The FCC Vote on ATSC 3.0 Opens a New Comment Period on DRM, Tuner Mandates

For the past couple of years, viewers like us have been urging the FCC to rein in broadcasters who want to lock down free antenna signals with encryption. These broadcasters would prefer you watch through paid services that generate retransmission fees, but many of us have been pushing back to preserve the ability to view and record free local TV as we always have.

In my latest video, I talk about a recent vote the FCC took on moving to the next step of the process which includes a significant focus on DRM.

Back in August, Tyler the Antenna Man and I visited the FCC to deliver those concerns in person. A few weeks ago, the commission released a draft order that reflected much of what we presented. The document included serious questions for the industry about how they’ve been handling DRM under ATSC 3.0 and whether their current encryption practices even comply with the Communications Act. The FCC also asked whether regulation of DRM should fall under their authority rather than a private group like A3SA as it does now, and if privacy protections and fair-use rights need to be written into formal rules rather than left to voluntary standards.

Two commissioners, Republican Olivia Trusty and Democrat Anna Gomez, acknowledged the discontent members of the general public are feeling about the ATSC 3.0 transition and committed to ensuring the public interest is a priority in future decision making.

The commissioners voted unanimously to move the process forward. While no new rules are in place yet, the order proposes ending the simulcast requirement that forces stations to broadcast in both ATSC 1.0 and 3.0, and it opens another round of public comment. Once it’s published in the Federal Register, there will be 60 days to file comments and another 30 for replies. That’s our opportunity to make sure the record reflects real-world experience—what it’s actually like trying to tune encrypted 3.0 channels when current devices can’t play them back.

I plan to continue submitting evidence that counters misleading claims from the broadcast lobby. For example, a Sinclair executive recently asserted on LinkedIn that ATSC 3.0 works on phones, tablets, and gateway devices. It doesn’t. I tested every configuration he mentioned—USB-C tuners, set-top boxes, network gateways—and none could decrypt the DRM-protected broadcasts. SiliconDust’s HDHomeRun, which he cited as compatible, has been locked out entirely from A3SA’s system. The president of Silicondust even appealed directly to the FCC for relief. When industry talking points like that appear, I post photographic proof of what consumers actually encounter: a black screen where free TV used to be.

One other example occurred on the official docket. In a filing, broadcasters reversed their position on tuner mandates. Just a few years ago they told the FCC to stay out of hardware requirements. Now they’re asking for mandatory ATSC 3.0 tuners, even though DRM complexity has made manufacturing affordable devices nearly impossible.

As the next comment window opens, I’ll share updates through an email list at lon.tv/rapidresponse and a set of instructions at lon.tv/fccinstructions for anyone who wants to participate. This FCC seems more receptive to the public than prior FCC’s, but the chairman is moving quickly, so timing will matter. When broadcasters spread misinformation, the best response is data—photos, test results, and honest firsthand accounts. That’s how we keep the record straight and make sure free, open access to local TV doesn’t quietly disappear behind a paywall.

The Disney vs. YouTube / Google Dispute Gets Even Worse..

I’ve been following the latest corporate clash between Disney and YouTube, and what’s striking is how much it mirrors the cable disputes of the past—except now it’s happening in the streaming world.

I dive into what’s going on in my latest video.

If you subscribe to YouTube TV, you’ve likely noticed the fallout firsthand. Disney’s channels—including ESPN and local ABC affiliates—have vanished due to a carriage dispute. In addition to losing live television, anything recorded on the YouTube DVR has disappeared too. Those recordings were effectively part of the licensing agreement, not owned by the user doing the recording, and that license is now suspended.

The tension doesn’t stop at television. Disney has also pulled all of its movies from Google’s digital stores, including YouTube and Google Play. That means you can’t buy or rent new Disney titles there anymore. Meanwhile, Google has withdrawn from the Movies Anywhere service, a consumer-friendly platform that let users sync digital movie purchases across multiple services like Apple TV, Prime Video, and (formerly) Google Play. I’ve always appreciated that system—it offered rare flexibility in a digital landscape full of restrictions—but now, for Google users at least, it’s no longer working the way it used to.

Underneath these disputes is a deeper problem: the TV industry’s outdated economic model. There was a time when networks competed on content quality and ad revenue. Now, they rely heavily on retransmission fees—payments from cable or streaming services that carry their channels. As customers cut the cord to escape rising costs, networks have responded by hiking prices even more, a cycle that keeps pushing people away.

I saw it myself before I canceled cable; I was paying $35 a month just for local TV channels. Those fees have crept into streaming too—YouTube TV’s base plan has climbed from $35 in 2017 to $83 last year, and more increases are likely if these negotiations continue to go badly for streamers.

Broadcasters, rather than adapting, are lobbying for rule changes that would let them negotiate retransmission deals station by station instead of through national networks. That would almost certainly mean higher prices and more blackouts, similar to what legacy cable customers face. They’ve packaged the effort under the guise of supporting local news, but the real motive is to extract more revenue from platforms like YouTube TV. Consumers end up paying the price, both figuratively and literally.

At the same time, the broadcast industry is making over-the-air viewing less accessible. With the rollout of the ATSC 3.0 standard—also called NextGen TV—broadcasters are adding encryption that limits what viewers can record or stream inside their own homes. It’s another way of nudging people back toward paid streaming, where networks can charge retransmission fees and control access.

All of this paints a bleak picture for consumers. The fight between Disney and Google is about who gets to collect your subscription dollars, not about improving the viewing experience. While they posture in the media against each other, viewers lose access to channels, movies, and services that once worked seamlessly. I still buy physical media for that reason—Blu-rays with digital codes I can redeem independently of these shifting corporate agreements. Those discs can’t be taken away from me in a dispute.

Eventually, Disney and Google will almost certainly strike a new deal. But when they do, the outcome is easy to predict: everything will return, and it will cost more. In the meantime, it’s another reminder of how little control consumers actually have in the streaming age, and how quickly “your” digital library can turn into theirs again.

Is Smart TV HDMI Spying Legal?

After last week’s video about how smart TVs spy on users, I wanted to take a deeper look at the legalities around allowing TV manufacturers to spy on everything we watch – including what’s connected to our TVs via the HDMI port.

Check it out in my latest video!

As a recap, most televisions don’t just track what apps you use—they can identify what’s on the screen or what’s coming through the speakers, then send that data off to advertisers and data brokers. It’s all done through automatic content recognition, or ACR, and it’s completely legal because users consent to it, often without understanding they have.

When I factory-reset my Roku TV, the setup process gave me two options in regards to ACR: “Agree” or “Manage Preferences.” There was no simple “Yes” or “No.” Most people, eager to get started, are going to hit “Agree.”

If you do click through to “Manage Preferences,” you can then opt out, and Roku will still let you use its smart features. That’s more than I can say for my LG TV, which shut down all its smart functions when I declined a new privacy policy after a firmware update. I could still use connected devices, but the built-in apps were locked out until I accepted the new terms. Roku’s approach at least lets you continue using the interface, but I doubt many users go through the trouble to opt out. A real opt-in should offer a clear yes-or-no choice, not bury “no” under layers of menus.

Roku’s privacy policy itself is over a hundred pages long printed out, and scrolling through it takes several minutes. Buried in that text are all the details about how the company collects and sells data. The numbers make it clear why this is so central to their business—Roku’s recent quarterly report showed more than a billion dollars in gross profit from its platform, compared to only about $146 million from hardware. The TVs are just the delivery mechanism; you and your data are the product.

Apple has taken the opposite approach by asking users directly whether they want to be tracked across apps. The first choice shown is “Ask App Not to Track,” followed by “Allow.” When Apple rolled this out, 96 percent of U.S. users opted out, and even now most people still refuse tracking when given a clear choice. Reports from analytics firms put the current opt-in rate somewhere between 15 and 30 percent.

