Is ATSC 3.0 NextgenTV Stuck?

A long-awaited report on the transition to ATSC 3.0, the new over-the-air television technology, was released last week. The report represents the work of a broad coalition of stakeholders, including broadcasters, cable and satellite companies, consumer groups, and manufacturers, alongside the FCC. We talk about the report in my latest video.

What’s clear in the report is that the transition to this new over the air television technology is stuck – largely hindered by new DRM requirements that make it difficult for manufacturers to make affordable devices. Many are opting not to make one at all.

The FCC had initially targeted 2027 for turning off ATSC 1.0 and transitioning fully to ATSC 3.0. However, no stakeholder in the report supports setting a transition date yet. Consumer adoption of ATSC 3.0 capable televisions and tuners remains slow due to expensive devices. Most of the TVs that include ATSC 3.0 tuners are higher end sets, and while some lower-cost models are starting to include them, the technology has yet to reach the broader market. Similarly, cable and satellite providers face costly upgrades to their infrastructure and set-top boxes to handle the new standard, adding another layer of complexity.

Interestingly, the FCC chairman has suggested that TV spectrum could be repurposed for broadband data delivery, especially in underserved areas. Broadcasters are exploring this possibility by looking at how ATSC 3.0 might serve as a wireless data delivery system. However, this shift could force the industry to accelerate the transition or risk losing valuable spectrum to broadband use.

Retransmission fees—a major revenue source for broadcasters—complicate the situation further. Cable and satellite providers already pass significant costs to customers to cover these fees. Adding the expense of transitioning to ATSC 3.0 only intensifies the pressure cable companies face being stuck in the middle of broadcasters and customers. Moreover, legal requirements to maintain signal quality without material degradation present additional technical and financial challenges.

DRM is another contentious issue. Broadcasters continue to push for encryption of over-the-air signals, arguing it aligns with how the internet secures content. But unlike platforms like Netflix, which offer seamless access across devices even with DRM, ATSC 3.0 encryption has created significant consumer inconvenience. Currently, only devices running Android or Samsung’s Tizen TV OS can decrypt ATSC 3.0 signals, severely limiting accessibility.

Allowing gateway devices, like the HDHomerun and Zapperbox’s gateway functionality, could make the transition easier for consumers as they could watch ATSC 3 signals on the smart TVs and streaming boxes they already own. But the promised specifications from the broadcast standards body have yet to materialize.

I was very disappointed to see that the thousands of consumers who have spoken out against DRM on the FCC docket were not represented in this report.

For now, the ATSC 3.0 transition seems to be at a crossroads. With no clear path forward, the technology risks stalling altogether. Broadcasters, policymakers, and other stakeholders will need to address the existing challenges—from cost and DRM to consumer convenience—if they want to see widespread adoption.

LocalSend is a Great Open Source Simple File Transfer App for Android, iOS, Linux, Mac and PC

I came across a free, open source utility called LocalSend that has added a touch of convenience to my daily life. The app works as a cross-platform tool for transferring files between devices, offering functionality similar to Apple’s AirDrop but without being limited to a single ecosystem. It works across just about every platform out there including Android, iOS, iPad OS, Windows, Mac and Linux.

You can see it in action in my latest video.

To send a photo from my Android to my iPhone, I simply selected the LocalSend destination from the sharing options on my Android. The app assigned a random name to the device for identification purposes, which can be customized in the settings. After accepting the transfer on the iPhone, the photo appeared directly in the Photos app.

The app isn’t just for phones; it’s compatible with tablets and computers too. During testing, I used the Mac client to send a folder containing various file types—a PDF, a text file, an image, and an Excel document—to both my iPhone and Android phone simultaneously. The app preserved the folder structure on both devices.

Another useful feature is the ability to share files via a web link or QR code, eliminating the need for the app on the receiving device.

While the app works efficiently, there are a few caveats. Both devices need to be on the same local network, and the app must be open and active to receive files. It also didn’t work over my Tailscale VPN due to how it handles broadcast packets. However, these are minor inconveniences considering the app’s utility.

For comparison, I’ve used browser-based solutions like Snapdrop, which also allow for quick file transfers across devices. However, Snapdrop relies on a browser interface, whereas LocalSend integrates directly into the share button on mobile platforms. This integration streamlines the process and makes it feel more natural, especially for users accustomed to native sharing features.

I discovered LocalSend while helping my daughter with her YouTube channel. She edits her videos on an iPad but uses an Android phone to upload YouTube Shorts because the iPad’s YouTube app lacks this functionality. With LocalSend, she can quickly transfer videos from the iPad to the Android phone, making the entire process much simpler. It’s become a practical solution for us both.

