CES 2026 Is a Wrap!

I’m back from a whirlwind trip to Las Vegas for CES 2026! Like last year I managed to crank out four dispatch videos along with a bonus episode that I posted last night.

You can see the full playlist here.

Like the last couple of years, this show felt very incremental insofar as new innovations were concerned. Robotics were plentiful, but very few were useful beyond doing some visually impressive demos. For example, this robot struggled with a the relatively simple task of folding laundry.

Another theme was concern over memory pricing. Deep pocketed AI companies are gobbling up all of the silicon they can find which is dramatically increasing prices for consumers and manufacturers alike. Micron recently shuttered their 30 year old Crucial consumer memory line. Every company I spoke with, large and small, is very concerned about this issue and some note that the worst has yet to be felt by consumers. What’s worse is that there is no end to it in sight.

This year’s coverage wasn’t sponsored. Everything you saw from CES this year was made possible by all of you! That includes everyone who watched and subscribed, along with those of you have contributed to the channel. That support mattered more than ever, because CES is expensive, time-consuming, and physically demanding, especially when you’re doing it solo.

By my math, CES 2026 coverage cost me around $2,500. That includes flights, hotel, food, and a lot of Uber and Lyft rides around Las Vegas. I stay at one of the lower-cost CES hotels and take advantage of the free CES shuttle when I can, but there are still plenty of events and off-site locations that require Uber or Lyft. Going alone keeps those costs manageable, and between ad revenue, affiliate links, and viewer support, I should roughly break even. Bringing additional people would change that equation dramatically, which is why many larger channels rely on sponsorships.

Sponsorships are a tricky subject at CES. I’m not opposed to them in principle, but most of the offers aimed at smaller creators come with editorial strings attached—covering specific booths, submitting footage for approval, or spending time on things that aren’t particularly interesting to viewers. I’d consider a sponsor if it genuinely improved the quality of the reporting without compromising independence, but those opportunities are rare.

From a workflow standpoint, my goal at CES is all about quick hits and efficiency. I shoot everything live, on location with my iPhone, and try to keep editing to an absolute minimum so I can get videos out quickly without staying up all night in a hotel room. That approach drives nearly every decision I make, from how I shoot to what gear I carry.

Audio is the biggest factor. The show floor is loud—often overwhelmingly so—and clean sound matters more than anything else. That’s why I stick with a handheld microphone, even though it’s not fashionable and some viewers wish my hands were free. There’s a reason TV news crews still use stick mics: they work. They isolate voices naturally, and they save time in post. For my purposes, reliability beats aesthetics every time.

The rest of the setup is intentionally simple. Fewer components mean fewer things to forget, lose, or troubleshoot while running between halls and events. The phone-based workflow continues to hold up well, and storage hasn’t been an issue on my 256GB iPhone.

This year also reinforced how much planning matters. When I was deliberate about which areas and events to cover, the reporting felt stronger and more focused. When I wandered without a plan, the results were mixed. Viewer suggestions were incredibly helpful, but relying on comment threads alone made it easy to miss good ideas. For next year, I’m planning to set up a more structured way to collect booth and topic suggestions from viewers so I can reference them quickly on the floor.

I also want to do more advance research before arriving—especially on the larger exhibit halls of the show. CES rewards preparation, and the better the groundwork, the more efficient the days become once you’re there.

As always, feedback is welcome. Hearing what worked and what didn’t helps shape how I approach future coverage. And if you’re new here, stick around—CES may be a big moment each year, but the rest of the calendar is filled with reviews, nerdy experiments, and tech commentary the same way it’s always been.

CES 2026 Dispatches Have Begun!

I’m at CES 2026 for the start of my latest Dispatch series, beginning with CES Unveiled, one of the early showcase events ahead of the main show floor. These Unveiled events are dense and efficient, with dozens of companies packed into a single room, which makes them well suited to fast-paced coverage.

This year’s Dispatch videos are intentionally lightweight in production, just me, an iPhone, and a backpack, with no sponsors influencing what gets covered.

Check out my first dispatch here!

Walking the floor, I ran into a wide mix of products, ranging from practical home tech to more experimental ideas. There were new security cameras and smart displays tied into network-attached storage systems, emphasizing local recording and the absence of subscription fees, though often requiring higher-end hardware. Music-focused gadgets showed up as well, including a “second-generation instrument “guitar hero” like device designed less around learning technique and more around casual, stress-free music creation with no musical experience required.

