extreme temperatures. The app includes built-in burn-in protection that reduces exposure to high heat sources, prompting me to back off a bit. Temperature ranges can be adjusted within the app, with one mode for lower temperatures (-4 °F to 302 °F) and another for higher ones (212 °F to 1,022 °F). You can’t combine the two ranges, but for most household or electronics projects, the preset bands are sufficient. A scale overlay can be toggled on to display minimum and maximum readings in real time.

I experimented with the camera around the house—tracking hot water lines, scanning my electrical panel, and exploring different color modes. The app provides several palette options such as white hot, black hot, and various false-color schemes. There’s also a split-view mode that overlays a standard camera image to help identify what you’re looking at when the thermal view alone doesn’t offer enough definition. Users can even draw shapes on-screen to isolate temperature readings from specific areas—useful for monitoring different components within the frame.

Although it costs less than dedicated professional thermal imagers, the device isn’t meant for scientific precision. The manual includes some reference values for emissivity correction, but calibration is limited, and readings shouldn’t be treated as exact. What it does well is provide quick visual confirmation of heat distribution. It’s compact, fits easily in a pocket, and draws power directly from the phone. For spotting hot spots on a breaker panel or verifying that a circuit board component isn’t overheating, it’s a handy, portable option that fills the gap between hobby gear and higher-end tools.

Disclosure: The camera was sent to the channel free of charge. No other compensation was received and no one reviewed or approved this content prior to uploading. All opinions are my own.

My Arcade Atari Gamestation Go Review

admin — Tue, 14 Oct 2025 13:13:18 +0000

In my latest video review, I take a look at the My Arcade Atari GameStation Go (compensated affiliate link), a portable emulation console aimed squarely at those of us who grew up in the era of wood-paneled consoles and CRTs.

It’s a self-contained handheld that plays hundreds of mostly Atari classic games from the 80s and 90s and even lets you load more through an SD card. What caught my attention was the variety of control options—there’s a built-in paddle for games like Breakout, a trackball for Centipede and Missile Command, and a solid D-pad with shoulder buttons. It doesn’t have the high-end feel of a Steam Deck or Switch, but it manages to strike a decent balance between nostalgia and functionality.

Navigating the interface is straightforward. The menus are organized by system, with sections for Atari 2600, 5200, and arcade titles. I tried Breakout first, which uses the paddle controller, and I liked that the device’s “SmartGlow” lighting highlights which controls are active for each game. The paddle isn’t a free-spinning spinner, but it has enough resistance to make gameplay feel natural. The trackball, however, felt scratchy and inconsistent, and I found myself preferring the D-pad for precision control in Centipede. The D-pad itself is surprisingly good—firm, responsive, and better than my initial impression led me to believe.

The system includes about 200 licensed games, mostly from Atari’s catalog. Activision classics like Kaboom and Pitfall! are missing due to licensing, but loading them from an SD card is simple. Once I inserted a card, a hidden menu appeared, letting me boot ROMs from different systems, including the Sega Genesis, Super Nintendo, and even PlayStation. Performance varies—Sonic the Hedgehog lagged a bit, and Dreamcast games crawl. But PlayStation and Atari Lynx emulation worked better than expected. It’s essentially running an open-source emulator framework under the hood, so there’s potential for the community to expand its capabilities over time.

Battery life felt similar to a small tablet—around four to six hours, depending on what’s running. There’s HDMI output too, but connecting it reboots the system and reduces performance. The image quality looks fine at 1080p, but frame rates dip with some of the newer “Recharged” Atari titles installed on the console. Still, older Atari games like Bowling and Breakout play smoothly both on the built-in screen and an external display.

While this isn’t a machine for hardcore emulation fans, it’s an enjoyable, self-contained throwback for casual players and gift-givers who want a plug-and-play experience without tinkering. The stand-out features here are the paddle and trackball that allow for game controls that more closely match how these games were originally played.

The Raspberry Pi 500+ Disappoints

admin — Sun, 12 Oct 2025 11:51:42 +0000

The Raspberry Pi 500 Plus is a new take on the age-old keyboard-computer concept that combines a Raspberry Pi 5 with a mechanical keyboard and built-in NVMe storage.

In my latest video review, we take a look at this retro inspired offering from the Raspberry Pi foundation.

It’s selling for about $180 to $185 at official Pi retailers, which is roughly $100 more than the earlier Pi 400. Out of the box, it feels like the most polished of the Pi-in-a-keyboard systems I’ve tried, with better specs and a more comfortable design overall.