LocalSend is free, open-source, and available on major app stores, including those for Mac and iOS, along with Android. Downloads for other platforms can be found on the Localsend website.

See more videos like this here.

Plex Rolls Out Beta of New TV Interface (sponsored post)

Plex recently announced a preview beta of their new interface for televisions. The beta is currently available on Apple TV but will be rolled out to additional platforms in the coming months. You can see it in action in my latest monthly sponsored video from Plex.

The home screen retains familiar elements, but with some notable refinements. For those running a Plex Pro server or have access to one, you’ll see a new row of servers running horizontally across the top of the screen. You can favorite specific libraries, which pins them to the top of the navigation, minimizing unnecessary scrolling. Browsing options are now slightly rearranged, but everything is as you’d expect—filters, collections, and categories—remains accessible, albeit in new locations.

Next to the library section you’ll find Live TV, which now integrates both live streaming channels and over the air TV if you’re making use of Plex’s DVR features. While integration between different servers and content sources isn’t fully seamless yet as it is in the current UI, the effort to accommodate various setups shows promise.

The next section over is “On Demand” content which includes the thousands of free ad supported TV shows and movies from Plex’s servers along with their recently announced rental section.

The discovery section, watchlist functionality, universal search, and settings haven’t changed drastically but have been given a cleaner, more consistent layout. From account settings to profile configurations, everything feels intuitive and easy to navigate.

One detail worth noting is the way user reviews now take precedence over professional ones when browsing movies and shows. I think this is a great opportunity for budding movie reviewers as you’ll be able to link back to your other social media platforms in your profile. This feature is optional and users have the option to revert back to having professional reviews first, followed by user generated. There’s also an option to turn off each set of reviews individually or fully.

I am receiving a lot of feedback from users on my YouTube comments with many expressing mixed or negative feedback on the new changes. This is an early beta and a lot will likely be changed over the coming months. Plex will be listening to user feedback on their forum page here, so I definitely suggest popping in there and making your voice heard.

Disclosure: This post was a paid sponsorship from Plex, however they did not review or approve this before it was uploaded.

Mayflash F700 Arcade Stick Review

I recently spent some time with the Mayflash F700 arcade stick, a controller that is both hefty and versatile. Weighing in at around six pounds (2.69 kg), it’s a device built with enthusiasts of fighting games and retro arcade shoot-’em-ups in mind. The F700 is priced at $149, putting it firmly in the premium category, but it offers a wide range of features to justify that investment. You can check it out in my latest review.

Right out of the box, the F700 is equipped with Mayflash-branded controls. The joystick has a satisfying click with every movement, offering a tactile, mechanical feel. The buttons, while quieter, are responsive, featuring shallow actuation and a quick spring-back that lends itself well to fast-paced gameplay. If customization is your thing, both the joystick and buttons can be swapped out for Sanwa components. Mayflash also sells a more premium version with those Sanwa controls already installed. Additionally, the controller’s top acrylic panel, held in place by magnets, allows you to personalize its appearance by replacing the background with your own design.

Another customizable feature is the gate for the joystick. The device comes with an octagonal gate as an alternative to the default rounded square one. While swapping gates requires disassembling the controller, it’s a useful option for those who want more precise control tailored to specific games.

The F700 also boasts a variety of connectivity options. The controller can be used via USB, 2.4GHz wireless with a dongle, or Bluetooth. Its built-in 1,000 mAh battery ensures tens of hours of wireless play. For wired connections, the cable is conveniently stored inside the controller, accessible through a small door. A notch on the door allows you to keep the cable partially exposed for quicker access. One gotchya is that the cable is not easily removed or replaced, it’s hard wired inside.

Compatibility is another standout feature. The F700 works with an impressive array of platforms, including the Nintendo Switch, PlayStation 4 and 3, Android devices, Apple products, and retro emulation consoles like the Sega Genesis Mini and Neo Geo Mini. While it’s technically compatible with the PlayStation 5, it only supports games that allow legacy PS4 controllers, which limits its usability on that platform. During my tests, the controller performed seamlessly across several systems, including a PC, a PS4, the Nintendo Switch, and my MiSTer console.

While the controller lacks a customization tool there’s still a bunch of functionality on board. There’s a switch that lets you map the joystick to act as a left stick, right stick, or D-pad, depending on your needs along with the ability to apply turbo to specific buttons. There’s even a headset jack for trash-talking during online matches, though it’s limited to certain connection methods like USB or the 2.4GHz dongle on the PC and PS3/PS4.