Looking ahead, I’m concerned about where this technology might go as AI becomes more powerful. Right now, companies say they’re only sending “fingerprints” of screen images, not the images themselves, but even small local models that can run on smartphones analyze photos in surprising detail. It’s easy to imagine a manufacturer deciding that full-image uploads could make targeting more precise and profitable.

Many viewers told me the simple answer is to keep TVs offline. I agree—that’s the easiest fix. Unplug the Ethernet cable, disable Wi-Fi, and use an external device like an Apple TV or a computer if you want streaming apps. But most consumers don’t do that. When I stopped by Best Buy recently, the salesperson said people mainly care whether their new TV supports the apps they use most. They’re connecting their sets because they want convenience, not because they’ve read a privacy policy.

If regulations ever catch up, maybe they’ll require true opt-in choices instead of manipulative prompts. Until then, the safest move is still to disconnect your television from the internet and think carefully about what you’re agreeing to.

For a good resource on taking back control, my friend Veronica over at Veronica Explained has a video on cutting these services out entirely and running everything with open-source tools. She’s got some solid ideas for handling your own streaming setup without giving away your data.

Your TV’s HDMI Port is Spying on You…

When I bought my LG OLED TV about eight years ago, I never imagined it would one day be spying on everything I watched. Like most people, I was aware that smart TVs track viewing habits for marketing purposes, but what I didn’t realize until recently is just how deep that surveillance goes. These devices actually capture images and audio from anything connected to the TV, whether it’s a game console, a streaming box, or even a home movie streamed from your phone. That information gets packaged up and sent to data brokers or used to target ads across the web.

In my latest analysis video, we dive into this issue and see how many popular brands implement it.

This kind of tracking happens through something called Automatic Content Recognition, or ACR. It works by sampling what’s on the screen, matching it against a database, and then building a profile around what your household watches. This data is also used to help marketers see how many viewers actually see their ads.

When I went through the privacy settings on my LG set after a firmware update, I discovered the TV was monitoring all HDMI inputs, not just built-in apps. And when I tried to opt out, the TV refused to let me use any of its “smart” features unless I agreed to those terms.

Other manufacturers handle it differently, though not necessarily better. Samsung buries its ACR disclosure deep in its privacy statements, and while there’s an option to disable “SyncPlus and Interactive Functions,” it’s not clear how complete that shut-off really is.

Amazon’s Fire TV–powered televisions create digital fingerprints from the shows and ads you watch, saying the goal is to verify ad impressions and “reduce repetition,” but that still means every pixel and sound might be analyzed.

Roku is the most open about its practices – and even brags about winning an Emmy for their TV spying technology – mostly because it uses that transparency to sell advertisers on the value of its data. The company even boasts about its ability to track what games are being played on connected consoles and for how long people play them.

Google TV is the biggest mystery of the bunch. There’s little public information about whether Google itself runs ACR or leaves it to each manufacturer. HiSense, for instance, admits to collecting both audio and video data through its Google TV sets. I couldn’t find any comparable details from Sony (a larger maker of Google TV sets), which suggests the fine print may only appear on the TVs themselves, hidden behind those long on-screen agreements few people read before clicking “accept.”

For anyone worried about this kind of data collection, the best defense is to treat your TV as just a display. Disconnect it from the internet and use a separate streaming box instead. I use an Apple TV for that reason—it isn’t perfect, but it’s far less aggressive about data sharing than the others. Consumer Reports maintains a useful guide explaining how to disable tracking features across most major brands, which I’d recommend checking out.

After reading through my LG’s privacy policy line by line, I was startled to realize how much of my personal life could be analyzed simply because it passes through an HDMI cable or streamed to it over my local network. The notion of “the privacy of your own home” is quickly becoming eroded by our “smart” technologies.

See more analysis pieces on my YouTube channel!

What’s Going on With Fire TV?

Amazon’s new “Select” 4k streaming stick with the new Vega OS has not been well received – especially by enthusiasts. In my latest video, we take a look at what’s going with the FireTV and why Amazon is moving away from the Android player we’ve come to know and mostly love over the last decade.

When I started covering tech on YouTube more than a decade ago, one of the earliest products I reviewed was the original Amazon Fire TV. It was a time when streaming boxes were still new and fragmented. Roku was around, but like today it was very limited in capabilities, and Apple’s TV box didn’t yet have apps. Amazon’s entry in 2014 was a surprise — an Android-based device with an interface built for television. It even beat Google’s Nexus Player, the first official Android TV device, to market by a few months.

Back then, the Fire TV felt like a meaningful step forward. Amazon had invested in game development studios and the box had decent graphics performance for casual play. You could sideload Android apps, and it was fast at launching video, caching streams so they started almost instantly. The platform was flexible, and the company was building a product that appealed to both mainstream users and enthusiasts.

Fast forward eleven years, and Amazon’s latest Fire TV device, the 4K Select, runs something entirely different. The operating system, called Vega OS, has replaced Android under the hood, but Amazon isn’t marketing it openly. It’s not mentioned on the box or in promotional materials. What’s more, this new system limits what the device can do. Apps now need to be rewritten for Vega OS, and many haven’t made the jump yet. In some cases, Amazon is actually streaming apps from the cloud to make them run on the new hardware, a workaround that shows how much compatibility has changed.

This move appears to be a shift in priorities. Vega OS likely helps Amazon build cheaper hardware with lower overhead, targeting the low-end streaming stick segment rather than the higher-performance devices that used to appeal to enthusiasts. Developers can build in React Native, which is cross-platform, but that still means maintaining another version of their app specifically for Vega. Whether streaming app makers will see that as worth the effort remains to be seen.

According to AFTVNews, Amazon is keeping Vega OS confined to the entry-level devices for now, while higher-end Fire TVs and smart TVs may move to a different system based on Android 14.

The timing of this change may have something to do with where Amazon stands in the streaming device market. Data from Pixalate shows Roku leading with about 36 percent of U.S. market share, far ahead of Fire TV’s 14 percent. Roku focuses almost entirely on delivering video streaming with a simple interface. Consumers seem to prefer that over devices that try to do more. Fire TV’s more advanced features don’t appear to be helping it compete.

Roku’s financials tell a similar story. They’ve been selling hardware at little or no profit but making nearly a billion dollars a quarter in gross profit from their platform business — most of it advertising. These devices aren’t meant to be powerful computers anymore; they’re ad platforms with remotes attached. Amazon seems to be trying that model, prioritizing simplicity and scale over capability.

Google is reportedly rethinking its own TV strategy as well, possibly moving away from its current Google TV platform. For users who enjoyed the flexibility of older devices like the NVIDIA Shield (compensated affiliate link), there may not be many options left. The Shield still offers features like sideloading, local media playback, and advanced home theater support with Dolby Vision and lossless ATMOS, but it’s starting to look like an artifact of a different era.

I find it telling that Amazon, a company that once encouraged experimentation on its Fire TV line, is now quietly locking it down. For people who use these boxes just to stream Netflix or Prime Video, that may not matter. But for those who like to tinker — to run emulators, custom apps, or personal media servers — this marks the end of an era. The industry seems to be moving toward simpler, more disposable devices designed to serve ads and stream content, not extend functionality.

My advice? Buy as many NVIDIA Shield devices as you can while they’re still for sale.

Windows 10 Is Dead – What Are Your Upgrade Options?

The end of Windows 10 is coming up, with Microsoft planning to stop support on October 14, 2025. I’ve been seeing the same warnings you probably have — those pop-ups telling you to upgrade to Windows 11 — and I wanted to take a closer look at what that really means for people still using perfectly good older computers.

Check it out in my latest video!

Windows 10 has had a long run, and I’ve always liked how well it performed even on lower-end hardware. The problem now is that Windows 11 has stricter requirements, mainly the need for a TPM 2.0 security chip and newer processors. If you’ve got an Intel 8th Gen or newer, or an AMD Ryzen 2000 or newer, you’re likely ok to upgrade.