Mini PCs continue to evolve, and one of the more interesting concepts was a modular system that can dock into different enclosures, including a GPU base or a portable laptop shell, depending on how and where it’s being used. On the more whimsical side, I also came across a water-based drone meant for pools, capable of lighting effects and coordinated movement, clearly aimed at a niche (and wealthy) audience but at least something new and different.

Battery charging solutions were also on display, including systems that remove most of the decision-making by automatically handling orientation, charge state, and battery type.

One stand out from my first night was a compact and portable ice maker that cranks out ice cubes in 5 minutes, while others targeted professional and industrial users. A new FLIR thermal imaging device running Android positioned itself as a full workflow platform rather than a single-purpose camera, with industry-specific apps and built-in collaboration tools.

There were also familiar brands making a return. Pebble watches are back, focusing on long battery life and simple notifications rather than health tracking, alongside a new recording ring concept that lets users capture voice notes. In the outdoor automation category, autonomous yard robots continue to expand beyond mowing, with attachments for leaf collection and snow plowing, including models designed to be more affordable than earlier versions.

My dispatches are meant to be a snapshot rather than a deep dive, showcasing the range of ideas at the show. More Dispatches are coming as the show continues so be sure to subscribe to my YouTube channel and follow my CES 2026 playlist here!

The Ghosts of CES Past! A Look Back at CES 2015

Returning from CES this year, I found myself reflecting on a question that popped up frequently in the comments on my coverage: How many of the showcased products from one of these shows actually stick around for the long haul? To answer that, I took a trip down memory lane to revisit products I featured from the show in 2015, the first CES I attended.

You can check it out in my latest video.

One standout from that year was the ODG consumer smart glasses, an ambitious attempt at wearable augmented reality. At the time, it was essentially an Android device that overlaid digital information onto the real world. My video featuring their booth drew significant attention, racking up 76,000 views, making it my most-watched video from the show. Yet, despite the buzz, the company collapsed just a few years later. By 2018, ODG was laying off employees and failing to pay others. While their patents found new homes, including with Facebook, the dream of widespread consumer AR was clearly ahead of its time.

Typo keyboards were another story of ambition meeting resistance. Designed to bring a BlackBerry-style typing experience to iPhones, Typo quickly landed in legal trouble. BlackBerry sued Typo and won, forcing Typo to shift focus to tablet keyboards. The product quality was decent—I still have some prototypes—but the company didn’t last much longer than the 2015 show.

CES 2015 also marked my first encounter with self-driving cars, courtesy of BMW. Their demo featured an autonomous vehicle navigating a short course, an exciting glimpse into the future. During a conversation with a BMW executive, I learned that while they had the technology ready, they were hesitant to release it broadly due to liability concerns. Tesla, however, wasn’t so cautious. Later that year, they introduced Autopilot, which leveraged similar technology but made it consumer-facing. Today, autonomous features are commonplace, a testament to how quickly innovation can leap forward once the groundwork is laid.

Razer’s Forge TV attempted to tap into the growing interest in Android gaming consoles that year. Despite their efforts, including acquiring Ouya’s assets, the device couldn’t compete with Nvidia’s more powerful Shield. The market for Android-based gaming consoles was short-lived, and the Forge TV joined a growing list of ambitious but ultimately unsuccessful projects.

Crowdfunding was a major theme that year, and I covered several products that were offered by platforms like Kickstarter and Indiegogo. Unfortunately, many of these projects never delivered. The Carbon Flyer, a carbon-fiber remote-controlled airplane, failed to reach most backers despite raising substantial funds. Similarly, the Zano drone became a cautionary tale after raising $3.4 million and delivering only a fraction of promised units. The fallout was significant enough to prompt an investigative report commissioned by Kickstarter. These experiences made me more cautious about covering crowdfunded products.

Not every project from CES 2015 faded into obscurity. The Virtuix Omni VR treadmill, showcased amid growing excitement for Oculus and HTC Vive, remains available today, albeit at a steep price of $3,500. The company found a niche market through VR gaming arenas, a clever pivot that has kept them in business for a decade.

Reflecting on that year, it’s clear that technological progress is as much about persistence as it is about innovation. While many products showcased at CES 2015 didn’t survive, the stories they left behind offer valuable lessons about ambition, timing, and adaptation. Revisiting these moments adds depth to the yearly spectacle of CES, reminding us that today’s cutting-edge ideas are often tomorrow’s memories.

CES 2025 is a Wrap!