Inside, it has 16GB of RAM and a 256GB NVMe SSD that ships with Raspbian OS preinstalled, so it boots right up without any tinkering. You can, of course, use the microSD slot to load other operating systems.

Still, some of the frustrations from the Pi 5 carry over. The two micro-HDMI ports feel unnecessarily small given the space available on the back, and the power situation is still tricky. It requires a 5-volt, 5-amp USB-C power supply, which isn’t as common as you’d think. Most USB-C chargers top out at 3 amps in their 5 volt mode, and using one of those will trigger low-power warnings when you plug in peripherals and possibly lead to performance issues under load. Even Apple’s chargers don’t work properly with it, so it’s worth getting the official supply. I picked up one of these low cost ones at Amazon (compensated affiliate link).

Ports include two USB 3.0, one USB 2.0, Gigabit Ethernet, and the familiar GPIO header under a rubber cover. AC Wi-Fi and Bluetooth are built in, and dual 4K60 HDMI output is supported (although it’s super sluggish in 4k). During testing, I was able to get a 1080p display running at 144Hz without issue which felt pretty nice. The overall setup feels like a complete Raspberry Pi experience—ready to experiment with projects right out of the box.

Performance, however, leaves something to be desired. Running the Chromium browser at 1080p worked fine for light tasks, but the system bogged down on heavier pages with animation or video. At 4K, it felt even slower.

On the Speedometer browser benchmark, the Pi 500 Plus scored 4.54—less than half the score of an Intel N150 mini PC that costs the same or less. On the bright side, power draw was remarkably low: about 4 to 5 watts at idle and around 10 watts under load. That efficiency might make it appealing for someone experimenting with a home lab or lightweight Docker containers, but it’s not suited for media serving or anything that needs significant processing power.

The keyboard uses low-profile blue Gateron switches, and the keys are replaceable. The bright backlighting is nicely implemented, with adjustable colors and effects. There’s even a novelty game—Flappy Bird—that runs directly on the keyboard’s LEDs. The typing feel is solid, and having a dedicated power button is a welcome touch.

Overall, while the design is fun and nostalgic, the price puts it in direct competition with faster and more capable mini PCs. The keyboard is genuinely nice, but it drives up the cost of what’s still a modest performer. For light server duties or educational projects, it might find a niche, but the same money could buy more performance elsewhere.

I still like the charm of a computer built into a keyboard, but I’m hoping the next generation of the flagship Pi computer will push things further and correct some of the annoyances of the current generation. The Pi 500 Plus is a reminder of how far we’ve come since the $35 Raspberry Pi revolution—and how much the landscape has changed since then.

See more of my Raspberry Pi videos here! And my other Mini PC reviews here.

Disclosure: I paid for the Pi with my own funds. This is not a sponsored post nor did anyone review or approve this content prior to uploading.

The FCC Listened to You — NextGenTV DRM Is In the Hot Seat

admin — Thu, 09 Oct 2025 11:34:41 +0000

The FCC has taken an important step in its ongoing review of the ATSC 3.0 television standard, and this time, encryption—or DRM—has taken center stage. After months of advocacy, travel to Washington, and countless public comments, the agency has released a draft of proposed rulemaking that directly addresses many of the issues consumers have been raising.

In my latest video, we dive into the FCC’s proposal and talk about next steps.

The most immediate change in the document would eliminate the ATSC 1.0 simulcast requirement. Broadcasters using the new ATSC 3.0 system have been required to continue broadcasting the same programming on the older ATSC 1.0 standard to ensure that no viewers lose access. If this rule change is approved, stations could transition to the new format without maintaining a 1.0 signal, effectively speeding up the shift to next-generation TV. The FCC is also considering allowing MPEG-4 encoding on 1.0 channels to make more efficient use of spectrum, something that could benefit both broadcasters and viewers with modern televisions.

But the biggest topic is DRM and how it’s currently being managed. The FCC is asking for public comment on whether the commission should establish rules governing encryption of free, over-the-air broadcasts rather than leaving control to the A3SA, the private industry group currently setting those standards. The Commission expressed concern about how that system operates and whether it aligns with the Communications Act of 1934’s definition of broadcasting. They’re also examining whether DRM is creating unfair competition or restricting which devices can receive signals—an issue that has limited tuner availability and compatibility with platforms like Roku and Apple devices.