In terms of gameplay, the F700 delivers a satisfying arcade experience. I tested it with arcade classics like Teenage Mutant Ninja Turtles on the MiSTer and Street Fighter 2 on the Switch, as well as shoot ’em up titles like the original arcade Zaxxon. The controls felt precise and responsive, with no noticeable input lag when hardwired to a PC or the MiSTer.

For latency testing, I recorded gameplay using an iPhone at 240 frames per second, capturing both the button press and the on-screen response. By analyzing the footage frame by frame, I counted the number of frames it took for the input to register on the display. This approach, while not as scientifically rigorous as connecting electronics directly to the controller for precise measurements, provides a reliable baseline for comparison across different controllers and configurations.

That testing revealed the F700’s strong performance. When wired to a gaming laptop, it registered input in just seven frames at 240 frames per second, a remarkably low number. The 2.4GHz dongle added a mere three to four frames, while Bluetooth added a few additional frames. On the Nintendo Switch, however, latency was higher, with input taking around 18 frames. This result aligns with the Switch’s hardware limitations rather than any fault of the controller.

Overall, the Mayflash F700 is a solid choice for casual and enthusiast arcade players alike. Its extensive compatibility, customizable features, and robust build quality make it a versatile option for a variety of gaming setups.

Disclosure: Mayflash provided the F700 to the channel free of charge. However no other compensation was received and they did not review or approve the video or this post before it was uploaded. All opinions are my own.

I Finally Cut the Cord..

After years of navigating the world of cable TV and rising fees, I finally took the plunge and cut the cord. It’s a decision I’d been putting off for a long time, but the ever-increasing costs and declining value made it clear that the time had come. This move also marked the end of an era for my trusty HDHomeRun Prime, which had been a central part of my setup since 2013.

Prior to 2013, my local cable company, Comcast, made it easy to access digital TV directly through the coaxial cable, but things changed when encryption became standard. Suddenly, renting expensive equipment was the only option, and that’s when I discovered the HDHomeRun Prime. With the help of a cable card (which was mandated by the FCC), it allowed me to decrypt cable signals (legally) and stream them across my devices. For a one-time investment, I was able to bypass ongoing rental fees, and it quickly paid for itself.

Over the years, my setup evolved. Initially, I paired the HDHomeRun with Windows Media Center on a repurposed laptop and used Xbox 360s as extenders. It was a creative solution, but times have changed. With modern apps and DVRs, the technology has moved forward significantly. Yet, as convenient as the HDHomeRun Prime was, the creeping costs of cable—especially the ballooning broadcast TV fees—became impossible to ignore. Spending nearly $500 a year for local channels I could get for free with an antenna no longer made sense.

Transitioning to over-the-air (OTA) TV has been smoother than I expected. I invested in a high-performance antenna recommended by a trusted expert and connected it to an ATSC 3.0-capable HDHomeRun device. This setup delivers crystal-clear broadcasts at no additional cost, and the savings have been substantial. For those channels that remain encrypted, my antenna also picks up older ATSC 1.0 signals as a workaround. You can see more about that journey here.

Cutting the cord hasn’t meant giving up on the news or big events. Local stations often share stories via their websites, RSS feeds, or YouTube channels, making it easy to stay informed without a cable subscription. And for marquee events like the Super Bowl, free streaming services like Tubi are stepping in, offering content in high quality without the added fees.

The broader industry trends are clear. As traditional broadcasters continue to raise prices and push encryption, they risk alienating even their most loyal customers. At the same time, free and flexible alternatives are gaining ground. The shift may not be immediate, but it feels inevitable.

Letting go of cable TV and the HDHomeRun Prime was bittersweet—it had been a reliable companion for over a decade. But the freedom and cost savings of a cable-free setup are worth it. It’s a change I’d recommend to anyone still on the fence. The options for high-quality, free entertainment are out there.

Walmart Onn. 11 Tablet Pro Review (New 2024 / 2025 Version)

In my latest video, I take a look at the Onn 11 Tablet Pro, Walmart’s top-of-the-line tablet, following up on my earlier review of their more affordable option. At $130, this tablet offers impressive value for its price (compensated affiliate link).,

While it’s not as powerful as last year’s Pro model, it brings notable improvements over the lower-cost version.

The 11-inch display, with its 1840×1280 resolution, delivers a crisp 1080p experience, which is particularly noticeable when streaming content. Unlike the cheaper model, which is limited to 480p video playback on services like Netflix, this tablet supports full HD.

The build quality is solid, with a metal back and glass display, though it lacks a fingerprint-resistant coating. Weighing just over a pound, it’s lightweight and comfortable to use, but the touch responsiveness could be improved, as the screen occasionally misinterprets input if fingers rest on the edge.