This is my eighth trip to CES in Las Vegas since I started going in 2015 and the first time I covered the show solo. I was pleased to see that from a views and watch-time standpoint this was one of the more successful shows I’ve had in a number of years.

You can see the four dispatches I produced from the road here.

Attending CES means dealing with an immense and complex show floor. Each of the venues—from the Venetian to the Las Vegas Convention Center—houses countless booths and products. Instead of wandering aimlessly as I have in the past, I mapped out my route based on press releases and targeted booths that piqued my interest. This strategy not only saved time but also allowed me to uncover neighboring companies offering similar innovations.

Pre-show events like CES Unveiled, Pepcom, and Showstoppers proved invaluable. CES Unveiled highlights emerging startups and quirky innovations, while Pepcom and Showstoppers bring together hundreds of brands in one space, offering a high-density opportunity to capture content. These events are especially effective for solo operators like myself, providing focused coverage opportunities without the overwhelming sprawl of the main floor.

My rig was a simple but efficient setup designed for run-and-gun style filming. At the core was an iPhone 16, which performed admirably as a video camera, especially with its stabilization and wide-angle lens. The addition of a mirror attachment (affiliate link) to align shots using the rear camera was a low-tech yet effective solution. For audio, my Sennheiser AVX microphone system delivered clear sound despite the noisy environment, isolating my voice even amid the bustling show floor. It’s a piece of gear I’ve relied on for nearly a decade, and it continues to prove its value.

Editing and uploading posed another set of challenges. Las Vegas isn’t known for its high-speed internet during CES, so I relied on mobile data and tools like Tailscale to transfer files back to my home setup for final uploads. Even with these workarounds, patience was necessary—a single video could take hours to transfer and upload.

One noteworthy aspect of CES is how it supports media attendees. Complimentary lunches and transportation from partner hotels significantly ease the logistical burdens of covering such a massive event. Staying at an official CES hotel not only saved on travel costs but also reduced time spent navigating the city.

Covering every innovation and booth is impossible, especially solo, but prioritizing key areas and events makes the process more manageable. I’m looking forward to returning next year!

CES 2025 Video Dispatches Are Up! More to Come!

CES 2025 is in full swing here in Las Vegas and I have been busy attending press events along with walking the show floor looking for the hidden gems of the show that others might miss. You can see my latest dispatch videos here!

The playlist will be updated as I produce more.

I upload these every evening at 6:45 p.m. Right now there are two posted with a third due to publish at 6:45 p.m. eastern time. I am working on a fourth piece today which might be the last one but if I’m able to we’ll try to squeeze a fifth one in.

CES Recap : How to get your startup covered at the CES show

CES, the largest consumer electronics trade event, showcases the latest in technology and innovation every January. In my latest video I recapped the show and offered some tips for startups looking to get covered at future events.

If you missed my CES 2024 coverage you can catch up on all of it here!

One of the key areas of coverage for me are attending media showcase events. These events gather up anywhere from dozens to hundreds of companies together in one place. In many cases these companies aren’t exhibiting on the floor so it gives me a great opportunity as a small outlet to get access to them. Only media are invited to attend these events so if you are looking for coverage as a small company a showcase event is a great way to get noticed.

My go-to show case events are:

CES Unveiled, held the Sunday before the official start of CES, gathers over a hundred companies, many of them small startups. Pepcom, hosts high-quality companies, some not present on the show floor. Show Stoppers, similar to the other events but with fewer exhibiting companies, provides an opportunity to stand-out a long running event popular with media organizations.

A crucial tip for startups and exhibitors aiming for media attention: press releases are key. Early press releases significantly impact my planning ahead of the show. I read all of them! A well-organized press release, like this one I received from a French PR agency, can lead to efficient coverage of multiple products. Even if you don’t get a response, know that your information is being considered and can influence coverage decisions.

I say this because wandering the show floor at CES has become increasingly challenging. The excitement of discovering new and innovative products has diminished over the years mostly because there’s less interesting things to find. The CES official maps and apps offer little help in navigating the sea of exhibits, often lacking detailed information about the exhibitors.

Reflecting on my coverage, I feel there was more to be explored and reported. The overall buzz around CES has not reached its pre-pandemic heights, impacting both the content available and viewer interest. The logistics of covering the event in Las Vegas are daunting, with time constraints and transportation challenges. Despite these obstacles, the response from viewers has been encouraging, showing a clear appetite for more detailed and expansive coverage.