Anything older isn’t officially supported, though there are ways around it. Microsoft doesn’t recommend circumventing the TPM chip requirement, and if they make a change assuming everyone has TPM 2.0, it could cause problems later. Business and government users also have to meet compliance standards, so running an unsupported version isn’t an option for them.

To see how this plays out in the real world, I fired up one of my older PCs — a small Shuttle box with a Celeron processor — and ran Microsoft’s PC Health Check app. It said I could upgrade for free, meaning this one squeaks by. Once Windows Update offers it, I can upgrade to Windows 11 in place. As always, it’s smart to back up first, but the process should be straightforward.

If your machine doesn’t qualify or you’re not ready to move on, Microsoft has something called the Windows 10 Extended Security Update (ESU) program. It’s available to consumers for another year, through October 2026. You can join it for free if you sync your PC settings with Microsoft, trade some Microsoft reward points, or pay $30. It’s not a long-term fix, but it buys more time for hardware that’s still working fine.

For people who’d rather try something new, Linux is worth a look. I tested Linux Mint on that same Shuttle PC, running the XFCE Edition since it’s lightweight and good for older systems. It’s surprisingly easy to get going, with a “live boot” option that lets you try it out without installing anything. Everything worked on my demo machine, and once installed, Mint has most of what you’d need — a web browser, office software, and access to more apps through its software manager. It uses about 1.2 GB of RAM sitting idle, so a 4 GB system runs comfortably.

Installing Linux does mean wiping the drive, so backups are essential, but if you’re done fighting with Windows upgrades, it’s a practical way to keep an older PC useful. I’ve noticed Linux often feels faster on aging machines than Windows 11 does, and since it’s supported well past 2029 for Mint’s current version, it’s a stable alternative.

Whether you stick with Windows 10 a bit longer, move to Windows 11, or jump to Linux, you’ve still got options. It’s interesting that after all these years, some of the oldest PCs still have life left in them — they just need a new OS to keep going.

Is UPS Looking the Other Way on Fraud?

I recently posted a video about the “D Deng” review bribery scam where I was offered $20 to remove a negative review and replace it with a five-star one. In that first video I mentioned the letter originated from a UPS store address in California. At the time I assumed the store was just being used without its knowledge, but I’ve since learned the company actually rents a mailbox there.

In my latest video we hear from that store along with UPS Corporate.

As a recap I didn’t take the bribe, but I did report the attempt through Amazon’s review compensation reporting system, uploading the letter and details about the product. Not long after, the product is no longer available for sale, although the seller’s page remains active.

A few days later, Amazon emailed me to acknowledge the report, but also let me know my review of the product had been removed while the investigation was underway. That leaves only glowing five-star reviews on a product I found to be subpar. If the listing comes back, shoppers will see no critical feedback. Sometimes it feels like no good deed goes unpunished.

When I reached out to the UPS store where the letter originated, they said:

We are not part of any kind of services/activities that our boxholder are associated with. They are just using our mailing address so we are not responsible for anything they do.

But the terms of service agreement every UPS Store customer signs clearly prohibits unlawful, illegitimate, or fraudulent use of a mailbox. This scam is exactly that—fraudulent and against federal law. Yet this mailbox holder has operated from the same address for at least four years as it was the same one used in a brushing scam in 2021.

I also asked UPS corporate for comment. Their reply wasn’t much better:

The UPS Store network of stores provides a variety of personal and business services for our customers. All but a handful of The UPS Store locations are individually owned and operated by local franchisees. Franchise owners hire and train their staffs and are responsible to ensure they follow all required laws and regulations related to the services they provide to customers. We have no direct affiliation with the business about which you are inquiring and are not privy to their interests or operations.

Postal authorities and/or law enforcement often work with franchise owners when investigating alleged violations, and we have no reason to believe that could not occur here.

So while they absolve themselves of a franchise holder not following the terms of service, they do profit from that mailbox—5% of monthly sales for royalties plus another 3.5% for marketing according to the UPS store franchise website. That means UPS profits from mailbox rentals, including this one. While technically arms-length, it’s hard to ignore that the corporate parent benefits financially from the revenue franchisees collect, even from problematic clients that violate the terms of service all franchises must present to their mailbox customers.

This whole episode highlights how scams keep finding places to operate, and the corporate owners of those places look the other way. Whether it’s on major e-commerce platforms, social networks, or something as simple as a rented mailbox, there’s little incentive for the companies involved to intervene. They still get paid while fraudsters exploit people. For consumers, it means being extra cautious, because the protections we assume are in place from seemingly trusted corporate brands often aren’t.

A Company Tried to Bribe Their Way Out of a Negative Review – The “D Deng” Scam

In my latest video, I reveal yet another brand behaving badly. This time sending out letters to bribe Amazon reviewers to delete their critical reviews of products.

I recently bought a product on Amazon (affiliate link) that looked like it could be useful for filming. It was a small display that snaps onto the back of an iPhone to mirror the front screen, which sounded ideal since the rear cameras are much better than the front-facing one.

At first, the device seemed to work, but once I hit record, I noticed the display lagged 20 to 30 seconds behind realtime. That made it useless for its intended purpose, and on top of that, the orientation button didn’t work either. I left a review describing what I found—both the good and the bad—but ultimately explained why it didn’t serve its purpose or meet its marketed claims.

After posting my review, I received multiple messages from the third-party seller offering direct refunds, though they avoided directly asking me to change my review. Their eagerness to issue a refund without going through Amazon made sense—too many returns can trigger Amazon to delist a product. But I had already started the Amazon return process so I ignored them.

Not long after that, a letter showed up at my home offering me $20 if I deleted my review. This was troubling because it showed the seller had access to my address, even though the product came from Amazon’s warehouse.

The letter asked me to not only remove my review but also replace it with a five-star positive one. It included instructions to scan a QR code that led to a Chinese website, which logged some data, and then redirected my browser to a mailto address with my order information and gift card preference.

The letter explicitly said not to mention the gift in the review “to protect your Amazon account.” This of course violates Federal Trade Commission guidelines and Amazon’s terms of service, leaving customers at risk of losing their accounts or worse.

The letter came from a UPS store address in San Leandro, California, which has been tied to similar scams in the past. Searching online, I found others had received almost identical letters, sometimes dressed up to look like official Amazon communication. Some even pushed people to review products they hadn’t purchased, including inappropriate ones for adult toys, raising concerns about what unsuspecting recipients—possibly even kids—might see when opening these envelopes.

What makes this situation particularly concerning is how long it seems to have been happening. Reports going back years link the same address to review manipulation and product “brushing” scams, where people receive unordered items to inflate seller ratings. Amazon has been trying to crack down, even working with Chinese authorities to pursue criminal cases, but the persistence of these letters shows how difficult it is to stop.

For anyone who gets one, Amazon has a reporting mechanism. You can submit the product details, ASIN number, and a copy of the letter through their review compensation reporting page. It’s important to do this because the more evidence Amazon has, the better they can track and take action against bad actors. For the rest of us, the takeaway is to stay vigilant. A $20 gift card isn’t worth risking your account, your reputation, or potentially landing yourself in hot water with the law.

A Retail Field Test of ATSC 3.0 / Nextgen TV availability – Are they even trying?

I’ve been covering cord cutting for a while now, and lately, over-the-air television has taken up a lot of my attention. It’s a solid, free alternative to cable, but there’s a shift happening in the broadcast world that’s causing some issues. The industry is transitioning from ATSC 1.0 to a new standard called ATSC 3.0, or NextGen TV. On the surface, this new standard looked like a real improvement, but the added layer of encryption broadcasters are implementing is making things more expensive, less convenient, and a lot more complicated.