The filing also shows that consumer feedback has made an impact. Thousands of viewer comments have been cited throughout the document, and both Tyler the Antenna Man and I were mentioned multiple times. The FCC clearly took note of the frustration from early adopters who bought new tuners only to find themselves locked out by encryption controlled by a private organization. The agency even raised questions about fair use and whether DRM could undermine consumers’ rights to make in-home recordings—something the broadcast flag controversy of the ATSC 1.0 era had already tested in court two decades ago.

As the FCC prepares to vote on these proposals at the end of the month, it’s clear they’re not ready to sign off on encryption as it currently exists. The upcoming vote will likely remove the simulcasting rule, open another round of public comments, and extend the process into next year. That gives consumers and advocates another opportunity to weigh in. My hope is that the Commission will consider a real-world test by suspending DRM to see how the market responds. If encryption has been holding back tuner adoption and consumer interest, that experiment could prove it.

So we will likely need to keep submitting comments and addressing the questions the FCC is asking that relate to our own personal experiences. Tyler the Antennaman and I also suggest attaching selfies of “encryption error” screens that block free TV could help put faces to the issue. The FCC’s draft shows that public voices are being heard, and continuing to speak up might be what ensures free, open access to the airwaves remains part of the country’s broadcasting future.

Windows 10 Is Dead – What Are Your Upgrade Options?

admin — Tue, 07 Oct 2025 00:18:57 +0000

The end of Windows 10 is coming up, with Microsoft planning to stop support on October 14, 2025. I’ve been seeing the same warnings you probably have — those pop-ups telling you to upgrade to Windows 11 — and I wanted to take a closer look at what that really means for people still using perfectly good older computers.

Check it out in my latest video!

Windows 10 has had a long run, and I’ve always liked how well it performed even on lower-end hardware. The problem now is that Windows 11 has stricter requirements, mainly the need for a TPM 2.0 security chip and newer processors. If you’ve got an Intel 8th Gen or newer, or an AMD Ryzen 2000 or newer, you’re likely ok to upgrade.

Anything older isn’t officially supported, though there are ways around it. Microsoft doesn’t recommend circumventing the TPM chip requirement, and if they make a change assuming everyone has TPM 2.0, it could cause problems later. Business and government users also have to meet compliance standards, so running an unsupported version isn’t an option for them.

To see how this plays out in the real world, I fired up one of my older PCs — a small Shuttle box with a Celeron processor — and ran Microsoft’s PC Health Check app. It said I could upgrade for free, meaning this one squeaks by. Once Windows Update offers it, I can upgrade to Windows 11 in place. As always, it’s smart to back up first, but the process should be straightforward.

If your machine doesn’t qualify or you’re not ready to move on, Microsoft has something called the Windows 10 Extended Security Update (ESU) program. It’s available to consumers for another year, through October 2026. You can join it for free if you sync your PC settings with Microsoft, trade some Microsoft reward points, or pay $30. It’s not a long-term fix, but it buys more time for hardware that’s still working fine.

For people who’d rather try something new, Linux is worth a look. I tested Linux Mint on that same Shuttle PC, running the XFCE Edition since it’s lightweight and good for older systems. It’s surprisingly easy to get going, with a “live boot” option that lets you try it out without installing anything. Everything worked on my demo machine, and once installed, Mint has most of what you’d need — a web browser, office software, and access to more apps through its software manager. It uses about 1.2 GB of RAM sitting idle, so a 4 GB system runs comfortably.

Installing Linux does mean wiping the drive, so backups are essential, but if you’re done fighting with Windows upgrades, it’s a practical way to keep an older PC useful. I’ve noticed Linux often feels faster on aging machines than Windows 11 does, and since it’s supported well past 2029 for Mint’s current version, it’s a stable alternative.

Whether you stick with Windows 10 a bit longer, move to Windows 11, or jump to Linux, you’ve still got options. It’s interesting that after all these years, some of the oldest PCs still have life left in them — they just need a new OS to keep going.

Lenovo Legion Go 2 Handheld and eGPU Compatibility Explored

admin — Sun, 05 Oct 2025 12:02:46 +0000

I am working on a review of Lenovo’s Legion Go 2 (compensated affiliate link) and wanted to see how well it handled an external GPU before putting together a full review. The handheld includes two USB 4 ports that are Thunderbolt-compatible, so in theory, it should support external graphics. To test it, I used the GMKtec AD-GP1 — a compact eGPU enclosure that houses an AMD RX 7600MXT with 8GB of video memory. You can find the eGPU on Amazon here (compensated affiliate link). The AD-GP1 can power itself and the Legion Go 2 through a single cable, which makes for a cleaner setup.