Audio quality is decent, with four DTS:X-supported speakers providing better sound than expected at this price point. However, the absence of a headphone jack means you’ll need to rely on Bluetooth or the USB-C port for wired audio.

For storage, the tablet includes 64GB onboard with an option for expansion via an SD card. With 4GB of RAM and a Qualcomm 685 processor, performance is adequate for casual use but comparable to the lower-cost 10.1-inch model. Benchmarks reveal no significant speed advantage despite the extra memory, and gaming performance, while passable, doesn’t match higher-end devices or even last year’s Pro 11 model.

The tablet’s cameras are a pleasant surprise, with both front and rear cameras offering 5MP resolution and 1080p video at 30fps. While stabilization isn’t great, the image and video quality exceed expectations for the price. These cameras are functional for video calls, casual photography, and basic video recording.

Battery life is a strong point, with the tablet delivering up to 16 hours for basic tasks like web browsing or streaming. Gaming reduces this significantly to about 5-8 hours, but it’s sufficient for typical daily use or long flights. The device runs Android 14 with a clean interface free of unnecessary pre-installed apps, aside from Walmart’s own pre-installed shopping app.

When it comes to gaming, casual titles like Minecraft and Roblox perform well, though demanding games may struggle. Streaming games via Xbox Cloud Gaming worked without major issues, even with the tablet’s limited Wi-Fi capability, which maxes out at 250 Mbps due to its single-channel AC radio. However, the lack of Wi-Fi 6 and offline GPS support might be dealbreakers for some users.

This tablet stands out for offering a well-rounded media and casual gaming experience at an accessible price. Its sharper display, added RAM, and support for higher-resolution streaming make it a nice upgrade over Walmart’s lower-cost options. It might not be a powerhouse, but it’s an affordable, capable device for users who value functionality over cutting-edge performance.

Taildrop: Simple device-to-device file sharing via Tailscale

Last year, I shared a video about Tailscale, a personal VPN that has been transformative for how I manage my devices. Tailscale allows its users to connect all their devices seamlessly, no matter where they are in the world without opening ports on your router. It’s free to use, operates without requiring firewall adjustments, and adds a significant layer of security. Since that first video, I’ve discovered new ways to make the most of this tool, and one feature that stands out is Taildrop.

You can check out in this video review.

Taildrop makes transferring files across devices incredibly simple. Imagine an Android phone with a photo that needs to be sent to an iPhone. If you’re familiar with Apple’s AirDrop, you know how easy that process is but of course it doesn’t work on Android phones. Taildrop brings that same ease to any device in your network, regardless of the platform. Pull up the image, click the share button on your respective platform, select Tailscale and with a tap the image is transferred to the other device.

During a trip to Las Vegas for CES, I relied on Taildrop to send files from Nevada back to Connecticut with minimal effort. The process worked just as smoothly across continents as it does within the same room.

Getting started with Taildrop is straightforward. After enabling the feature in Tailscale’s admin panel, it syncs across all devices in the network. Once activated, files sent via Taildrop will typically land in the download folder on Android, Windows, and Mac. For iPhones, files appear in the Tailscale section of the Files app. The process is intuitive—just a few taps or clicks, and the file is delivered. Even large files are supported, though transfer speed depends on the available bandwidth.

One limitation I encountered is that the Mac and iOS versions don’t currently allow for file transfer resumption, so any interruption means starting over. Other platforms like Android and Windows are more forgiving, letting you pick up where you left off. This is an area where the feature will likely improve over time.

I’ve tested Taildrop in a variety of scenarios. For instance, on my Windows 11 ham radio computer, I transferred a capture of packet radio data to a MacBook Air in seconds. From the Mac, I sent a file to my Android phone, which appeared in its download folder as expected. With devices authenticated on the Tailscale network, there’s no need for additional approvals—files move securely and directly.

For users with NAS devices like Synology or QNAP, Taildrop requires some initial setup, but the process is well-documented on Tailscale’s support page. Once configured, it works just as seamlessly, depositing files into a specified folder for easy access.

This feature has become indispensable for me. Whether moving files between devices or remotely managing uploads, Taildrop handles it all effortlessly. Combined with the security and flexibility of Tailscale, it’s a tool I now rely on daily.

If you haven’t yet explored Tailscale, it’s worth a look. Beyond Taildrop, it has transformed how I manage my network, locking down outside access while maintaining full connectivity to all my devices and Docker containers. It’s a practical and powerful solution that continues to impress me.