Broadcasters have insisted that plenty of devices are available to tune in to these new signals, so I decided to test that claim myself. I went out shopping to see what’s really available, visiting Best Buy, Walmart, and Target to look for NextGen TV compatible products and the logo that Pearl TV, the industry’s marketing group, has been asking consumers to look.

You can see how it went in my latest video.

Pearl claims to have reached millions of households with their marketing campaign and sold millions of compatible devices. They also maintain a website listing all the NextGen-certified products.

My first stop was Walmart, the largest seller of TVs in the United States. The store had plenty of options from brands like Samsung, LG, Hisense, and TCL, but none supported ATSC 3.0 according to the NextGen TV website. This means most people buying a TV at Walmart today are getting one that can’t receive the new signals without a separate device.

Despite that, Walmart had a decent amount of shelf space devoted to over-the-air antennas. Shelf space in a store like Walmart isn’t assigned lightly, so those antennas must be selling. Interestingly, I did find the NextGen TV logo on some of those antennas, but again, not on any TVs themselves. And if you go to Walmart’s website, there’s no option to filter TVs by NextGen compatibility.

At Best Buy, there was a wider range of TVs, including some high-end models that do support ATSC 3.0. The salesperson I spoke with was knowledgeable and pointed me toward the higher-end Sony, LG, and Samsung models. But he wasn’t aware that LG had recently stopped including ATSC 3.0 tuners due to a patent issue. Even among the TVs that did support the standard, there was no visible NextGen branding or mention on in-store signage. I asked if customers often asked about the feature, and he said almost no one does. Most people are more concerned with whether their TVs support streaming apps. Best Buy also had a few antennas with the NextGen logo and some Tablo DVRs for sale, but those only work with the older ATSC 1.0 standard, since ATSC 3.0 gateway devices are effectively locked out right now.

Target had the smallest selection of TVs, mostly mid to low-end sets, none of which supported ATSC 3.0. They also had antennas for sale, with the NextGen logo prominently featured. But like the other stores, there was no way to filter for ATSC 3.0 on their website. Even Amazon, with all its filtering options—covering things like screen mirroring tech and USB-C ports—has no option to search for NextGen TVs. It was the same story on Samsung’s own website. The only retailer I found with a NextGen TV search filter was B&H Photo (compensated affiliate link), and the models listed were all priced over $1,000, since most ATSC 3.0 TVs are still in the premium category.

This whole experience shows that despite the claims being made, most consumers are not buying Nextgen-compatible TVs as most TVs don’t have the tuner. Even if someone wanted one, it’s hard to know which models support it in-store. There’s virtually no signage, no website filtering options, and minimal awareness from retail staff.

Pearl TV may tell the FCC otherwise, but it’s clear there’s still a long way to go. What’s especially frustrating is that without DRM, this new standard could have been something to get excited about. Instead, us tech reviewers have spent years focusing on the DRM problem rather than celebrating the benefits. The broadcasters chose this path, and now they’re claiming those of us who are raising concerns are just astroturfing the issue. There’s still time to fix things, but the window is closing.

The Most Elaborate YouTube Credential Stealing Phishing Attack I’ve Ever Seen

I’ve been on YouTube for over a decade now, and with that comes a steady stream of emails—some from viewers, some from brands, and quite a few from scammers. Most of the scam attempts are easy to spot, but every so often, one comes through that’s far more convincing than the rest.

This most recent example caught my attention for how elaborate and well-executed it was, and I think it’s worth sharing as a cautionary tale.

These attacks attempt to get YouTube creators to download malware that steals their login credentials. You’ve probably seen this happen to other creators—big names like Linus Tech Tips have dealt with it. These attackers use social engineering tactics, many times impersonating an ad agency or brand, and send over the malware disguised as a contract.

I get messages daily that are easy to dismiss. One claimed to be from Nvidia offering an RTX 5000, but the email came from a random address in Slovakia. Another one, supposedly from Black Desert, had similar red flags. But others look much more legitimate. One scam I looked into a few weeks ago appeared to be from Corsair. The sender impersonated a real employee and used graphics and assets from Corsair’s actual website. But there were giveaways—like an email that, on reply, went to a random Gmail account and an SMTP server tied to a school in India. That one was fake, but you could spot it with a little digging.

Then came the Sony campaign email, which was on a whole different level. It started with a message from someone at “creatorpulse.org,” presenting themselves as an agency. I hadn’t heard of them before, so I checked out their website. It redirected to another agency, which looked like a social media marketing company. That wasn’t necessarily suspicious, since agencies often operate under different names for different industry verticals.

I responded, just to see where it would go. The sender said this was a major opportunity with Sony and directed me to watch a video on YouTube for more information. The video featured a very professional looking and sounding host that provides a set of instructions to the Creator for participating in the campaign. Creators were promised sizable compensation for this campaign along with up-front payments.

The YouTube channel, “Sony Partnership”, where this video lived looked authentic. It had a verified badge and 139,000 subscribers along with a lot of content taking back years. The video had been posted as unlisted and had over 4,600 views. Other creators were clearly being targeted.

But when I dug deeper, I saw that the content on the channel wasn’t original. It was made up entirely of playlists featuring official Sony videos. The channel itself hadn’t uploaded any public content—it was just borrowing legitimacy by curating the official Sony channel’s content.

I followed the link provided and logged into the associated website using a VPN and a dummy account. The site asked for access to a YouTube channel, displayed some generic YouTube stats, and then prompted users to download a password-protected archive which was supposedly an encrypted spreadsheet of products to request.

But the archive only worked on Windows, which was the biggest red flag. These types of files typically contain malware. If opened, they execute a script designed to steal Google and YouTube credentials. Once that happens, scammers can take over the channel, replace all content with crypto scam livestreams, and impersonate the original creator.

That’s likely what happened to the “Sony Partnership” channel. It was probably a legitimate account at one point—maybe even a verified one with a decent subscriber count—before it was compromised and repurposed for this phishing scheme.

The video in the scam featured a professional-looking host. Curious about who he was, I grabbed a frame and ran an image search. That led me to the portfolio of a video editor and, eventually, to a Fiverr spokesperson named Radostin Radev. He’s not involved in the scam; he was hired through Fiverr, likely thinking he was working for Sony, a past client of his. When I contacted him, he was shocked to find out how his video was being used. He hadn’t known about it until I reached out.

Others have reported receiving similar emails from fake agencies, but linking to the same video and site. Despite these reports, the scam site is still up and running, protected by Cloudflare, and the hijacked YouTube channel remains active and has been for at least a week.

The motivation here is financial. These fake crypto livestreams actually pull in money. One report from Bank Info Security detailed a scam that netted $1.6 million. The tactic is to ask viewers to send a small amount of Bitcoin in exchange for an investment opportunity or giveaway. With a hijacked, verified channel, scammers can use YouTube’s algorithm to amplify reach—sometimes with the help of fake viewers—to pull in real victims.

Bitdefender published a good deep dive last year explaining how these attacks work. It’s worth a read if you want to understand the mechanics behind it. But the bottom line is this: scammers are evolving. They’re spending money, crafting believable narratives, and using stolen or compromised infrastructure to increase their odds of success.

Staying safe means being skeptical, even when everything seems to check out on the surface. Always double-check domains, email headers, and don’t download files you weren’t expecting—especially if they’re password protected and only work on one operating system.

Congress is About to MANDATE AM Radio in Cars

When I was a kid, my dad used to drive me to work with him during the summers. He had this 1990s-era Mercedes-Benz, and every morning we’d listen to New York AM radio on the way in. Imus in the morning on 660 WFAN, and news on WCBS 880 on the way home. It felt like everyone was tuned in. But a lot has changed, and now Congress is stepping in to keep AM radio alive.

Learn more in my latest video.