See it in action in my latest video!

The connection process was simple enough. I plugged the GMKtec into the top port of the Legion Go 2 and immediately saw it begin charging. Windows took a few minutes to detect everything, and I had to install AMD’s drivers for the external GPU. Once that was done, it recognized the card properly as a secondary GPU. For best performance, I disabled the Legion Go 2’s internal display and used only the monitor connected to the eGPU as pushing video through the handheld’s screen can reduce performance due to bandwidth limits.

Hot swapping between the handheld and eGPU worked on the Windows desktop, though not while gaming. You can plug and unplug the GPU while idle, but if you try to do it mid-game, it’ll crash.

Running 3DMark’s Time Spy benchmark, I saw a significant performance boost: the internal GPU scored about 3,999, while the eGPU setup hit 9,493. Power draw during the test hovered around 215 watts, leaving a little room within the AD-GP1’s 240-watt power budget.

Next, I tested No Man’s Sky at 4K with enhanced settings. The game ran smoothly most of the time, hitting around 60 frames per second with some dips. When I disconnected the eGPU mid-game, it predictably crashed, confirming that switching GPUs on the fly isn’t practical for gaming sessions. Still, for someone who wants a boost at home, an extra $500 or so for a dockable GPU setup delivers real gains.

I also tried other eGPU options, like the GT Box enclosure with a desktop RTX 4060 attached, but those setups are much bulkier. The GMKtec is smaller, cleaner, and more desk-friendly, even though it lacks extra USB ports for accessories. My only real complaint about the Legion Go 2 design is that one of its USB ports sits on the bottom, which makes docking awkward when the stand is open. You’d need an angled connector or stand to use it comfortably.

Despite its quirks, it’s satisfying to see a handheld like this handle desktop-class graphics with a single-cable setup. It’s not the most economical path to performance, but for those short on space who want one computer for both travel and desk use, it’s a workable approach. I’ll be putting together a full review of the Legion Go 2 soon and plan to focus on areas that haven’t been explored much yet — so if there’s something specific you’d like to see tested, let me know in the comments.

Blackview MP100 Mini PC Review

admin — Sat, 04 Oct 2025 11:58:46 +0000

My latest Mini PC review takes a look at the Blackview MP100, a budget mini PC that is powered by AMD’s Ryzen 7430U — a six-core, twelve-thread chip with RDNA2 graphics. It’s not the newest processor out there, but it’s still plenty capable for light workloads and even some gaming.

See it in action in my video review.

The biggest limitation out of the box is that it only comes with a single stick of RAM, which means you lose out on dual-channel performance. That’s an easy fix, though: adding another stick of RAM dramatically improves its graphical capabilities.

When I opened it up, I found it surprisingly upgrade-friendly. It includes a 2.5-inch SATA bay for an extra hard drive, a spare NVMe slot, and upgradable RAM — you can go all the way up to 64 GB. My review unit had 16 GB in a single channel and a 512 GB NVMe SSD. There’s also decent cooling inside, which helps keep performance consistent under load.

The ports are practical: two USB-C connectors on the front (one of them full-function with DisplayPort output), USB-A ports, Ethernet, HDMI, DisplayPort, and a headphone jack. You can drive a 4K display at 144 Hz through DisplayPort, which makes it an interesting option for streaming via GeForce Now or other cloud-gaming services. The case itself is plastic, and it has RGB lighting on the top that can be customized or turned off through Blackview’s included software. That software uses a USB-to-serial driver for control, which looked a bit odd at first but turned out to be harmless after some malware testing.

Day-to-day tasks like browsing, watching 4K video, and general productivity felt smooth even with single-channel memory. YouTube playback at 4K 60 fps ran fine, and benchmarks put it in line with other mid-range Ryzen mini PCs.

Where the second RAM stick really matters is gaming and creative workloads. In No Man’s Sky, performance jumped from around 20–25 fps to 35–40 fps after installing dual-channel memory. 3DMark Time Spy scores told a similar story: 956 with one stick, 1,373 with two. Even emulation saw tangible benefits, particularly for PlayStation 2 titles.

Thermals and acoustics are well-managed for a small system. The fan isn’t loud during heavy use, though it can spin up unexpectedly when idle. Power draw hovered around 10–11 watts at rest and roughly 46 watts at full load.