Clicks Keyboard for iPhone 16 Review

The Clicks Keyboard is a case with a physical keyboard attachment for the iPhone, designed for those who miss the tactile experience of typing on physical keys. I had the chance to test it out with my iPhone 16 Pro Max, courtesy of MrMobile, who provided a sample during CES in Las Vegas.

I put the case through its paces in this video review.

The case is priced at $159 for larger iPhone 16 models and $139 for smaller ones (compensated affiliate link). Versions are also available for older models like the iPhone 14 and 15. The 16 variant includes updates such as MagSafe compatibility and a data pass-through mode.

This product targets a niche audience—those who value the feel of physical keys. Over the course of a weekend, I got used to the keyboard quickly, appreciating the backlit keys and design that minimizes typos. The tactile feedback is satisfying, thanks to the angled keys, travel distance and confirming click with each keypress. The keyboard even features tactile markers on the F and J keys to help orient your fingers.

One thing to note is what the cases adds to overall length of your phone, particularly noticeable with the Pro Max model. It’s manageable but shifts the phone’s balance, making it top-heavy. Clicks suggests users extend their fingers out to the center of the phone to keep it balanced versus holding it like a Blackberry.

Installing and removing the phone is straightforward. It connects via USB-C, bypassing the need for Bluetooth pairing. The accompanying app provides customization options, firmware updates, and controls for features like backlight brightness and timeout settings. It also includes a helpful collection of pre-configured Apple Shortcuts, showcasing ways to automate tasks on your iPhone.

The keyboard works well with iOS keyboard shortcuts. Command combinations like Command+H for Home or Command+Space for search replicate what you’d expect from a standard keyboard. Additionally, you can enable full keyboard access in the accessibility menu to create custom shortcuts. For instance, I set up a shortcut to toggle my overhead light using the S key. However, enabling this feature can interfere with some apps—a minor drawback that may require trial and error to navigate.

The case shines in scenarios where screen real estate matters. Typing in apps like spreadsheets or Instagram becomes more efficient without the on-screen keyboard taking up space and covering up important aspects of your work. However, compatibility issues exist. For example, adding text to YouTube Shorts or TikTok videos doesn’t work with an external keyboard.

Charging through the case is convenient, with USB-C pass-through or with the MagSafe support. The new data pass-through feature allows the phone to interface with other devices, such as for CarPlay, though video output isn’t supported. When data pass-through is enabled the keys are disabled.

While practical in specific use cases, the Clicks Keyboard won’t be for everyone. It’s a solid option for those who miss physical keyboards and can benefit from the added functionality it brings. The tactile typing experience and potential for automation shortcuts make it worth considering, even if it’s not something you’d keep attached all the time.

The Ghosts of CES Past! A Look Back at CES 2015

Returning from CES this year, I found myself reflecting on a question that popped up frequently in the comments on my coverage: How many of the showcased products from one of these shows actually stick around for the long haul? To answer that, I took a trip down memory lane to revisit products I featured from the show in 2015, the first CES I attended.

You can check it out in my latest video.

One standout from that year was the ODG consumer smart glasses, an ambitious attempt at wearable augmented reality. At the time, it was essentially an Android device that overlaid digital information onto the real world. My video featuring their booth drew significant attention, racking up 76,000 views, making it my most-watched video from the show. Yet, despite the buzz, the company collapsed just a few years later. By 2018, ODG was laying off employees and failing to pay others. While their patents found new homes, including with Facebook, the dream of widespread consumer AR was clearly ahead of its time.

Typo keyboards were another story of ambition meeting resistance. Designed to bring a BlackBerry-style typing experience to iPhones, Typo quickly landed in legal trouble. BlackBerry sued Typo and won, forcing Typo to shift focus to tablet keyboards. The product quality was decent—I still have some prototypes—but the company didn’t last much longer than the 2015 show.

CES 2015 also marked my first encounter with self-driving cars, courtesy of BMW. Their demo featured an autonomous vehicle navigating a short course, an exciting glimpse into the future. During a conversation with a BMW executive, I learned that while they had the technology ready, they were hesitant to release it broadly due to liability concerns. Tesla, however, wasn’t so cautious. Later that year, they introduced Autopilot, which leveraged similar technology but made it consumer-facing. Today, autonomous features are commonplace, a testament to how quickly innovation can leap forward once the groundwork is laid.

Razer’s Forge TV attempted to tap into the growing interest in Android gaming consoles that year. Despite their efforts, including acquiring Ouya’s assets, the device couldn’t compete with Nvidia’s more powerful Shield. The market for Android-based gaming consoles was short-lived, and the Forge TV joined a growing list of ambitious but ultimately unsuccessful projects.