There’s a bill moving through Congress that will require all vehicles sold in the U.S.—electric, gas, whatever—to include an AM radio. It has bipartisan support, with 60 co-sponsors in the Senate and 241 in the House. All of this support across the political divide means that this actually might happen. Plus, many members of Congress appear on morning AM radio programs so they have a personal connection to their local stations.

Tesla and BMW haven’t included AM radios in their electric vehicles for over a decade. More recently, other manufacturers have removed AM radios from their EVs and hybrids. The motors in electric vehicles interfere with AM reception because they resonate on similar frequencies to AM radio broadcasts. Automakers have instead opted to offer FM or digital streaming options. In some cases, you can even get AM radio through an HD FM subchannel. That workaround seems to have satisfied most customers so far as there hasn’t been a huge consumer outcry.

Still, the bill would give the Department of Transportation a year to write rules requiring all new vehicles to receive AM broadcasts. There’s a small out for EVs: they can meet the requirement with a digital-only AM receiver, which may be easier to implement. The bill also orders a GAO study on emergency alerts and whether AM is still the best option. There’s a 10-year sunset clause too, so the mandate isn’t forever unless Congress renews it.

The National Association of Broadcasters is backing the bill. That’s not surprising—they see it as essential to preserving AM radio’s role in emergency communications. Senator Ed Markey has been a vocal supporter, citing the unreliability of the internet during emergencies. But it’s worth noting the irony here: while he defends AM as a critical emergency resource, broadcasters are encrypting over-the-air TV signals, which in many cases require an Internet connection to tune into. If emergency access is the priority, maybe it’s time to talk about over-the-air TV encryption too.

On the other side, the Consumer Technology Association is spending heavily to oppose the bill. They argue that nearly everyone now gets emergency alerts through their phones. They cite a survey showing 95% of people remembered getting an alert on their smartphones during a nationwide test, compared to just 1% who heard it on AM radio.

Industry estimates suggest it could cost $3.8 billion to reintroduce AM radios into EVs. Shielding, filters, multiple antennas—it’s not a simple fix. But the law only says a car has to have an AM radio, not that it works particularly well. So automakers may just aim for “good enough.”

AM radio’s advantage is its reach. Because it operates at lower frequencies than FM, its signals travel much farther—especially at night. A powerful AM station can broadcast 100 to 200 miles during the day and sometimes thousands of miles further after dark, thanks to atmospheric bounce. That makes it valuable in emergencies, especially if power is out and people are fleeing in their cars. FM doesn’t cover the same ground, even at similar power levels.

Still, listenership trends are hard to ignore. Back in 2009, the FCC found that just 4% of 12–24-year-olds listened to AM radio. Even among 25–34-year-olds, it was only 9%. The median AM listener back then was 57 years old. In my own YouTube poll, 72% of respondents said they don’t listen to AM radio at all. Just 5% use a streaming app to tune in. It’s anecdotal, sure, but it lines up with national trends.

Despite all that, traditional radio—AM and FM—is still surprisingly strong. A 2022 Pew/Nielsen study found that 82% of Americans tune into radio weekly, and nearly half get some news from it. But podcasting is clearly catching up. According to Edison Research, daily podcast listening has skyrocketed across every age group since 2017. That growth is particularly pronounced among older adults—radio’s core audience.

What’s striking from the Edison Research report is that people mostly listen to podcasts at home. In the car, it’s still over the air AM/FM radio. And most people still commute alone by car according to Census data. Some of the comments on my YouTube poll echoed this. Respondents who retired or no longer have a commute stopped listening to the radio.

So if the radio disappears from the dashboard and a podcast button shows up instead, that’s a major threat to broadcasters. This bill feels like an effort to hold off that transition for just a little while longer.

This mandate, if it passes, won’t turn back the clock and will likely result in interference-ridden radio buttons that EV drivers won’t tune into.

Digital Game Purchases Are Being Taken Away from Gamers – My Experience

Have we crossed the event horizon into the digital games abyss? I think we might be there. I’ve been buying digital games since the Xbox 360 era—about 20 years now—and a recent story about SNK delisting its Neo Geo games from the Google Play Store made me reflect on just how fragile digital ownership has become. Some of these games were paid titles, and now, even if you bought them, you can’t download them again. They’re just gone.

I take a look at this issue in my latest analysis video.

This isn’t an isolated incident. Ubisoft shut down the servers for the original The Crew game—even for single-player—which rendered both the physical and digital versions unusable. In court filings, Ubisoft even argued that consumers shouldn’t expect to own games forever. That statement alone raises serious concerns about what digital ownership really means.

There’s been some pushback. A petition effort in the EU called “Stop Killing Games” has collected over 1.2 million signatures. It calls for publishers to make games playable in perpetuity if they’re sold as stand-alone purchases. It also pushes for upfront disclosure of how long server-dependent features will be supported. Some developers are fighting it, but it’s encouraging to see gamers so fiercely defending their rights. I only wish more consumers in other markets showed this level of passion and persistence.

I spent the weekend looking through my digital game purchases across various platforms to see what I still have access to. On Xbox 360, I was able to retrieve my very first digital purchase from 2005—Zuma—and get it running again. But the process was clunky. You can’t view purchases on the web, only on the original console, and it’s not clear how long Microsoft will keep those old servers running. My console frequently errored out if I scrolled my past purchases list too quickly.

Not all Xbox 360 games made the jump to modern Xbox consoles through their backwards compatibility efforts. A favorite of mine, Afterburner Climax, never made it to modern devices due to licensing complications over the aircraft featured in the game. Microsoft has stopped porting more titles over for now, citing legal and technical challenges.

On Steam, things look better. My early purchases, including Half-Life 2, are still accessible. I haven’t lost any games there yet. GOG, formerly Good Old Games, also continues to offer access to titles I bought as far back as 2011, like Wing Commander and Castles. They’ve even improved some of those games to work better on newer hardware. The best part about GOG is that the games are DRM free – so you can download them in full and archive them.

Nintendo’s 3DS platform is a mixed bag. I couldn’t test mine because of a swollen battery, but Nintendo has said 3DS downloads are still available—for the “foreseeable future.” Whatever that means.. That wording isn’t exactly reassuring.

The worst offender in my experience has been the Apple App Store. When Apple transitioned to 64-bit apps, many older 32-bit games stopped working. If developers didn’t update them, they disappeared. Big publishers like EA were among the culprits. I had purchased a $10 version of SimCity that ran great on iPhone, but it’s now gone. In its place? A freemium replacement with in-app purchases. Even if I kept an old iPhone with the app installed, it’s tough to get back in due to outdated App Store compatibility.

Other games I lost include THQ’s Star Wars Trench Run, Amateur Surgeon from Adult Swim, and a bunch of others that aren’t even visible in my purchase history anymore. I probably lost at least $30 worth of games, and I can only guess how much other gamers have lost over the years.

There is a workaround for some of these lost iOS games. The Internet Archive hosts an extensive collection of .IPA files, but to install them, you’ll need an old iPhone running iOS 10 or earlier—and you’ll need to jailbreak it. It’s not simple, but it’s one way to reclaim what was lost. I found almost all of my missing games there.

All of this underscores how important digital preservation efforts are. It’s not just about nostalgia. It’s about protecting access to things we’ve paid for and preserving digital history. There’s no consistent law guaranteeing our rights to these digital purchases, and that needs to change. Even worse, gamers looking to preserve DRM protected works could be opening themselves up to legal issues as the DMCA criminalizes DRM circumvention.

If you’ve lost access to games or apps you paid for, I’d be curious to hear your story in the comment section of my video. Whether it was a suspended account or a platform shift beyond your control, you’re not alone. We may not fully realize the scale of this digital abyss until it’s too late.

Comcast Eliminates Data Caps – But You Have to Call First

We’ve been following the Comcast data cap saga for years, and this week there was finally some movement worth talking about. Comcast has made a major shift in its internet plans: the dreaded data caps are gone—for now. The change isn’t automatic, though. You’ll need to call or visit Comcast’s website to make the switch yourself.