Linux support was excellent — everything from networking to Bluetooth worked without issue with Ubuntu, making it a solid choice for running containers or self-hosted apps.

What stood out most was how close this system comes to being great with just a minor configuration change. Splitting that single 16 GB stick into two eights would’ve unlocked the full GPU potential without raising costs much. As it stands, the MP100 feels like a solid, efficient little computer with real potential once you make that one upgrade. It also carries a three-year warranty, which isn’t common in this price range.

Disclosure: Blackview sent the Mini PC free of charge. No other compensation was received, they did not review or approve the video or this post before publication and all opinions are my own.

Plex Pro Week Webhooks Follow-up – Free and no-code options

admin — Wed, 01 Oct 2025 13:17:16 +0000

During Plex Pro Week this year, I contributed a video talking about Plex’s Webhooks feature that allows for a relatively easy way to link your Plex install to automation tools like N8N, IFTTT and Zapier.

In that earlier piece, I showed how Plex can fire off data whenever something happens on your server—whether it’s a play, pause, rating, or media being added. That data can then be sent to automation tools like N8N, which I’ve used in the past. But running an N8N server can be complicated and the hosted version requires a subscription.

In my latest sponsored Plex video, I demo a free, no-code path that doesn’t require hosting anything yourself using Make.com.

You can check it out here!

Make.com offers a free tier with 1,000 “credits” per month. Each credit equals a task, so something like receiving a webhook and then adding a row to a spreadsheet would count as two. For casual use, the free plan can go a long way.

I set up a simple workflow that starts by having Plex send a webhook to Make, which in turns takes some of that data and posts it to a Google sheet as a means of creating a log of watched content. That event is triggered anytime a new piece of media is played based on the state of the “event” tag in the webhook.

I then set up a second branch for when playback stops. In that case, I had the system call ChatGPT to generate recommendations for what to watch next, and then send that recommendation via email. The input for ChatGPT came directly from the webhook data, which made the recommendation specific to what I had just finished watching. It worked smoothly, and it showed how easily AI can be folded into these workflows.

For those thinking about linking Plex to home automation, the free, non-complicated options are a bit more limited. Services like IFTTT require a paid tier for webhook support, while open-source projects like Home Assistant can handle webhooks for free but require a bit more setup and complexity. Home Assistant, in particular, could be a strong option for linking Plex events with things like lights or thermostats, though it isn’t as straightforward as make.com.

There’s also Plex’s new official API, which was announced during Pro Week. The documentation is out, and I expect third-party developers will soon release connectors for platforms like make.com and N8N. That should make integration even easier, reducing the need to rely solely on webhooks. My YouTube colleague Techno Tim has already been experimenting with it, using the API to drive a dashboard for monitoring Plex server performance.

What I tried here was aimed at giving a taste of what can be done quickly without coding. Setting up webhooks with Plex and pairing them with make.com is accessible and flexible, especially for logging and basic automations. From there, it’s easy to imagine extending the idea into more complex routines, whether that means generating watch lists, building dashboards, or nudging your smart home into action when the credits roll.

I Made My Own (Mostly) Self-Hosted Content Recommendation Engine with N8N

admin — Sun, 28 Sep 2025 11:44:39 +0000

I’ve been getting increasingly frustrated with how social media algorithms decide what to put in front of me. More often than not, what matters most to the platform are not my interests but rather content that the platform thinks will keep me glued to it.

Over the past few months, I started experimenting with self-hosted and hybrid solutions to build something I could actually control. What I ended up with is a little algorithm of my own that now emails me every morning with a curated digest of topics I care about.

You can see it in action in my latest video.

The system runs on my Synology NAS using N8N, which I’ve also been using for other projects. The content engine pulls about 150 headlines a day from RSS feeds across trusted websites, YouTube channels, and Reddit forums I follow. From there, the workflow filters, organizes, and compiles the results into an HTML email.

It works really well. For example, when multiple outlets covered handheld gaming PCs, it was smart enough to recognize the GPD Win 5 and Asus ROG Ally as belonging to the same category and group them together. That gives me a cleaner view of what’s trending and helps me decide whether something is worth reviewing.

At the core of this is RSS, which has quietly persisted even as many sites moved away from it. I use TT-RSS to merge dozens of feeds into a consolidated source for each topic area. N8N then pulls those feeds into an AI agent workflow powered by Google Gemini’s free tier. I experimented with local models, but they couldn’t handle the complexity of parsing and structuring the data effectively. Cloud models still work better for this task, and because I only run it twice a day, I’m not paying anything for API usage.