Crowdfunding was a major theme that year, and I covered several products that were offered by platforms like Kickstarter and Indiegogo. Unfortunately, many of these projects never delivered. The Carbon Flyer, a carbon-fiber remote-controlled airplane, failed to reach most backers despite raising substantial funds. Similarly, the Zano drone became a cautionary tale after raising $3.4 million and delivering only a fraction of promised units. The fallout was significant enough to prompt an investigative report commissioned by Kickstarter. These experiences made me more cautious about covering crowdfunded products.

Not every project from CES 2015 faded into obscurity. The Virtuix Omni VR treadmill, showcased amid growing excitement for Oculus and HTC Vive, remains available today, albeit at a steep price of $3,500. The company found a niche market through VR gaming arenas, a clever pivot that has kept them in business for a decade.

Reflecting on that year, it’s clear that technological progress is as much about persistence as it is about innovation. While many products showcased at CES 2015 didn’t survive, the stories they left behind offer valuable lessons about ambition, timing, and adaptation. Revisiting these moments adds depth to the yearly spectacle of CES, reminding us that today’s cutting-edge ideas are often tomorrow’s memories.

CES 2025 is a Wrap!

This is my eighth trip to CES in Las Vegas since I started going in 2015 and the first time I covered the show solo. I was pleased to see that from a views and watch-time standpoint this was one of the more successful shows I’ve had in a number of years.

You can see the four dispatches I produced from the road here.

Attending CES means dealing with an immense and complex show floor. Each of the venues—from the Venetian to the Las Vegas Convention Center—houses countless booths and products. Instead of wandering aimlessly as I have in the past, I mapped out my route based on press releases and targeted booths that piqued my interest. This strategy not only saved time but also allowed me to uncover neighboring companies offering similar innovations.

Pre-show events like CES Unveiled, Pepcom, and Showstoppers proved invaluable. CES Unveiled highlights emerging startups and quirky innovations, while Pepcom and Showstoppers bring together hundreds of brands in one space, offering a high-density opportunity to capture content. These events are especially effective for solo operators like myself, providing focused coverage opportunities without the overwhelming sprawl of the main floor.

My rig was a simple but efficient setup designed for run-and-gun style filming. At the core was an iPhone 16, which performed admirably as a video camera, especially with its stabilization and wide-angle lens. The addition of a mirror attachment (affiliate link) to align shots using the rear camera was a low-tech yet effective solution. For audio, my Sennheiser AVX microphone system delivered clear sound despite the noisy environment, isolating my voice even amid the bustling show floor. It’s a piece of gear I’ve relied on for nearly a decade, and it continues to prove its value.

Editing and uploading posed another set of challenges. Las Vegas isn’t known for its high-speed internet during CES, so I relied on mobile data and tools like Tailscale to transfer files back to my home setup for final uploads. Even with these workarounds, patience was necessary—a single video could take hours to transfer and upload.

One noteworthy aspect of CES is how it supports media attendees. Complimentary lunches and transportation from partner hotels significantly ease the logistical burdens of covering such a massive event. Staying at an official CES hotel not only saved on travel costs but also reduced time spent navigating the city.

Covering every innovation and booth is impossible, especially solo, but prioritizing key areas and events makes the process more manageable. I’m looking forward to returning next year!

CES 2025 Video Dispatches Are Up! More to Come!

CES 2025 is in full swing here in Las Vegas and I have been busy attending press events along with walking the show floor looking for the hidden gems of the show that others might miss. You can see my latest dispatch videos here!

The playlist will be updated as I produce more.

I upload these every evening at 6:45 p.m. Right now there are two posted with a third due to publish at 6:45 p.m. eastern time. I am working on a fourth piece today which might be the last one but if I’m able to we’ll try to squeeze a fifth one in.

Walmart Onn 10.1 Tablet Review (2024/2025 Version)

I recently spent some time with Walmart’s latest 10.1-inch Android tablet, priced at just $99 (compensated affiliate link). It is the subject of my latest video review.

The tablet stands out for its affordability and solid build quality, especially considering its price point. It comes with Android 14, offering a modern operating system and a relatively Android experience with no bloatware beyond the preinstalled Walmart app.

The design is simple but effective, featuring an aluminum back that adds a touch of durability and a glass screen that’s thicker than I expected, though it does collect fingerprints. At 1.06 pounds, it’s light and easy to carry, but its display—a 1280×800 resolution IPS screen—has its limitations. While colors are decent, the lower pixel density of the display makes it less ideal for text-heavy activities like reading.

