The common sentiment among media consumers today is that physical formats are on their way to extinction. This was validated by Sony’s recent announcement that they are phasing out production of physical games, and Nintendo’s new “Game Key” cartridges that merely trigger a digital download.
So while those signs are ominious for gamers, the reality for fans of music and movies is much different – in fact I argue in my latest video that we’re in a golden age for physical media.
First let’s look at prices: newly released music and movies are selling for less today than they did thirty years ago, especially when adjusted for inflation.
I recently examined a 1994 Best Buy sales circular that listed CDs for about $11 each. At the time, that was considered a bargain, as many new releases retailed for closer to $17 at shopping mall music shops.

When adjusted for inflation, Madonna’s newest album in 1994 cost about $24 when adjusted for inflation. Her newest 2026 CD sells today for half that amount, $11 on Amazon!
This represents a substantial decrease in cost for a format that still offers higher audio fidelity than the standard subscription tiers of streaming services. Because CDs provide lossless audio, they remain a superior source for listeners concerned with sound quality. And the best part is you pay once and own access to that disc forever.
The evolution of home video shows a similar trend. In the early 1990s, the LaserDisc was the gold standard for home theater enthusiasts. A single movie could cost $50—the equivalent of $115 today—while specialized box sets cost significantly more. Today’s top tier medium, a 4K Ultra HD Blu-ray, typically retails for around $30 or less upon release. These packages often include a 1080p Blu-ray disc and a digital code, providing both a physical disc and digital convenience. For older titles, the price often drops to $20 or less. And like CDs, the audio and visual quality of a UHD Blu-Ray disc is substantially better vs. a streaming service.
And for those who enjoy the conveniences of digital media, there’s some great free tools available for converting those physical discs to digital with no loss in quality.
For music, I use Exact Audio Copy to create one-to-one digital replicas of my CDs. By saving these as FLAC files, I can maintain lossless quality and host them on a personal media server like Plex. This allows me to access my own music library from anywhere, effectively creating a private streaming service that I control entirely.
Archiving film and video games requires more specialized hardware. I use an external ASUS Blu-ray drive, which I have modified with open-source “OmniDrive” firmware. The Omnidrive firmware is necessary to read 4K Blu-ray data and to extract data from older game consoles like the Xbox 360, GameCube, and Wii.
For movies, the free MakeMKV software is what most enthusiasts use for pulling a 1:1 version of the movie off the disc which can then be transferred to your personal media server.
The same hardware and firmware setup allows for the preservation of legacy video games. By using a tool called the Media Preservation Frontend, I can create digital images of discs from consoles that are no longer manufactured like the Xbox, Xbox 360, Gamecube and Wii. These imaged discs can then be run on emulators like Xenia for Xbox 360 and Dolphin for the Gamecube. This process is particularly relevant for game preservation, as it ensures that software remains playable even after the original consoles suffer from hardware failure.
While the market for physical media has certainly narrowed to a more dedicated group of collectors, the media itself is the most affordable it’s ever been – especially for the level of quality and depth of content you get for the price. Additionally, the tools for maintaining and enjoying these libraries have never been more accessible.
By moving away from a total reliance on subscription models, it is possible to build a high-fidelity library that remains immune to the shifting landscape of digital licensing and monthly fees. The current era offers a rare intersection where the highest possible quality meets historically low prices, provided one is willing to manage the physical discs.