I take a look at their new Internet plans in my latest video.

For a while, Comcast’s cap was 1.2 terabytes a month, with a $10 charge for every 50GB you went over unless you paid a hefty monthly fee to bypass it entirely. It wasn’t a small issue either—many people, especially in areas without competing providers, had no choice but to deal with it.

Interestingly, in parts of the Northeast where there’s more competition, Comcast never turned on the caps. Comcast planned to roll them out during the early COVID lockdowns but backed off when the timing turned out to be especially poor. Increased competition in those regions likely kept the caps at bay.

Now Comcast is facing even more pressure. The FCC recently approved a merger between Verizon and Frontier, which means Verizon’s footprint is about to expand significantly. Frontier, after emerging from bankruptcy with a pile of copper infrastructure, managed to build out a decent fiber network using their existing poll attachments. They’ll now be part of a much bigger player, giving Comcast real competition in areas they used to dominate.

To stay competitive, Comcast has introduced new nationwide pricing tiers that eliminate data caps and includes a modem/router gateway without additional fees.

There are several tiers available, from 300 Mbps to 2 Gbps download speeds, though the upload speeds remain asymmetrical. The upstream rates will vary depending on where you live and typically range between 20 and 200 megabits per second.

But like anything with Comcast the price tiers are not cut and dry. Each data rate has three different prices: a one year lock, and five year lock, and an “every day price.” The one year rate is the least expensive, but after the year is up it will revert to the every day rate which at the moment is $30 more per month.

You can cancel service any time without a penalty, but you’ll lose that rate if you decide to come back later. My advice is for people in regions with more ISP competition to go with the one year as you’ll likely get the same or better deal after the year is up. If Comcast is your only choice, the five year is probably your best bet to maintain pricing stability.

The announced prices are assuming you opt into their $10 monthly autopay discount—and they’ll only give you that discount if they can draw directly from your checking account. Credit card autopay doesn’t qualify.

I looked at my own local rate card and confirmed that these new rates are available here in Connecticut. Comcast also offers bundling discounts if you include phone or mobile service, shaving off $10 to $40 depending on how many products you add.

Still, if you’re only looking for internet service in competitive regions, Comcast is not necessarily the cheapest option. Fiber providers like Frontier and GoNetspeed in my state offer symmetrical upload and download speeds, and at lower prices. For instance, Frontier offers 500 Mbps for $30 a month for the first year, while Comcast charges $55 with a one-year lock. But I’m finding all of these ISPs are always looking for ways to up their charges once customers have been with them for awhile.

The important takeaway here is that Comcast’s move to eliminate data caps and bundle in rental equipment is a direct response to increased pressure from fiber providers. Even in areas where Comcast still holds a monopoly, the new pricing applies—so it’s worth taking the time to switch plans.

The trick now is staying alert and ready to exercise your power as a consumer in a competitive marketplace. When your promotional rate expires, don’t let it slide. Call, negotiate, or switch to get the best price.

Here’s Why Your Cable or Streaming TV Bill is So Expensive..

If you’ve ever looked at your cable or streaming TV bill and wondered why it keeps climbing, there’s a good chance it has something to do with retransmission consent disputes like the one playing out between Altafiber and Nexstar. This case gives us a rare look inside the kinds of negotiations that usually happen in private and might help explain some of the hidden costs passed along to subscribers.

I take a look at the complaint in my latest video.

Altafiber, formerly known as Cincinnati Bell, filed a complaint with the FCC accusing Nexstar of negotiating in bad faith. At the heart of the complaint is Nexstar’s demand that Altafiber carry its cable news network, NewsNation, as a condition for continuing to retransmit one of its local broadcast stations. Altafiber claims this violates FCC rules as they allege that Nexstar is not negotiating in good faith by forcing a cable channel to be bundled with a local broadcast station.

What’s more, Altafiber says that only about 900 of its 87,000 subscribers live in the market where Nexstar’s broadcast station is located. Yet they’re being asked to pay for NewsNation across their entire subscriber base. Altafiber says viewership of NewsNation is extremely low, adding that only about 30 people complained when NewsNation was dropped. They argue that the proposed increase in Newsnation’s renewal fee is 15 times the rate of inflation.

This situation is part of a larger trend. Broadcasters used to be guaranteed carriage on cable systems through must-carry rules, but those were ruled unconstitutional in the 1980s. The Cable Act of 1992 replaced that with a system where broadcasters can either demand free carriage or negotiate “retransmission consent” which requires cable operators to pay to carry the station. Most broadcasters chose the latter, and the result is a steady increase in retransmission fees as advertising revenues decline. In my area, Comcast’s local broadcast TV fee recently jumped from $32.75 to $37.50 per month at the start of 2025. And that’s on top of the regular monthly bill for cable and internet service.

This kind of cost creep was what finally pushed me to cut the cord. These fees tend to sit outside of long-term contracts, so they can be increased at any time. The added frustration is that you’re often paying for channels you don’t watch or want, but have no choice in the matter. Altafiber claims NewsNation is profitable not because of viewership, but because of these kinds of forced bundling tactics.

In 2023, Nexstar made $2.57 billion from retransmission fees—far outpacing their ad revenue. In 2024 that number rose to $2.9 billion. The business model seems less about attracting viewers and more about collecting fees from cable and streaming companies, who in turn collect them from you.

The National Association of Broadcasters is pushing for even more deregulation, including relaxed ownership rules and changes that would let them negotiate directly with streaming services like YouTube TV and Hulu in the same way they do with traditional cable companies. That means the $83 monthly bill you’re paying for streaming could go even higher if these efforts succeed.

Some people (like me) try to bypass all this nonsense with an antenna, but that’s becoming harder too. The new ATSC 3.0 broadcast standard is encrypted using DRM that relies on Google and Amazon infrastructure. To watch free over-the-air TV, you often need a “certified” Android box connected to the internet to download decryption keys. The whole system is positioned as protection from “big tech,” yet it can’t function without it.

It’s not often we get this level of detail into how the sausage is made. But based on how things are trending across the industry, the next price hike is probably already on its way.

The Switch 2 Launch Was Nintendo’s Most Successful and Most Boring..

I picked up a Switch 2 (compensated affiliate link) the other day—not because I had planned on it, but because I noticed GameStop had them in stock, so I grabbed one. I’ve been playing with it since, but what really stood out to me wasn’t the console itself—it was the nature of the launch. This might be the most low-key console release I’ve ever seen. My kids, who are big Nintendo fans, didn’t even know it was happening. None of their friends were talking about it either. It felt like the Switch 2 just kind of… appeared. And I think that was by design.

See more in my latest video.

That said, the launch was a success for the Big N. They manufactured enough inventory to get units into the hands of most early adopters who wanted one. Nintendo says it’s their most successful console launch to date, selling 3.5 million units in its first four days on the market. Scalpers are not making much money this cycle as a result.

The Switch 2 feels like a slightly better version of the original Switch. It feels faster while navigating the interface and it now has 4K output when docked, though most games won’t take advantage of that. The handheld now sports a larger and higher resolution 1080p screen at 120Hz with variable refresh rate.

There are some tweaks to the hardware: it now features magnetic Joy-Con attachments that attach securely (but prevent the use of non-drifting hall effect sticks), dual USB-C ports, and a sturdier kickstand. Docking works smoothly, and the whole thing feels very familiar to the original Switch. That seems intentional. Nintendo didn’t want to reinvent the wheel—they just wanted to refine it. The result is a console that’s very recognizably a Switch, just with some extra capabilities and polish.

Backward compatibility has been seamless in my experience. Some older games even seem to run a little better. Nintendo is also offering paid upgrades for certain titles—I spent $10 to upgrade my copy of Zelda Tears of the Kingdom, for instance.