Inside, the tablet runs on a MediaTek Helio G80 processor with 3GB of RAM and 32GB of storage. There’s an SD card slot for expanding storage, making it a good option for offline media like downloaded Netflix shows. Casual gaming works well, with titles like Minecraft running smoothly. However, more demanding games like Roblox reveal the limitations of the hardware, with noticeable lag and frame drops. For cloud gaming enthusiasts, services like Xbox Game Pass stream fine.

The cameras are functional but far from exceptional. The rear camera offers 5 megapixels and 1080p video at 30fps, while the front camera is limited to 720p. Neither is likely to impress, but they’re serviceable for video calls or quick snapshots. The inclusion of a GPS radio is a surprising perk, especially for outdoor navigation or location-based apps.

Audio performance is another mixed bag. While the tablet features stereo speakers, the sound quality is underwhelming. There’s no headphone jack, so Bluetooth or USB-C headphones are required for better audio.

Multitasking is possible, with the device supporting split-screen mode and picture-in-picture features. However, performance can feel sluggish when pushing the hardware. It’s worth noting that the tablet improves after its initial round of updates after it’s first booted up, so letting it update fully out of the box will deliver better performance once done.

For its price, this Walmart tablet offers good value, particularly when compared to similarly priced options from lesser-known brands. It feels more reliable, benefits from Walmart’s support, and avoids the compatibility hurdles of Amazon Fire tablets. While it has its limitations, it’s a capable device for basic tasks like streaming, light gaming, and web browsing.

Disclosure: I purchased the tablet with my own funds.

The Honey Scandal & Lawsuit: A case that may be hard to prove..

I was away on vacation when Megalag’s video exposing the Honey browser extension went bonkers in the YouTube creator space. This week a class action lawsuit was filed by Legal Eagle against the extension’s owner, Paypal. In my latest video, we dive into the controversy and the lawsuit. I’m not as bullish as some are about the potential to take Paypal to the cleaners over this.

For those unfamiliar with the situation, Honey has been accused of altering cookies associated with affiliate links. Here’s how it works: If you click on an affiliate link I’ve shared in a video description and later use Honey to check for coupons at checkout, the extension reportedly replaces my affiliate code with their own. This practice diverts commissions from creators like me to Honey.

The lawsuit alleges that Honey’s practices interfere with contractual relationships between creators and the affiliate networks they work with. For instance, I agreed to a contract with affiliate network providers that defines how the program works, rules that I need to abide by, and how I will be compensated. The lawsuit argues by replacing my affiliate cookie, Honey effectively disrupts this agreement. There are also claims of unjust enrichment, as PayPal benefits financially from this interference.

It’s worth noting that Honey has openly admitted to its cookie-swapping behavior in the past. Posts dating back to 2019 and 2022 confirm this. So the big question here is not if Honey is doing this but whether their conduct is interfering with the relationships creators have with affiliate providers.

This will be complicated by the fact that Honey has its own contractual relationships with the the same affiliate networks as creators. Because all of these agreements state the “last click” gets the sale – is it interference if everyone has a contract and agreed to how this competitive marketplace works? That will be up to the judge to decide.

Proving damages in this case is likely to be challenging. Affiliate systems rely on cookies, and tracking the origin of every redirected click often involves digging through extensive logs maintained by companies like PayPal. The plaintiffs in this lawsuit believe these records exist, but it remains to be seen whether the court will grant access during discovery. Even if the records can be accessed, it will be very difficult to match individual URLs to specific creators. You can see an example of that in my video.

For creators like me, the discrepancies between clicks recorded on my tracking system and those reported by affiliate networks have always raised questions. While Honey’s actions might be part of the issue, ad blockers, browser settings, and other factors play a role too.

As for the lawsuit, it’s still early days. Class action cases like this can take years to resolve, and even when settlements occur, they rarely offer much compensation for individuals. In most cases, the legal teams walk away with the largest share of the financial outcome. For instance, a previous class action against Apple awarded individual plaintiffs small sums, while the attorneys received tens of millions.

For now, I’ll be watching this case unfold with interest. While I’m not optimistic about the likelihood of significant outcomes for creators, the attention this issue is receiving could spark discussions about the ethical standards of affiliate marketing and the accountability of major players like Honey.

Plex HDR Hardware Tone Mapping Comes to Windows (sponsored post)

Plex recently rolled out a hardware tone mapping to the Windows version of the Plex media server. You can see it in action in my latest monthly sponsored Plex video.

Previously exclusive to Linux, this feature now allows Windows users with supported Intel processors to transcode HDR video to SDR with hardware acceleration, making it more accessible for out-of-home streaming on devices like phones and tablets. While the update brings much-needed capability to Windows, there are notable differences in how the feature is configured compared to its Linux counterpart.