CES remains a pivotal event for technology media, but certainly things are changing as this market continues to change and evolve. Your feedback and suggestions are always welcome as we look forward to future events.

CES 2024 Coverage is Complete & Thoughts on the Future of CES..

I flew out to Las Vegas once again this year for the annual CES show! CES is of course the biggest consumer electronics show of the year with over 135,000 attendees from all over the world.

As usual we produced a number of dispatch videos (four of them!) along with a special dispatch covering some enterprise products from our sponsor, SK. While it’s always fun to attend these shows the energy of CES pre-pandemic has yet to return in the post-pandemic era.

Organizers canceled the 2021 show due to health concerns and after so many 2020 attendees fell ill with what was likely early COVID. Many exhibitors canceled their plans at the last minute in 2022 due to the virus. The 2023 show was a bit of a return to normalcy but with a reduced footprint. This year felt a lot like last year. Yes, there were a few of the larger exhibitions but the show didn’t have the same buzz and energy as the pre-pandemic years.

Part of the problem is that a lot of focus is now on artificial intelligence and less on new hardware ideas. So many of the exhibits we walked past in the “Eureka Park” startup exhibition area were just screens demoing some AI app vs. something more tangible.

As a “commodity” YouTuber my videos largely succeed or fail based on what general awareness and interest audiences have about an event or product. The 2019 and 2020 shows were the most exciting ones I attended and that was reflected in the view counts we saw on my reporting.

The lack of pizzazz this year carried over to the performance of the videos I uploaded. My first dispatch did the best as we uploaded it the night before the show officially opened. But the buzz among audiences dropped quickly after that with the second dispatch only garnering a third of the views of the first. The third dispatch only received half the views of the second. The fourth one has just published but so far it looks like audiences have moved on and this one will be the poorest performer of the bunch.

So will I return next year? Most likely yes if we can find a sponsor. But sadly unless the CES organizers and exhibitors make a major push to revitalize the energy of past shows I fear we may be seeing a decline. Perhaps major trade shows like this are becoming a thing of the past?

CES 2024 Dispatch 1 & 2 Are up with 3 & 4 Coming Soon! #ces2024

Producer Jake and I are on our way back from the annual CES show in Las Vegas. We had a very productive week out here and have enough footage collected for 4 dispatch videos this year!

Dispatch 3 is being edited as I type this but you can watch the first two plus a sponsored dispatch from our sponsor SK. All of my CES content will be in this playlist on YouTube.

More to come! I’ve been reading your comments and enjoy bringing this style of coverage to you.

CES 2023 Dispatch 2 – More Tech from the Pepcom Digital Experience!

My second dispatch from CES 2023 is up! You can watch it here.

In this edition we attended the “Pepcom Digital Experience” where well over a hundred tech companies gathered to show off their new gear. This event is similar to the CES Unveiled event from my first dispatch but this one has different companies exhibiting.

We got some first looks at new HP PCs and then found a whole bunch of cool stuff at varying price points. There’s definitely something for everyone in this latest dispatch so check it out!

This footage came from our activities on Wednesday. We have at least one more dispatch coming up from all of the things we did on Thursday! Stay tuned!

CES Trip Day 2 Update!

I just posted my second live update from CES here in Las Vegas!

Last night we attended a pre-show event called CES Unveiled. This has never been a great event in past years but this year it was filled with a lot of stuff I found interesting. So if everything cooperates here we’ll have our first dispatch video posted this evening! Stay tuned for that.

I am heading over to Lenovo’s CES suite in a little bit to get a look at some of the products they have planned for the coming year which will be part of Dispatch 2.

This evening my favorite CES event, Pepcom, will be taking place at the Mirage Hotel. There are close to 200 companies there so we should have enough to finish up our second dispatch video this evening.

Yesterday I had to go out and buy some things I forgot to pack with me – specifically a battery charger for my on-camera light and my Apple Watch charging cable! Generally I’m a much better packer but we just got back from a family vacation less than 24 hours before I had to leave for Vegas.

Thankfully there’s a photo store in Vegas called B&C Camera (not to be confused with B&H) that had what I needed at a close-to-market price. It looks like this place caters to photo and video professionals who forget to pack things as they had a good selection of gear.

Tomorrow is going to be a non-stop crazy day. We are going to hit the show floor first thing and stay out there until they close. That will be followed by the last showcase event called Showstoppers that should have a good number of exhibitors. We fly home Friday afternoon. My hope is to try and get Dispatch 2 up before we leave. Wish me luck !