As for new games, there’s not much to talk about. Mario Kart World is the marquee launch title along with Fast Fusion, a sequel to an F-Zero style racing game that launched on the first Switch. There’s three remakes/remasters of older games exclusive to the Switch 2: Survival Kids, and Bravely Default HD, Yakuza 0 Director’s Cut. Aside from that, there’s Nintendo Welcome Tour, which is more of a tutorial than a game. The rest of the lineup are bunch of ports of games that have been out for awhile on other systems including Cyberpunk 2077 and No Man’s Sky.

Price-wise, it’s not cheap. $449 for the console and dock, or $499 if you want the Mario Kart World bundle (which comes as a digital download). Nintendo has also introduced a new kind of cartridge—digital key cards that don’t contain the game but rather a code to download it embedded on the chip. On the plus side, these can be resold unlike non-physical digital titles. On the downside, they rely on Nintendo’s servers, which raises questions about long-term access.

Battery life is about on par with the original Switch: two hours or so when running demanding titles like Mario Kart, and a bit more for lighter games.

What stood out to me most about this launch was how quiet it was. Nintendo made a deliberate choice to ease into this. After all, they’ve been here before. The Wii sold over 100 million units, but its successor, the Wii U, sold only 13.5 million. That was a hard lesson in how quickly things can go south when the mainstream consumer base gets confused or alienated. The Switch reversed that trend and became a runaway success. Now, Nintendo’s being cautious, and I can’t blame them.

What I think we’re seeing here is the continued commoditization of video game hardware. Consoles no longer have unique, defining traits. The PlayStation and Xbox are essentially the same inside—PCs in console shells. Microsoft isn’t even making its own handheld—it’s letting ASUS handle that with a Windows-based Xbox-branded device. Nintendo’s sticking to ARM architecture with Nvidia chips, but even that feels like a holdout against an inevitable shift.

It’s starting to feel like we’re heading into a hardware-agnostic future. Where you play might soon matter less than what you play, and the idea of console exclusivity might not hold much weight when the hardware differences vanish. That raises some big questions for Nintendo. Do they eventually pivot fully into software? They resisted that move before, but as more consumers expect access across devices, the pressure might mount again.

For now, the Switch 2 is what it looks like: a slightly nicer Switch. And that might be enough to get through the rest of this decade and into the next.

Tariff Shock Hits AliExpress and Temu Customers This Week

A number of viewers were surprised by the steep import fees on the flash cartridge I reviewed last week for the old Nintendo 64—especially when ordering from sites like AliExpress or Temu. That’s because a major change is now underway with how tariffs are applied to small international packages, and many may be hit with taxes that amount to 145% of the item’s value.

I take a look at this in my latest video.

In the case of that flash cartridge for the Nintendo 64, while the product itself cost $40.84, the final charge ballooned to over $80 once tariffs and taxes were factored in. The bulk of that—more than $38—was tariff-related. This is due to the expiration of the so-called de minimis exemption, which used to shield low-value imports from duty charges.

The de minimis rule allowed shipments under $800 to bypass tariffs, even if the items were normally subject to import duties. It applied to direct-to-consumer shipments from overseas platforms like AliExpress, Temu, and Amazon’s new import-focused app called “Haul.” That exemption has now been eliminated for goods coming from China and Hong Kong.

To illustrate how dramatic this shift is, I recently ordered a Ugoos AM6B Plus TV box from AliExpress. I paid around $158 for it, but under the postal import rules, I would be hit with either a $100 flat fee or 120% of the product’s value whichever the postal service chooses. That flat fee increases to $200 after June 1st.

If the same item is shipped through a private courier like FedEx or DHL, the charges can be even worse. There’s a baseline 20% emergency tariff and an additional 125% reciprocal tariff on certain goods, totaling 145%, resulting in a total tariff of $229.10! Some items like computers and smartphones have been exempted from the reciprocal portion, thanks to lobbying by major tech companies.

Take for instance a mini PC with an Intel N100 chip selling for $139. If it comes via postal mail, the tariff would be around $167 or the $100 flat fee. Through FedEx or DHL, the duty is more fragmented—roughly $38 in this case—but still significant. And this exemption only applies if the item is considered a “computer” under customs definitions. A game console or a TV box would not, even if they have the same components.

It’s also worth noting that origin matters. Goods from countries like Vietnam are still eligible for the $800 de minimis threshold and may not be subject to tariffs based on how trade negotitions are going. But customs can scrutinize these claims, especially if the manufacturing process wasn’t substantial enough to qualify.

Both the Trump and Biden administrations have taken interest in closing this de minimis loophole. While Biden’s team signaled support for reviewing it, the Trump administration acted quickly to close it, citing concerns over rising direct-to-consumer imports circumventing tariffs and import controls.

Right now, some platforms like Temu are starting to collect import duties upfront. AliExpress, on the other hand, may notify you of the obligation but leave collection to the post office or your shipping carrier. If duties go unpaid, the packages are considered abandoned and can be destroyed or auctioned off.

Temu does import in bulk and ships products from U.S. warehouses. In that case you won’t see a separate import charge at checkout in those cases, but the tariffs will make their way into the price of the item. Large imports are not exempt from the 145% tax and we’re starting to see companies raise their prices in response.

ASUS, for example, has announced 7% to 9% price hikes on some laptops. Anker is also reportedly raising prices by 18% or more on some items. Framework, which makes modular laptops, is also raising prices. Their situation is complicated since they sell all of their laptops’ individual components as separate products, some of which are subject to duties while others are not. That kind of business model becomes harder to manage under this kind of tariff regime, especially without the lobbying power their larger competitors enjoy.

Soon I’ll be speaking with Nick Mueller from HDRetrovision, a small business that makes high-quality cables for classic game consoles. They’ve carved out a niche in the retro gaming community, but these tariff changes could seriously impact their ability to serve U.S. customers if the costs become too high.

We’re at the start of what looks like a big shift. Prices are already moving up and will likely climb further as current inventories run out and new shipments arrive under the updated rules.

If you’re a regular buyer from international marketplaces, be very careful when shopping to ensure that you won’t get bit with enormous tariff charges when the package arrives in the USA. If the retailer doesn’t collect those fees from you at the time of purchase, you will need to pay them directly to the carrier. If you don’t, you’ll be out the item and the purchase price.

Pay up: Paramount Threatening to Pull Channels off of YouTube TV

Last week, negotiations between YouTube TV and Paramount broke down, with both sides announcing that if an agreement isn’t reached, Paramount’s networks—including CBS, Nickelodeon, Comedy Central, and local CBS affiliates—could disappear from YouTube TV. Paramount is now running an aggressive social media campaign to put pressure on the streaming service.

Learn more in my latest video!

YouTube TV has already announced that if these channels are removed, subscribers will receive an $8 discount on their monthly bill. That happens to be the same price as the base tier of Paramount Plus, which might not be a coincidence. The offer seems like a calculated move to pressure Paramount, which likely earns more from its YouTube TV carriage deal than from direct streaming subscriptions. Meanwhile, Paramount has been running ads urging viewers to petition YouTube TV to keep their channels—essentially advocating for a rate increase, since any deal in Paramount’s favor will likely result in a higher subscription costs for users.

Beyond the channels disappearing, all user DVR recordings from those channels made with the YouTube TV service would also get deleted when the deal expires. In this digital age we truly control and own nothing.

The trajectory of YouTube TV’s pricing tells a familiar story. When it launched in 2017, it was a competitively priced alternative to traditional cable. Now, at about $83 per month, it’s in the ballpark of what a cable subscription costs. Much of this increase comes from rising content costs, as networks demand higher rates during contract renewals. And the issue isn’t limited to YouTube TV—cable, satellite, and streaming providers all face similar struggles as content owners seek to maximize their revenue, even as traditional TV viewership declines.