To enable hardware tone mapping on Windows, users need at least a Tiger Lake processor or newer. This requirement contrasts with Linux, which supports older hardware, including Kaby Lake processors from 2016. The configuration process in Windows involves navigating to the hardware transcoder menu, where HDR tone mapping can be switched on if it isn’t already. Users can manually adjust settings for saturation, contrast, and brightness to optimize the output for different devices. These adjustments apply server-wide, affecting all transcoding sessions. While this manual configuration allows for flexibility, it also requires more effort from the user.

Linux simplifies the process with pre-baked algorithms for tone mapping. These presets eliminate the need for manual adjustments, allowing users to select an option that best suits their viewing devices. The detailed information about these algorithms is available in the support documentation provided by Plex.

In testing the Windows tone mapping feature, I used an HDR film and converted it to 720p HD. The hardware transcoder effectively handled the process, with CPU usage averaging around 27% and minimal memory impact. The output, however, was brighter than expected, contrary to Plex’s guidance about darker results.

For those with systems that include an NVIDIA GPU alongside an Intel or AMD processor, Windows users gain access to the same tone mapping algorithms as Linux, bypassing the need for manual configuration. Additionally, software-based tone mapping is an option, though it’s more resource-intensive and less efficient than hardware solutions.

For users focused on streaming full bit-rate media within the home, the tone mapping features are less critical. The Windows version of the Plex server reliably delivers video to devices like the NVIDIA Shield without the need for transcoding. However, for those who frequently transcode video for out-of-home use, the introduction of hardware tone mapping to Windows is a welcome addition. While it requires some manual effort, it now offers a somewhat viable alternative to Linux for handling HDR-to-SDR conversions.

Ultimately, this update broadens the options available to Plex users on Windows. While Linux remains the more streamlined and resource-efficient choice for extensive hardware transcoding, Windows users now get a more efficient solution HDR video transcoding.

Disclosure: This video was a paid sponsorship by Plex, however they did not review or approve this content before it was uploaded and all opinions are my own.

8bitdo 108 Retro Mechanical Keyboard with Number Pad

I recently had the chance to explore a new version of a keyboard I had previously enjoyed, the 8BitDo Retro Mechanical Keyboard 108. At first glance, it’s clear that this is an update to their earlier model, now with an integrated number pad, addressing one of the primary gaps from its predecessor. As someone who frequently uses the number pad for work, this new edition is a welcome one!

You can check it out in my latest video review.

The keyboard is priced at around $120, though prices fluctuate. Compared to the earlier model, the integrated number pad makes this keyboard feel more complete. It’s slightly more compact than the older model with the separate number pad accessory, and it eliminates the need for multiple USB connections. However, it lacks the built-in calculator functionality found on the standalone number pad.

In the box you’ll find the keyboard but also a pair of super large macro buttons that connect to one of four accessory connectors on the back of the keyboard.

The keyboard maintains the retro aesthetic that 8BitDo is known for. It’s available in an NES-inspired design and a Famicom version, though I’m hoping they’ll expand to include other styles, like the IBM or Commodore 64 themes available on their other keyboards. The overall build quality is solid. It’s made of durable plastic, with a good weight that keeps it stable on a desk.

The tactile feel and sound of the keys are reminiscent of older keyboards, with Kailh Box White switches that provide a satisfying click while typing. n-key rollover is supported for gamers. The keys and switches are the same as the prior model and users can hot swap out the switches if they prefer something else. One downside is the lack of backlighting, which might be a dealbreaker for some.

This version introduces extendable feet, allowing users to adjust the keyboard’s angle slightly. While the adjustment isn’t significant, it does provide a little more height for those who prefer a higher typing angle.

The keyboard is compatible with nearly any device that supports keyboards, offering three connection modes: USB, Bluetooth, and 2.4 GHz wireless via an included dongle. The dongle is cleverly stored on the keyboard with a magnetic attachment. Switching between devices is simple with a physical dial that toggles between connection modes.

The programmable macro buttons can be set up directly on the keyboard or through 8BitDo’s software. The process is straightforward and offers a nice layer of customization. For example, I was able to map a screen recording command to one of the buttons without having to use the 8bitdo software to do it. In addition to the large external accessory buttons there are two red keys on the keyboard labeled “A” and “B” that can also be programmed.

The 8bitdo software expands these capabilities further, enabling advanced automation and custom functions. The external accessory buttons add another layer of versatility, though they’re wired, which might require some cable management.

Overall, this keyboard delivers on its promise of blending retro style with modern functionality. It’s a strong option for those who value both aesthetics and performance, and I’m looking forward to seeing how 8BitDo continues to evolve their designs.

See more 8bitdo reviews here!