Getting the prompt right was a big part of making this work. I had to iterate with both ChatGPT and Gemini until I landed on instructions that consistently returned useful results. The agent is told I’m a YouTube host looking for new topics, and I specify what types of content to prioritize and what to ignore. I also provide it with a structured HTML template so the output is consistent. The final email includes my calendar at the top, followed by curated sections on gadgets and cord cutting. It also uploads a copy to my FTP server so I can pull it up in a browser.

The advantage of this system is that I can fine-tune it. If something irrelevant slips in, I just add instructions to exclude it. If I want to emphasize a certain category, I can adjust the prompts. Unlike the opaque systems behind social platforms, this workflow only surfaces items from sources I choose and in the way I want to see them.

Everything I’m using—N8N, TTRSS, the Gemini free tier—is either free or open source. There are limits with the Gemini free tier, like rate caps and the possibility of data being used for training, but for my purposes it’s not a problem since I’m only working with publicly available content.

I haven’t put together an N8N installation tutorial yet, but Network Chuck has a good walkthrough that can help get N8N running on a server or NAS. It’s been interesting to see how popular N8N has become for building these AI agent tasks, and I’m trying to explore ways of using it that feel practical and useful. If you’ve also been frustrated by the way platforms filter your content, experimenting with something like this might give you back some control.

Check out some more projects like this in my “How To” series!

TCL D2 Palm Vein Door Lock – Raise your hand to unlock!

admin — Fri, 26 Sep 2025 13:10:52 +0000

My latest review looks at TCL’s D2 palm vein door lock (compensated affiliate link), which came in for review after a number of viewers asked me about this type of technology. These locks work by just lifting your hand a few inches away from the lock’s sensor.

You can see it in action in my latest video review.

Testing this was pretty easy: after assigning my right palm to the lock, raising that hand opens the lock in just a second or two. If I tried with an unregistered hand (or somebody else’s), the lock rejected it.

The D2 Pro is a full deadbolt replacement. That means both the inside and outside hardware of your existing lock need to come off, and you’ll be using new physical keys – yes a pair of physical keys are included. I would have preferred no physical key option since it’s the least secure part of the system!

Alongside palm scanning, there are several other ways to unlock it: a keypad that supports six digit pin codes, a pair of RFID key fobs also included in the box, and the companion smartphone app.

The lock runs on a rechargeable 10,000 mAh battery that charges over USB-C. TCL says it should last about eight months depending on usage, but recharging takes time, which means your door will be offline for a while. In an emergency, you can power the lock temporarily with a USB-C power bank to get inside or of course just yse the physical key. I found installation straightforward, taking under half an hour including removing my old lock, though the build quality didn’t feel as solid as the Schlage I replaced. Once installed, it felt sturdy enough and carries an IP55 weather rating.

The TCL Home app is where you manage everything. It requires Wi-Fi on a 2.4 GHz network and I recommend putting it on a guest network to isolate it from other devices. The companion app works on both iOS and Android and integrates with Google and Amazon ecosystems, but does not currently support Apple HomeKit. Inside the app, you can manage users, register palm veins, assign or revoke codes and RFID cards, and even set temporary or one-time passwords.

TCL says palm data stays on the lock and isn’t uploaded, though there’s no way to verify that independently. You can store up to 50 palms and 50 six digit codes. It also offers features like duress passwords and limited-duration codes that could be useful for rentals or security-conscious households. What you won’t find is scheduling access for specific times of day, something some competing products do offer.

The lock also includes a built-in doorbell. It’s loud enough to hear inside, and you’ll get notifications on your phone, but there’s no video or two-way communication like a dedicated smart doorbell provides. Event logs are available in the app, so you can review entries and exits. My only annoyance with the app was the requirement to type in a PIN code every time I wanted to access the lock settings. Face ID or Touch ID support would have made that process smoother.

In daily use, the palm scanning was reliable. Registered users could approach the lock and gain access quickly. It even handled different angles well, and I haven’t yet had it mistakenly grant access to someone it shouldn’t. Rejections take a bit longer than acceptances, which might be a subtle security feature. It’s worth registering both hands since it only recognizes the ones you set up, and sometimes one hand might be occupied.

As a way to enter the house without pulling out a phone, typing a code, or carrying a key, the palm vein technology worked smoothly. It’s one of the more seamless experiences I’ve had with a smart lock.