Compounding the issue, local broadcast affiliates are currently lobbying the FCC and Congress to negotiate directly with streaming services instead of being bundled into larger deals by the national networks. If that push is successful, it could lead to even higher costs, as each local broadcaster would have the ability to demand separate fees. This mirrors the problem that led to the cord cutting movement in the first place.

The changes aren’t limited to streaming. Over-the-air television, which has long been a free alternative, is also undergoing a transformation. The new NextGenTV standard introduces encryption, meaning that even recordings from an antenna will require authentication to watch and retain. While NextGen\TV promises better picture quality and features, it also represents a shift toward restricting user control, pushing more viewers toward paid services.

As these disputes play out, the power ultimately lies with consumers. Cord-cutters have more options than ever, from free streaming platforms to on-demand purchases, and shifting away from expensive, restrictive services sends a clear message. While networks and providers continue their negotiations, viewers can choose where their money goes—and that choice may be the strongest leverage available.

The Honey Scandal & Lawsuit: A case that may be hard to prove..

I was away on vacation when Megalag’s video exposing the Honey browser extension went bonkers in the YouTube creator space. This week a class action lawsuit was filed by Legal Eagle against the extension’s owner, Paypal. In my latest video, we dive into the controversy and the lawsuit. I’m not as bullish as some are about the potential to take Paypal to the cleaners over this.

For those unfamiliar with the situation, Honey has been accused of altering cookies associated with affiliate links. Here’s how it works: If you click on an affiliate link I’ve shared in a video description and later use Honey to check for coupons at checkout, the extension reportedly replaces my affiliate code with their own. This practice diverts commissions from creators like me to Honey.

The lawsuit alleges that Honey’s practices interfere with contractual relationships between creators and the affiliate networks they work with. For instance, I agreed to a contract with affiliate network providers that defines how the program works, rules that I need to abide by, and how I will be compensated. The lawsuit argues by replacing my affiliate cookie, Honey effectively disrupts this agreement. There are also claims of unjust enrichment, as PayPal benefits financially from this interference.

It’s worth noting that Honey has openly admitted to its cookie-swapping behavior in the past. Posts dating back to 2019 and 2022 confirm this. So the big question here is not if Honey is doing this but whether their conduct is interfering with the relationships creators have with affiliate providers.

This will be complicated by the fact that Honey has its own contractual relationships with the the same affiliate networks as creators. Because all of these agreements state the “last click” gets the sale – is it interference if everyone has a contract and agreed to how this competitive marketplace works? That will be up to the judge to decide.

Proving damages in this case is likely to be challenging. Affiliate systems rely on cookies, and tracking the origin of every redirected click often involves digging through extensive logs maintained by companies like PayPal. The plaintiffs in this lawsuit believe these records exist, but it remains to be seen whether the court will grant access during discovery. Even if the records can be accessed, it will be very difficult to match individual URLs to specific creators. You can see an example of that in my video.

For creators like me, the discrepancies between clicks recorded on my tracking system and those reported by affiliate networks have always raised questions. While Honey’s actions might be part of the issue, ad blockers, browser settings, and other factors play a role too.

As for the lawsuit, it’s still early days. Class action cases like this can take years to resolve, and even when settlements occur, they rarely offer much compensation for individuals. In most cases, the legal teams walk away with the largest share of the financial outcome. For instance, a previous class action against Apple awarded individual plaintiffs small sums, while the attorneys received tens of millions.

For now, I’ll be watching this case unfold with interest. While I’m not optimistic about the likelihood of significant outcomes for creators, the attention this issue is receiving could spark discussions about the ethical standards of affiliate marketing and the accountability of major players like Honey.

Cable Providers, Other Subscription Services Sue to Block “Click to Cancel” Rule

Canceling internet and cable subscriptions has long been a test of patience. While signing up for service often involves just a few clicks, trying to cancel requires a phone call with retention specialists, and sometimes a lot of negotiation.

The Federal Trade Commission (FTC) recently introduced a “click-to-cancel” rule to address this issue, mandating that companies must offer an online cancellation option if they accept online sign-ups. This rule is set to take effect in about 180 days, but the industry is pushing back. The Electronic Security Association (ESA), the Interactive Advertising Bureau (IAB), and the National Internet and Television Association (NCTA) are collectively suing the FTC, aiming to block the rule.

We take a look at their reasons for opposing the rule in my latest video.

The industry associations filing the lawsuit represent companies that would be directly impacted by the new regulation. ESA represents companies that provide home security services, IAB represents a broad range of advertising and subscription-driven businesses, and NCTA advocates for cable giants like Comcast, Cox, and Charter along with a number of cable networks. Their stance is that click-to-cancel is overly broad and doesn’t consider consumer interests or industry realities. They argue the current system benefits consumers, though evidence suggests otherwise.

For consumers, canceling a subscription can be a headache. For instance, Comcast requires either a phone call with a “retention specialist”, a trip to a local store, or even a letter in the mail to cancel. But they offer quick and easy online options for initial orders, upgrades and add-ons.

While the industry maintains that this process is straightforward, consumers tell a different story. Many consumers, like the ones who documented their difficulties on the FTC’s docket, report lengthy hold times and repeated offers instead of straightforward cancellations. Complaints and frustrations are also quite prevelant across Reddit and other social media platforms. This difficulty isn’t exclusive to Comcast; providers like Frontier follow a similar model, offering one-click purchases and upgrades but requiring a call to cancel.

There are notable exceptions, however. YouTube TV and Starlink both allow easy online cancellation, demonstrating that such policies are indeed feasible.

The real reason they are likely opposing these measures is that it makes it easier for consumers to exercise their market power. It’s a question of competition and convenience, both of which would likely improve under the click-to-cancel model.

Redbox Bankruptcy: Is Physical Media Really Worthless?

According to the Wall Street Journal, there are about 24,000 abandoned Redbox kiosks many still containing movies. The company, burdened with significant debt, has found that selling off the movies and scrapping the machines might actually be more expensive than doing nothing at all.

What does this mean for the future of physical media? I explore this in my latest video.

Not all of the machines are collecting dust – some individuals have been able to acquire them, mostly through deals with local junk haulers. There’s even a former Redbox software engineer who has shared backups of the vending machines’ operating systems on a subreddit, allowing people to potentially repurpose the kiosks for their own use.

Interestingly, some kiosks are still powered on and occasionally dispensing movies without charge. One individual documented this phenomenon, walking away with free movies after his credit card wasn’t charged but movies were spit out nonetheless.

Redbox’s financial troubles have also affected businesses that hosted the machines, including Walgreens, which is owed millions in unpaid commissions and operational costs. Despite these machines costing Walgreens about $184,000 a month to keep powered, many haven’t been turned off, potentially in an effort to boost their bankruptcy claim. Other chains face similar issues, as the removal of these kiosks comes with the added cost of safely disposing of their coolant systems.

The broader context here reveals that physical media sales have been in steady decline. According to the Digital Entertainment Group’s market data, sales of DVDs and Blu-rays have dropped by 25% from 2022 to 2023, and the first half of 2024 shows a continuing downward trend. Despite these numbers, there is still a glimmer of hope for physical media fans: sales of 4K Ultra HD Blu-rays have grown by 15%, driven by releases like Oppenheimer and collectible formats such as steelbooks.

This enthusiasm mirrors the rise of LaserDisc in the 1990s. While most consumers opted for the lower-quality VHS format, serious collectors flocked to LaserDisc for its superior video and audio.

The niche market for physical media may shrink, but it’s far from disappearing entirely. Even Nintendo has committed to continuing physical game releases for its new consoles, recognizing that many consumers still prefer tangible products that can be resold.

As Redbox fades, the niche market for physical media soldiers on. There’s still demand, especially from collectors and enthusiasts who value the quality and collectability that digital media just can’t offer. While the era of mass-market DVDs and Blu-rays might be ending, the story of physical media isn’t quite over yet.